The Court theatre, 1904-1907 : a commentary and criticism. With an appendix containing reprinted programmes of the "Vedrenne-Barker performances".

Mode of access: Internet.

A history of literary criticism in the renaissance.

Mode of access: Internet.

Plato as an introduction to modern criticism of life,

Two courses of lectures given in London in Michaelmas term 1905, and in Lent term 1906. cf. Pref.

Evolutionary socialism: a criticism and affirmation. (Die voraussetzungen des sozialismus und die aufgaben der sozialdemokratie.)

Mode of access: Internet.

The foundations of the Christian faith; a study of the teaching of the New Testament in the light of historical criticism.

Mode of access: Internet.

American literary criticism/

Mode of access: Internet.

American Shakespearean criticism, 1607-1865

Mode of access: Internet.

Life and matter; a criticism of Professor Haeckel's "Riddle of the universe", by Sir Oliver Lodge

Mode of access: Internet.

Trial of the Rev. Edward Irving, M.A. : A cento of criticism.

Mode of access: Internet.

Elements of criticism.

Mode of access: Internet.

History of New Testament criticism,

Bibliography: p. 185-188.

National repository : devoted to general and religious literature, criticism, and art.

Daniel Curry, D.D., editor.

Modern Shakespearean criticism : as exhibited in a letter, which was published in The Stratford-on-Avon Herald, of Friday, the 9th November, 1888, and which is here separately reprinted for the consideration of those who may be interested in the character of Shakespearean controversy.

In manuscript on verso of fly-leaf: "Only ten copies printed, J.G. Bishop."

Study & stage : a year-book of criticism /

Mode of access: Internet.

Risk Criticism : Precautionary Reading in an Age of Environmental Uncertainty /

'Risk Criticism: Reading in an Age of Manufactured Uncertainties' is a study of literary and cultural responses to global environmental risk that offers an environmental humanities approach to understanding risk in an age of unfolding ecological catastrophe. In 2015, the Bulletin of the Atomic Scientists re-set its iconic Doomsday Clock to three minutes to midnight, as close to the apocalypse as it has been since 1953. What pushed its hands was, however, not just the threat of nuclear weapons, but also other global environmental risks that the Bulletin judged to have risen to the scale of the nuclear, including climate change and innovations in the life sciences. If we may once have believed that the end of days would come in a blaze of nuclear firestorm (or the chill of the subsequent nuclear winter), we now suspect that the apocalypse may be much slower, creeping in as chemical toxin, climate change, or bio- or nano- technologies run amok. Taking inspiration from the questions raised by the Bulletin’s synecdochical “nuclear,” 'Risk Criticism' aims to generate a hybrid form of critical practice that brings “nuclear criticism”—a subfield of literary studies that has been, since the Cold War, largely neglected—into conversation with ecocriticism, the more recent approach to environmental texts in literary studies. Through readings of novels, films, theater, poetry, visual art, websites, news reports, and essays, 'Risk Criticism' tracks the diverse ways in which environmental risks are understood and represented today.