National survey of the portuguese elderly nutritional status : study protocol

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Aníbal Pinto Santa Cruz

Aníbal Pinto Santa Cruz, Director of the Review since 1986, died on 3 January. His death fills us with profound grief and leaves a deep vacuum in this organization. The Economic Commission for Latin America and the Caribbean benefited for many years from the intellectual sparkle and human warmth of Mr. Pinto, who served for several years as Director of the Economic Development Division. What is more, he was one of the personalities who gave the ECLAC secretariat a clear institutional identity. The depth and clarity of his analyses of Chile and its development process were matched by his real dedication to Latin America, which inspired him to make solid and valuable contributions to the progress of ideas in our region. He belonged in his own right to the select group of those thinkers whose new categories and concepts afford others a richer vision of reality. It is not surprising, therefore, that followers and former students of his abound in the region. A person of great intellectual generosity, impatient with conventional wisdom and intolerance from all academic and political quarters, Aníbal Pinto received recognition from the international academic community, as embodied in the Raúl Prebisch Ibero­American Prize in Economics, an honorary doctorate from the University of Campinas, Brazil, and the Chilean National Prize in the Humanities and Social Sciences for 1995. In recent months he received two further distinctions: first, a tribute from his ECLAC colleagues on the occasion of the fiftieth anniversary of the United Nations, and second, a collection of his writings published by the Universidad Nacional Autónoma de México which was presented to him in a ceremony held at the Santiago Book Fair in December 1995. ECLAC has been immensely fortunate in having among its senior officials great personalities who have left behind a legacy of values, principles and key ideas; institution­builders, if you will. If there is anything which distinguishes ECLAC from other United Nations bodies, it is this. Aníbal Pinto's name will undoubtedly be among those which resound the loudest. For this reason, and for his exceptional human qualities, we shall remember him with affection and admiration.

From commas to cathedrals : design at work /

Shipping list no.: 91-187-P.

Design America /

"June 1990."

Downtowns - reinvestment by design : selected grants : Architecture Environmental Arts Program, FY 1966-1977.

Mode of access: Internet.

Design standards manuals : their meaning and use for Federal designers /

Based on a presentation to the Second Studio Seminar for Federal Graphic Designers, Nov. 9, 1976, held at the Illinois Institute of Technology.

Arts in schools-- perspectives from four nations : a report /

Includes bibliographical references.

Guide to funding opportunities.

"December 1991"--P. [2] of cover.

Trends in artist occupations, 1970-1990 /

"August 1994."

Annual report /

Reports for <1980>-19 also include the Annual report of the National Council on the Arts.

Arts in America.

Description based on: 1990.

Building by design /

Cover title.

Building by design /

A grants program supported by Build Illinois, and the National Endowment for the Arts.

Miami Art Show, June 1, 1974

Dahlia Morgan with Charles Perry. In the late 1970s, FIU had an enrollment of less than 5,000 and two buildings made up the entire campus. Adjunct professor, at the time, Dahlia Morgan was asked to take over the art museum, which was then called the Visual Arts Gallery. During her long career with Florida International University, Dahlia Morgan transformed a modest student gallery on the Miami campus into an internationally celebrated art museum. In 1980, after teaching for five years in the visual arts department she accepted the directorship of the university’s Patricia & Phillip Frost Art Museum (formerly the Art Museum at FIU). As director and curator, Morgan instituted a lecture series, increased the frequency of exhibitions and developed numerous other programs including a student internship program. The Steven and Dorothea Green Critics’ Lecture Series was started by Morgan in 1981 and has now organized, hosted and presented over 100 lectures by internationally renowned artists, critics and scholars who include Pierre Rosenberg, former Director of the Louvre; Hilton Kramer, Art Critic; Helen Frankenthaler, American artist; and Michael Graves, architect and designer. In 1985 Morgan started the exhibition series “American Art Today,” which featured an annual examination of a specific subject or concept in American Art. Morgan curated and organized over 200 exhibitions during her directorship. Under Morgan, the Frost Art Museum grew to achieve local, national and international recognition as one of South Florida’s key cultural institutions. In 1999 the museum received accreditation from the American Association of Museums and in 2001 became an affiliate of the Smithsonian Institution. With the turn of the 21st Century the initiative to build a new facility took shape and in 2008, the new 46,000 square foot Patricia and Phillip Frost Art Museum opened to the public. Morgan is a four time National Endowment for the Arts Grants Panelist and member of the Art Basel Miami, Host Committee. She is listed in “Who’s Who in American Art” and in “Who’s Who of American Women.” Morgan’s largest accomplishment was seeing the completion of the 45,000 square foot Frost Art Museum built across from the Wertheim Performing Arts Center. Morgan’s fund raising techniques helped her raise over $12 million for its development. For 25 years, Morgan has served as director of FIU’s Frost Art Museum.

Miami Art Show, June 1, 1974

In the late 1970s, FIU had an enrollment of less than 5,000 and two buildings made up the entire campus. Adjunct professor, at the time, Dahlia Morgan was asked to take over the art museum, which was then called the Visual Arts Gallery. During her long career with Florida International University, Dahlia Morgan transformed a modest student gallery on the Miami campus into an internationally celebrated art museum. In 1980, after teaching for five years in the visual arts department she accepted the directorship of the university’s Patricia & Phillip Frost Art Museum (formerly the Art Museum at FIU). As director and curator, Morgan instituted a lecture series, increased the frequency of exhibitions and developed numerous other programs including a student internship program. The Steven and Dorothea Green Critics’ Lecture Series was started by Morgan in 1981 and has now organized, hosted and presented over 100 lectures by internationally renowned artists, critics and scholars who include Pierre Rosenberg, former Director of the Louvre; Hilton Kramer, Art Critic; Helen Frankenthaler, American artist; and Michael Graves, architect and designer. In 1985 Morgan started the exhibition series “American Art Today,” which featured an annual examination of a specific subject or concept in American Art. Morgan curated and organized over 200 exhibitions during her directorship. Under Morgan, the Frost Art Museum grew to achieve local, national and international recognition as one of South Florida’s key cultural institutions. In 1999 the museum received accreditation from the American Association of Museums and in 2001 became an affiliate of the Smithsonian Institution. With the turn of the 21st Century the initiative to build a new facility took shape and in 2008, the new 46,000 square foot Patricia and Phillip Frost Art Museum opened to the public. Morgan is a four time National Endowment for the Arts Grants Panelist and member of the Art Basel Miami, Host Committee. She is listed in “Who’s Who in American Art” and in “Who’s Who of American Women.” Morgan’s largest accomplishment was seeing the completion of the 45,000 square foot Frost Art Museum built across from the Wertheim Performing Arts Center. Morgan’s fund raising techniques helped her raise over $12 million for its development. For 25 years, Morgan has served as director of FIU’s Frost Art Museum.