900 resultados para write
Resumo:
S.P.I.R.E., at use at Central Institute for the Deaf, is a comprehensive, multi-sensory systematic reading and language program that targets at risk and struggling students. The purpose of this project was to write additional stories and sentences for students who are hearing impaired through reader 2 that may be used in conjunction with the exiting stories and supplements.
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Si bien con la Edad Moderna el lenguaje dejó de ser un instrumento sagrado, desde fines del siglo XIX e inicios del XX se revela el carácter arbitrario del signo lingüístico, reafirmando el carácter secular de la palabra. La autora plantea que Juan Carlos Onetti reflexiona en su obra sobre el carácter y las funciones del lenguaje en el texto, desacralizándolo, alejándose de las pretensiones totalizadoras de la crítica. En los dos cuentos de Onetti («El posible Baldi» y «Luna llena») los personajes escriben. En el primero, Baldi remarca el carácter arbitrario de toda ficción (esta vez, de una ficción sobre sí mismo): destruye la tentación de convertirse en un héroe, al presentarse como un proxéneta y traficante, busca provocar el asco en una literata romántica, que ha sido seducida por la palabra, sin conseguirlo. El personaje del segundo cuento, Carmencita, siente que ha fracasado como escritora, y que su cuerpo envejecido la somete al riesgo del ridículo. A diferencia de Baldi, no se atreve a reír de esta posibilidad ni del asco, muere atrapada en una ficción que no deja de ser romántica. Se reflexiona sobre la finalidad del lenguaje en la «realidad» y en las ficciones que crean estos seres de ficción.
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El autor entrevista al narrador guayaquileño Jorge Velasco Mackenzie, quien responde sobre su oficio de escritor. Velasco sostiene que sufre con sus personajes y agoniza cuando estos mueren. Mira a Tatuaje de náufragos como un homenaje a un bar generacional, a una época y una forma de ser artista que ya no existen más, sería la autopsia de una generación y de la ciudad. Velasco sostiene que el poeta Fernando Nieto no solo fue un animador de la bohemia del Montreal, el fundador de Sicoseo, sino un hombre que sabía mucho, y un hombre generoso en lo personal, admira la posición de Nieto frente al mundo, frente a la literatura. En los escritos de Velasco siempre está Guayaquil, porque es el lugar donde nació y es el único donde puede vivir. Podría decirse que escribir sobre Guayaquil es su proyecto estético. Considera al Montreal como un lugar vivo, abierto, con sus personajes y su rocola antigua, lo evocó así toda su vida y a lo largo del libro intentó devolverle ese esplendor.
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El autor revisa el discurso de Juan Montalvo en dos textos de Las Catilinarias y en El Regenerador, señalando las estrategias que emplea para apoyar el control patriarcal sobre la mujer: simula una voz femenina que habla por y para las mujeres, sobre sus propias necesidades y deseos, censura y restringe la creatividad poética femenina, y sanciona a aquellas mujeres rebeldes que cuestionan la autoridad masculina. Señala el autor que, sobre la educación de la mujer, el “liberalismo católico” de Montalvo resulta similar a la ideología conservadora y católica de su enemigo político, el presidente García Moreno. De igual forma, en Ojeada histórico-crítica de la poesía ecuatoriana, Juan León Mera censura la autoría, autoridad y autorización para escribir de dos poetas ecuatorianas (Dolores Veintimilla y Mercedes González de Moscoso), como formas de controlar y vigilar esas mismas subjetividades femeninas “manipulables, impulsivas o pecaminosas”, hace algo similar respecto de la obra de Sor Juana, en Obras selectas de la célebre monja de Méjico Sor Juana Inés de la Cruz. Por último, en su Geometría moral, Juan Montalvo da un paso más allá, y revela el lado egocéntrico y perverso de la autoridad masculina.
