Ausgewählte Werke

Score: 3 to 8 voices, principally with piano reduction. German or Latin words.

Gesammelte Lieder aus dem Nachlass in drei Bänden /

Pl. no.: B. & B. 18175-B. & B. 18234.

Ein hundert fünfzehn weltliche u. einige geistliche Lieder mit deutschem, lateinischem, französischem und italienischem Text zu vier, fünf und sechs Stimmen gesetzt von den bedeutendsten Meistern des XV. und XVI. Jahrhunderts...

Contains polyphonic vocal works by various composers, including Heinrich Isaac, Ludwig Senfl, Thomas Stoltzer, Stephan Mahu, Mathias Eckel, Wilhelm Braytengrässer, Sixt Dieterich, Arnold von Bruck, Crecquillon, Gombert, Lupus, Richafort, and Verdelot.

Sang und Klang im XIX/XX Jahrhundert. Ernstes und Heiteres aus dem Reiche der Töne : mit einer Anzahl Biographien und Portraits.

Volume designation from foreword.

The vineyard of song : designed for singing schools, institutes, conventions, day schools and academies /

Includes index and brief section on rudiments of music.

Le printemps.

Words by Baïf. Cf. Fétis, F. J. Biog. univ. des musiciens, v.5, p. 262.

The first booke of canzonets to two voices /

With piano accompaniment "for rehearsal only."

Velikorusskīi͡a︡ pi͡e︡sni : v narodnoĭ garmonizat͡s︡īi /

Includes historical and critical material.

The messenger of song. Contains a graded course for singing classes and day schools; also solos, duetts, quartetts, glees and choruses for musical conventions, musical institutes, etc., etc.

Mode of access: Internet.

The Treasury of song for the home circle: the richest, best-loved gems, sacred and secular ... to which are appended brief biographies of eminent composers, performers and singers ...

Added t.p., colored.

Chansons populaires romandes : [op. 33-op. 34] /

v. 2. Chanson à la lune -- Deux amants près du lac bleu -- Trois garçons -- L'arc-en-ciel -- Chant des canotiers -- La bise a soufflé -- L'oiselet -- Mon "chez-nous" -- Hardi, Jean-Louis -- Les mouettes -- Par le chemin grimpant -- J'ai descendu au verger -- Les bonnes dames de St. Gervais -- La chanson de blé -- Chantons comme les oiseaux -- Les garçons d'Yverdon.

1er [-3e] fasc. des 150 Psaumes (éd. de 1580)

For superius, contra, tenor, bassus with piano reduction.

Potential risk factors for medication non-adherence in patients with chronic obstructive pulmonary disease (COPD)

Aims - To investigate the effect of a range of demographic and psychosocial variables on medication adherence in chronic obstructive pulmonary disease (COPD) patients managed in a secondary care setting. Methods - A total of 173 patients with a confirmed diagnosis of COPD, recruited from an outpatient clinic in Northern Ireland, participated in the study. Data collection was carried out via face-to-face interviews and through review of patients’ medical charts. Social and demographic variables, co-morbidity, self-reported drug adherence (Morisky scale), Hospital Anxiety and Depression (HAD) scale, COPD knowledge, Health Belief Model (HBM) and self-efficacy scales were determined for each patient. Results - Participants were aged 67 ± 9.7 (mean ± SD) years, 56 % female and took a mean (SD) of 8.2 ± 3.4 drugs. Low adherence with medications was present in 29.5 % of the patients. Demographic variables (gender, age, marital status, living arrangements and occupation) were not associated with adherence. A range of clinical and psychosocial variables, on the other hand, were found to be associated with medication adherence, i.e. beliefs regarding medication effectiveness, severity of COPD, smoking status, presence of co-morbid illness, depressed mood, self-efficacy, perceived susceptibility and perceived barriers within the HBM (p < 0.05). Logistic regression analysis showed that perceived ineffectiveness of medication, presence of co-morbid illness, depressed mood and perceived barriers were independently associated with medication non-adherence in the study (P < 0.05). Conclusions - Adherence in COPD patients is influenced more by patients’ perception of their health and medication effectiveness, the presence of depressed mood and co-morbid illness than by demographic factors or disease severity.

Musical commonplace book : manuscript, [approximately 1790-approximately 1810]

Contains songs, partly from English operas, and instrumental music.

Pairings: Quintets and Duos from the Collaborative Piano Repertoire

Chamber music with piano comprises some of the greatest masterpieces in the Western canon. The works range from duo sonatas with various instruments through septets. In regard to duo sonatas, the violin is the instrument most frequently paired with the piano. Of all the chamber works for larger ensembles, the most popular is the quintet. In this dissertation, I will be exploring the similarities and differences between the duo sonatas and quintets of a given composer. I will be surveying Robert Schumann’s Piano Quintet in E-flat Major, Op. 44 along with his Violin and Piano Sonata in A Minor, Op. 105. The next pairing will be Johannes Brahms’ Piano Quintet in F Minor, Op. 34 and his Piano and Violin Sonata in D Minor, Op. 108. Dmitri Shostakovich’s Piano Quintet in G Minor, Op. 57 and his Cello and Piano Sonata in D Minor, Op. 40 will be the last two works examined in this dissertation. This dissertation project consisted of three recitals, presented in the Gildenhorn Recital Hall at the Clarice Smith Performing Arts Center of the University of Maryland. The recitals featured works by Johannes Brahms, Robert Schumann and Dmitri Shostakovich and took place on March 14, 2014, February 13, 2015 and November 22, 2015. All three recitals were recorded on compact discs, which can be accessed at the Digital Repository at the University of Maryland (DRUM) and at the University of Maryland Hornbake Library.