Discussion of "Hydrodynamic loading on river bridges" by Stefano Malavasi and Alberto Guadagnini

Abstract not available.

Alberto Girri, or poetry as hermeneutic reason

One of the main factors that makes the poetry of the Argentine Alberto Girri (1919–1991) a whole world of its own is my argument that in a fragmentary world like the present, poets search for a formal integrity which in the act of reading creates not only their own inner world but also the readers'. It is important to insist on this turning point in which most of the Symbolist work is circumscribed. Later, this would be of capital importance for the avant-garde as well as for the post-avant-garde: Mallarmé's Un coup de dés jamais n'abolira le hasard would make poetry something absolutely modern. An original distribution of the white and black opened a new space for the text, shifting the then dominant phonocentrism. My close reading of this author as well as the given theoretical frame avoids the failure into an instrumental use either of the page or of the writing but ignoring physical reciprocity. What follows is, that this “shift” privileged heightened vision over audition of the “musical score”. Thus, an intense materialization of the language is achieved that increases the anonymity of the text. ^ Following this new arrangement of words, so to speak, Girri's poetic work now drives deeply inside words in order to lend them dignity from meaning. I conclude that the best way to “render” this poetry with religious aim (L. “re-ligare” to bind the fragmented) is by way of the philosophy of language. I also propose that Girri's task as a translator, mainly from English poetry, represented—with Jorge Luis Borges—a paradigmatic shift in the Spanish American horizon which had been under “logocentric” French rule since the time of Independence. This seismic change of perspective in late Modernism and post-Modernism is represented by a radical screening of Romance rhetoric, it was a shift not only over the inherited mother tongue but over his own work which was increasingly moving towards transcendent and/or metaphysical poetry. ^ Therefore, I did find that Girri's poem was constructed as a mirror closely related to that which was represented in the angelological tradition. ^

Para subsistir dignamente: Alberto Yarini and the search for Cubanidad, 1882-1910

This study looks at the broader transformations in Cuban history through the case study of a single, yet symbolic, man, and proposes a new paradigm for understanding the dynamics of Cuban society and culture. It also examines the implications for Cuba’s aspiring national identity at the turn of the twentieth century, by detailing the interplay between fact and fiction in the story of Alberto Yarini: elite born; well-educated; politically and socially well-connected; powerful; and celebrated Cuban racketeer and chulo (pimp). Yarini was described as vibrant and triumphant at a time when other nation-building forces in Cuba were weak and ambivalent. A century after his dramatic death, Yarini became the quintessential public man in Cuban lore who symbolized a cubanidad (Cuban national identity) not defined in terms of the ideological hegemony of class, race, or gender, and who through his actions dispelled the ambivalence that plagued Cuban nationalism. Using archival documents, contemporary newspaper accounts, court records, memoirs, and published works, this study analyzes the confluence of national events and individual action in the formation of Cuban national identity. It contends that for Cuba, the failure of nation-building experiments resulted in an ambivalent national identity based on failed philosophical and political ideals of equality and prosperity. These ideals played out within the context of the realities of racial discrimination, political dissonance, and class and gender barriers. Instead of a cohesive sense of national character, for Cubans the result was a competing set of identities including a populist version that was defined through identification with antitypes and pseudo-heroes such as Alberto Yarini y Ponce de León (1882-1910), a rising politician and celebrated chulo of the early republic. The telling and retelling of his story has given rise to what has been termed the island nation’s first national myth – one that continues to evolve and grow in the twenty-first century. For many Cubans, the Yarini antitype provided an idealized national identity which in many ways was—and many argue continues to be— the expression of an elusive and ambivalent cubanidad.

Alberto Baraya Naturalism/Artificiality: Expeditions, and Research of the Herbarium of Artificial Plants

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Historia en voz baja: la oralidad y el rumor para la narración de la Guerra Civil española en la ‘Primera derrota’ de Alberto Méndez

The first of the four paths that structure the book "Los girasoles ciegos", by Alberto Méndez – with its theory about the delayed end of the Spanish Civil War as a longing for destruction outside of any kind of strategy based on military logic – presents the construction of a memory based on certain oral marks, facts provided quietly by apparently non-central characters, the distrust of written documents, and the use of speech patterns mostly associated with spontaneity in order to set up a level of verisimilitude which makes the memory emerge in parallel pathways considered relatively reliable (for example, the case of a report), forged speech on the basis of indirect references, testimonials and letters. The aim of the paper is to consider an example of contemporary Spanish narrative in which a journey, perhaps weak in terms of the material, support to the channels through which the narrator comes in the story through the voice of the people – but functional as an approach to a search of the recent past – contributes to a certain conception of memory.

La 'contaminatio' de hipotextos clásicos en el poema "A Aristo" de Alberto Lista

El poema "A Aristo" es el más atípico de los poemas de inspiración horaciana de Alberto Lista. Ello se debe a que no constituye adaptación de un poema horaciano concreto, sino que combina ingredientes de al menos dos en un proceso de contaminatio. Menéndez Pelayo consideraba que el poema recordaba de forma global el estilo horaciano, sin especificar fuentes concretas, pero hemos podido rastrear la procedencia del tema general y de motivos específicos en dos odas horacianas (carm. 1, 26 y 4, 3).