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Pensar, escribir, cantar, vivir entre idiomas. Producir conocimiento desde zonas limítrofes, desde lugares y desde memorias y saberes múltiples. En este texto se busca indagar los sentidos que se insinúan en un conjunto de prácticas artísticas (literarias, visuales, musicales) que se gestan en torno a lo que se ha bautizado como portuñol salvaje. Para ello, luego de una caracterización del portuñol, se busca evidenciar la recurrencia de un gesto artístico que deviene producción de conocimiento. Se plantea que, consideradas en conjunto y a partir del contexto geocultural en el que surgen, dichas prácticas constituyen un fecundo aporte para comprender una serie de aspectos sociales, culturales, económicos y políticos de nuestras sociedades.
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Recent years have seen an increasing number of academics attempt to write more process-oriented and 'nonrepresentational' accounts of landscape. Drawing upon this literature, I discuss a number of the movements, materialities, and practices entailed in constructing England's M1 motorway in the late 1950s. The performances, movements and durability of a diverse range of things-including earth-moving machines, public relations brochures, maps, helicopters, senior engineers, aggregate and labourers-are shown to be important to the construction and ordering of the motorway and spaces of the construction company in different times and spaces, with people's experiences or understandings of construction, both now and in the past, emerging through memories, talk and embodied encounters with architectures, texts and artefacts which are assembled, circulated and/or archived. Aerial perspectives assumed a prominent role in depictions of construction, while journalists and engineers frequently drew upon a military vocabulary and alluded to the military nature of the project when discussing the motorway. (c) 2005 Elsevier Ltd. All rights reserved.
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Background: Although the efficacy of treatments for spoken verb and sentence production deficits in aphasia has been documented widely, less is known about interventions for written verb and written sentence production deficits. Aims: This study documents a treatment aiming to improve production of (a) written subject-verb sentences (involving intransitive verbs) and (b) written subject-verb-object sentences (involving transitive verbs). Methods & Procedures: The participant, a 63-year-old female aphasic speaker, had a marked language comprehension deficit, apraxia of speech, relatively good spelling abilities, and no hemiplegia. The treatment involved intransitive verbs producing subject-verb active sentences and transitive verbs producing subject-verb-object active non-reversible sentences. The treatment was undertaken in the context of current UK clinical practice. Outcomes & Results: Statistical improvements were noted for the trained sets of verbs and sentences. Other improvements were also noted in LW's ability to retrieve some non-treated verbs and construct written sentences. Treatment did not generalise to sentence comprehension and letter spelling to dictation. Conclusions: Our participant's ability to write verbs and sentences improved as a result of the treatment.
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Providing children with special educational needs with individual education plans (IEPs) was advocated in the 1994 code of practice for SEN, and retained in the 2000 code. Specifically as it relates to mainstream secondary schools, this has proved highly controversial: many SENCos report that the writing and implementing of IEPs is a bureaucratic encumbrance, whilst others, going about the process of writing IEPs in very different ways, report that the process is both manageable and beneficial to the children concerned. Given this contradictory evidence, there is an urgent need for research into this area. Having looked at three case-studies of schools using very different methods to write IEPs in ways with which they feel comfortable, a research agenda is set out with a view to informing policies which ensure that resources spent on SEN are used as productively as possible.
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Climate modeling is a complex process, requiring accurate and complete metadata in order to identify, assess and use climate data stored in digital repositories. The preservation of such data is increasingly important given the development of ever-increasingly complex models to predict the effects of global climate change. The EU METAFOR project has developed a Common Information Model (CIM) to describe climate data and the models and modelling environments that produce this data. There is a wide degree of variability between different climate models and modelling groups. To accommodate this, the CIM has been designed to be highly generic and flexible, with extensibility built in. METAFOR describes the climate modelling process simply as "an activity undertaken using software on computers to produce data." This process has been described as separate UML packages (and, ultimately, XML schemas). This fairly generic structure canbe paired with more specific "controlled vocabularies" in order to restrict the range of valid CIM instances. The CIM will aid digital preservation of climate models as it will provide an accepted standard structure for the model metadata. Tools to write and manage CIM instances, and to allow convenient and powerful searches of CIM databases,. Are also under development. Community buy-in of the CIM has been achieved through a continual process of consultation with the climate modelling community, and through the METAFOR team’s development of a questionnaire that will be used to collect the metadata for the Intergovernmental Panel on Climate Change’s (IPCC) Coupled Model Intercomparison Project Phase 5 (CMIP5) model runs.
