971 resultados para Underground kultur


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This essay takes a look back to 13 years of history of the postgraduate programme DanceCulture (TanzKultur) integrated in the Institute of Sport Science of the University of Bern.

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Georg Bonne

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hrsg. von Paul Hinneberg

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Rezension zu Livia Prüll, Philipp Rauh (Hrsg.) : Krieg und medikale Kultur : Patientenschicksale und ärztliches Handeln in der Zeit der Weltkriege, 1914-1945. - Göttingen, 2014

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Dealing with popular music in premodern times historical research usually focuses on so called “Volksmusik”. But already in the 18th century researchers were disappointed to find only few traces of imaginary “traditional” music in Switzerland. They unfortunately overlooked that common people kept on with their own stubborn musical culture: Beginning with the Reformation the authorities encouraged the communities to employ schoolmasters who were able to teach music. Their goal was that everybody should be able to participate in liturgical music actively. Over generations even people with no special musical talent adopted their own repertoire of psalms plus techniques of reading music and polyphonic singing. Spontaneous choral singing evolved into a common everyday practice. The most ambitious and brightest teachers even taught instrumental lessons at home on their proper pianos and chamber organs or encouraged the villagers to build new prestigious organs in their churches. The financial burden of such instruments weighted heavily on the communities. Some of them received financial support from the government, albeit unwillingly because it was obvious to the rulers that the villages just wanted to overtop each other. Homemade music was the most important issue in the cultural life of most parishes. Rich communes spent a lot of money to win the best voices on-site for their church choirs. Belonging to an elitists’ singer association paved the way to the farmer-village’s highlevel sociability.