1000 resultados para Kahn, Albert, 1869-1942
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Mode of access: Internet.
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Mode of access: Internet.
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t.1. Préliminaires du Concile.--t.2., pt.1. L'ouverture du Concile et les trois premières sessions.--t.2., pt.2. La Constitution De fide catholica. L'agitation extra-conciliaire.--t.3, pt.1. L'infaillibilité pontificale.--t.3, pt.2. Fin du Concile.--[t.4] Appendices et documents.
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Albert Kahn, architect. Building dedicated June 15, 1923. Located on South University next to the President's House. At time of construction, West Physics Building was standing to the north. Built to house rare book collection donated by regent William L. Clements. Image is faded. On verso: Taken Oct. 1942 on 41 mm. kodachrome by Myrtle White Godwin (?)
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Top Row: coach Cliff Keen, Albert Wistert, John Greene, William Kuyper, ? Joseph, Harry E. Russell, Robert Bursian,
Middle Row: Herbert Barnett, ? (Burnet t H.) Crawford, Manley Johnson, capt. James Galles, Peter Speak, Sydney Reynolds, George McIntyre, William Courtright
Bottom row: Ray H. Murray, Harvey K. Littleton, Raymond Deane, Marvin Becker, Woodward (Chip) Warrick, Mauritz Anderson, Dick Kopel, ? Deland
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Back Row: coach H.O. Crisler, William Keenan, Paul White, William Pritula, Donald Boor, Philip Sharpe, Robert Oren, Robert Derleth, Philip Marcellus, John Greene, Otto Chady, Robert Shemky, John Karwales, William Kuyper, Albert Wistert, Peter Gritis, Frank Wardley, Walter Freihofer, asst. Coach Ernie McCoy
Middle Row: backfield coach Earl Martineau, Vincent Secontine, Clifford Wise, Donald Cady, Philip Mooney, Warren Yaap, Charles Kennedy, James Brieske, Elmer Madar, Charles Avery, Robert Vernier, George Kiesel, Robert Stenberg, Angelo Trogan, William Kohrbach, George Ceithaml, Robert Chappuis, line coach Clarence Munn
Front Row: asst coach Art Valpey, Mervin Pergament, Clifton Myll, Donald Lund, Rudy Smeja, Mervn Pregulman, Don Robinson, John VanSummern, Ralh Amstutz, Tom Kuzma, Robert Wiese, Robert Kolesar, Julius Franks, William Baldwin, Fred Bryan, ast. Coach William Barclay
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Back Row: coach H.O. Crisler, William Keenan, Paul White, William Pritula, Donald Boor, Philip Sharpe, Robert Oren, Robert Derleth, Philip Marcellus, John Greene, Otto Chady, Robert Shemky, John Karwales, William Kuyper, Albert Wistert, Peter Gritis, Frank Wardley, Walter Freihofer, asst. Coach Ernie McCoy
Middle Row: backfield coach Earl Martineau, Vincent Secontine, Clifford Wise, Donald Cady, Philip Mooney, Warren Yaap, Charles Kennedy, James Brieske, Elmer Madar, Charles Avery, Robert Vernier, George Kiesel, Robert Stenberg, Angelo Trogan, William Rohrbach, George Ceithaml, Robert Chappuis, line coach Clarence Munn
Front Row: ass't coach Art Valpey, Mervin Pergament, Clifton Myll, Donald Lund, Rudy Smeja, Mervin Pregulman, Don Robinson, John VanSummern, Ralph Amstutz, Tom Kuzma, Robert Wiese, Robert Kolesar, Julius Franks, William Baldwin, Fred Bryan, ast. Coach William Barclay
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Standing: : Lester O. Goddard, Samuel Hayes, Albert Pattengill, Edmund Gale, Julius Blackburn
Front Row:Alfred Wilkinson, Robert McCart, William Crocker, captain Fred A. McManus
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The aim of this text is to consider the notions of life and art, revealed in Camus’s texts, mainly The Myth of Sisyphus (published in French in 1942) and The Rebel (1951), and extrapolate them to the present state of contemporary art by analysing a few artworks by Damien Hirst, the richest living artist, a modern Sisyphus in the self-awareness he manifests towards the incongruity of his work. Always looking on the absurd side of life dwells on the inevitability of life and art, accepting the fact, according to Camus’s words, that: the impossible remains impossible. Instead of denying the meaningless and finding some form of redemption, both French writer and British artist have embraced this potential and have used the absurd as a form of conveying meaning to their art. Hirst’s artworks that will be referred in this text include the series: The Physical Impossibility of Death in the Mind of Someone Living (1991); Mother and Child Divided (1993); For the Love of God (2007) and For Heaven’s Sake (2008).