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In 1594, major decisions were made by the governors of London and the country about plays and playing. We need to learn what lay behind these events, such as what led James Burbage to build his Blackfriars theater in 1596. That initial fiasco might tell us much about what lay behind Shakespeare’s decision to join the new Chamberlain’s Men in 1594 and his subsequent commitment to them as a full-time playwright. When the Globe burned down in 1613, a majority of the shareholders decided to rebuild it at great cost, but Shakespeare withdrew. The rebuilding was old-fashioned thinking, reverting to the company’s desire, asserted in 1594, to play indoors in winter, which helps to clarify their decisions and Shakespeare’s own—to write plays rather than more long poems. The few surviving papers of the Privy Council and the London mayoralty from the time suggest that one of the two new companies of 1594 preferred to play indoors during the winter instead of at their allocated open playhouses in the suburbs. They tried to renew this traditional practice, first in 1594 and again in 1596 when James Burbage built the indoor Blackfriars playhouse for them. The renewal of the Globe in 1614 was part of the same thinking, although Shakespeare evidently opted out of the decision.
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Philosophers and economists write about collective action from distinct but related points of view. This paper aims to bridge these perspectives. Economists have been concerned with rationality in a strategic context. There, problems posed by “coordination games” seem to point to a form of rational action, “team thinking,” which is not individualistic. Philosophers’ analyses of collective intention, however, sometimes reduce collective action to a set of individually instrumental actions. They do not, therefore, capture the first person plural perspective characteristic of team thinking. Other analyses, problematically, depict intentions ranging over others’ actions. I offer an analysis of collective intention which avoids these problems. A collective intention aims only at causing an individual action, but its propositional content stipulates its mirroring in other minds.
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A neglected critique of social science laboratories alleges that they implement phenomena different to those supposedly under investigation. The critique purports to be conceptual and so invulnerable to a technical solution. I argue that it undermines some economics designs seeking to implement features of real societies, and counsels more modesty in experimental write‐ups. It also constitutes a plausible argument that laboratory economics experiments are necessarily less demonstrative than natural scientific ones. More radical sceptical conclusions are unwarranted.
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The sparse historical and anthropological research on romantic love in Africa south of the Sahara gives the impression that the phenomenon may merely be of marginal importance. Instead, the reasons for the apparent impossibility to write about love in Africa are largely rooted in its epistemology: Western stereotypes of a continent inhabited by tribal, atavistic people, barely modernised by colonialism or touched by globalisation which introduced romantic love to the world region have been in part responsible for this dearth of academic knowledge, as have recent identity politics and practical concerns that focused research in the area on sexuality. Here, the main argument is that the almost complete silence about love in Africa may be addressed by applying a more inclusive concept of love that embraces ideologies and practices hitherto neglected, such as polygyny, and that expands the one which has been developed by historians of the medieval and early modern periods. This, in turn, enriches the research on the history of love in Western societies.
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The book describes a wide variety of students’ experiences in their practical year prior to entering University to study BSc Agriculture. Until comparatively recently it was the normal requirement for all such students, whether or not they already had home farming experience, to gain a full year’s experience of practical agriculture – and to write a report thereon. This record of 41 students’ reports of the pre-entry year begins with Paul’s own experience in the early 1950s before 41 reports from 30 or more years ago. The essays provide compelling and fascinating stories, well-articulated with clear acknowledgement for most part of the humanity and the warmth with which each student was treated by farmers and farm workers alike, despite the difference in both age and experience (considerable!). [This summary is an extract from the full overview which is archived here together with the book.]
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Historical narratives help construct social identities, which are maintained through differentiation between in-groups and "others." In this article, we contend that Fatima Besnaci-Lancou's texts, as well as her reconciliation work—in which she enjoins Beurs and Harkis' offspring to write a new, inclusive, polyphonic narrative of the Algerian War—are an example of the positive use of textually mediated identity (re)construction. Her work suggests the possibility of implementing a moderate politics of empathetic recognition of the (often migration-related) memories of "others" so as to reinforce French national belongingness.