Contributo para a definição de um projecto de intervenção contra o excesso de peso e a obesidade infantil no Externato João Alberto Faria

Este estudo caracteriza a incidência do excesso de peso e da obesidade no Externato João Alberto Faria (Arruda dos Vinhos), procurando identificar as variáveis que os determinam e definir um projecto de intervenção na área da educação para a saúde no âmbito dos estilos de vida saudáveis e do combate ao excesso de peso e à obesidade. Dos 432 alunos que participaram no estudo, 53,7°/o eram do sexo feminino e 46,3% do sexo masculino. Os resultados relativos ao índice de Massa Corporal (IMC) dos alunos indicaram que, na população em estudo, 31,7% dos alunos apresentavam peso em excesso, dos quais 10,5% eram obesos. A prevalência de excesso de peso e obesidade era superior nos alunos mais novos e nas raparigas, no entanto os rapazes eram mais obesos. Em virtude dos resultados, identificaram-se como áreas de intervenção, a melhoria dos hábitos alimentares, o aumento dos níveis de actividade física e a diminuição das catividades de lazer sedentárias dos alunos, bem como intervenções ao nível das crenças, atitudes e comportamentos dos alunos e dos pais. O projecto de intervenção apresentado tem como objectivo reduzir a prevalência do excesso de peso e obesidade infantil através da aquisição e desenvolvimento de atitudes e comportamentos que visem a promoção e adopção de hábitos e estilos de vida saudáveis. É sabido que mudar atitudes e comportamentos, nomeadamente, os que dizem respeito a mudança de estilos de vida, é um processo difícil e que leva tempo, sendo fundamental uma abordagem integrada que afecte as várias dimensões das causas do problema em que se pretende intervir. ABSTRACT; This study characterizes the incidence of overweight and obesity in Externato João Alberto Faria (Arruda dos Vinhos). lts aim was to identify the variables that causes it and to define a project of intervention in the health educational field related to healthy lifestyles and against overweight and childhood obesity. 432 students participated in the survey: 53,7% females and 46,3% males. The results as far as students Body Mass Index are concerned show that within the surveyed people 31,7% were overweight and 10,5% were obese. Overweight and obesity have more evidence in the younger students and in the girls' group, despite the fact that boys were more obese. Such results lead to the intervention in certain areas: improving eating habits, increasing physical activity, diminishing sedentary hobbies and also interfering in the beliefs and attitudes of children and their parents. The intervention project presented has the following goal: to reduce the prevalence of overweight and childhood obesity through the acquisition and development of attitudes and behaviours witch aim at de promotion and adoption of healthy habits and lifestyles. Changing attitudes and behaviours related to the improving of lifestyles is difficult and takes time. Therefore, the need for an integrated approach is crucial in order to affect the several causes of the problem in witch we want to intervene.

Eurípides, Ifigénia em Áulide. Introdução e versão de Carlos Alberto Pais de Almeida. Notas e revisão de Maria Fátima Silva. Coimbra, Fundação Calouste Gulbenkian, J.N.I.C.T. 1998, 2ª ed

Sem resumo disponível.

Alberto Vélez Escobar, lo mejor no es lo mejor de lo ideal sino lo mejor de lo posible

Fondo Margaritainés Restrepo

Alberto Velásquez Martínez, un romántico que ama la tecnología, pero que le es fiel a su facit

Fondo Margaritainés Restrepo

Análisis ejecutivo-interpretativo de la Sonata para piano no.1, op.22 de Alberto Ginastera

Este artículo pretende ofrecer herramientas analíticas acerca de diversos aspectos que sean de utilidad a los pianistas profesionales o en formación, para el estudio y ejecución de la Sonata para Piano No.1, Op.22 del compositor argentino Alberto Ginastera -- Se incluye un corto contexto histórico de la obra, con especial enfoque en el período creativo del que hace parte la Sonata, con el fin de familiarizar al pianista con la producción del compositor -- Cuenta el artículo además con un análisis de la estructura de la obra y de cada uno de sus movimientos y con consejos prácticos enfocados al aspecto técnico ejecutivo-interpretativo, cuyo fin es facilitar, tanto el estudio como la ejecución misma de la obra -- Se incluye también un breve análisis de tres grabaciones de la Sonata con comentarios generales relacionados con los asuntos puntuales atendidos en el artículo

Enseñanza del conflicto armado en la escuela: entre la memoria y el abandono : estudio de caso en los colegios IED Alberto Lleras Camargo y Gimnasio los Andes

La presente tesis, corresponde a una investigación de diseño cualitativo, sobre la enseñanza del conflicto armado en Colombia, describe y analiza la producción, trasmisión y apropiación de discursos y narrativas, sobre este fenómeno en dos contextos escolares donde se desarrollo el trabajo de campo. Los resultados de las observaciones, entrevistas en profundidad y revisión documental realizadas en los contextos escolares, muestran que existen númerosos discursos y narrativas sobre el conflicto que dependen de quién, cuándo y dónde se enuncian y que han mutado a lo largo de la historia. Los docentes y estudiantes apropian, transmiten y reciben selectivamente estas narrativas, dicha selección la desarrollan dependiendo de las características de la persona y de su entorno, en términos de su clase, género, generación, trayectoria familiar y académica, así como de sus experiencias personales en relación con este fenómeno.

"Carlos Alberto Braga: os sinais do segredo", in Razão Poética (poesia 1987-2016), Porto, Cosmorama, 2016.

Estuda-se a poesia de Carlos Braga do ponto de vista duma tradição contemporânea que remonta ao surrealismo.