Consumer perception of CSR in Portugal: The aftermath of the financial crisis

Corporate social responsibility (CSR) literature has largely neglected consumers’ perceptions in the debate regarding the role of CSR in the aftermath of the financial crisis. In that context, this study aims to test the possibility that consumers’ perceptions of CSR level, firm reputation and brand trust, might depend on the type of industry sector of a firm, the level of fit of an initiative or both. By conducting a survey on Portuguese consumers and running a two-way analysis of variance, it suggests that solely the type of industry sector has an effect on consumer perception and that consumers are less tolerable of controversial industries.

Mental health and the crisis: Evidence from share

Mental health constitutes a significant share of the global burden of disease. It is shaped to a great extent by socioeconomic factors and is vulnerable to external shocks. The recent financial crisis brought about stressors prone to trigger and aggravate mental illnesses. This project presents a micro analysis of the effect of the economic crisis on mental health in eleven European countries, through the estimation of individual health production functions accounting for socioeconomic controls and macroeconomic indicators. We find that mental health has deteriorated since 2007, even though the development of depression episodes is unchanged. Additionally, his variation can be partially attributed to economic recession and budgetary cuts in health spending.

Health systems efficiency after the crisis in the OECD

This work evaluates the efficiency position of the health system of each OECD country. It identifies whether, or not, health systems changed in terms of quality and performance after the financial crisis. The health systems performance was calculated by fixed-effects estimator and by stochastic frontier analysis. The results suggest that many of those countries that the crisis affected the most are more efficient than the OECD average. In addition, some of those countries even managed to reach the top decile in the efficiency ranking. Finally, we analyze the stochastic frontier efficiency scores together with other health indicators to evaluate the health systems’ overall adjustments derived from the crisis.

Shiva's dance: Crisis, local institutions and private firms

The uneven spatial distribution of start-ups and their respective survival may reflect comparative advantages resulting from the local institutional background. For the first time, we explore this idea using Data Envelopment Analysis (DEA) to assess the relative efficiency of Portuguese municipalities in this specific context. We depart from the related literature where expenditure is perceived as a desirable input by choosing a measure of fiscal responsibility and infrastructural variables in the first stage. Comparing results for 2006 and 2010, we find that mean performance decreased substantially 1) with the effects of the Global Financial Crisis, 2) as municipal population increases and 3) as financial independence decreases. A second stage is then performed employing a double-bootstrap procedure to evaluate how the regional context outside the control of local authorities (e.g. demographic characteristics and political preferences) impacts on efficiency.

Silva Porto na África Central – VIYE / ANGOLA: história social e transcultural de um sertanejo (1839-1890)

O tema de análise neste trabalho é o fenómeno da transculturação em Angola no século XIX. É uma pesquisa centrada na história de vida do sertanejo António Francisco Ferreira da Silva Porto, entre 1839 e 1890, no meio sócio-cultural umbundu. Transculturação é um termo polissémico que integra aspectos da aculturação sendo aqui utilizado no âmbito da História de vida de Silva Porto. Descodifica-se a narrativa no Diário de viagem que Silva Porto redigiu acerca da sua percepção sobre África e do seu percurso de convivência no processo da sua integração em África Central. A transculturação está nessa narrativa e reflecte múltiplas vivências, sobretudo, a visão social do “Outro” em relação à sua própria identidade de origem. Silva Porto é encarado neste trabalho como sujeito, autor, actor principal e protagonista do fenómeno da transculturação, na região do Viye em Angola. Identificaram-se cinco variáveis do fenómeno transcultural, presentes na trajectória de Silva Porto: o casamento, a língua, as viagens, a alimentação e a religião, com particular destaque para o casamento enquanto variável determinante na integração de Silva Porto na sociedade umbundu. Estas variáveis são apresentadas num iceberg de transculturação de Silva Porto que, por sua vez, permitem avaliar as diferenças culturais e o cruzamento entre as culturas sob um processo de alteridade, em confluência com um olhar distanciado. É um estudo onde perpassa o crivo das construções e representações de Silva Porto tendo em conta o seu contexto cultural de origem, predominantemente português, a sua adaptação e inserção nas culturas africanas, particularmente nas práticas sócio-culturais umbundu. A questão de partida deste estudo foi: Quem é Silva Porto depois de 50 anos de vivências em Angola?

O mercado editorial de Lisboa: opinião pública e componente religiosa (1890-1910)

O mercado da edição de livros convoca no seu entorno uma série de atores sociais que cumprem funções e papéis distintos, mas interconectados, que confluem num ponto: o da divulgação e disponibilização de conteúdos culturais a um determinado público. Este objetivo resulta sempre numa certa configuração geográfica conforme os grupos que se pretendem alcançar, bem como as estratégias que lhe subjazem. Assim, os conteúdos que são disponibilizados não se revestem de um caráter de neutralidade, procurando, ao invés, uma intervenção (ainda que não explícita ou consciente) na opinião pública. Deste modo, a presente dissertação tem como objetivo a caracterização do mercado editorial lisboeta no período final da Monarquia e o aferimento da ligação existente entre aquele e algumas questões que afetavam a opinião pública de então, constituindo debates sociais e culturais de relevo. O ângulo de análise escolhido é o do religioso, porquanto este se constitui como elemento nodal de estudo da sociedade portuguesa, na transição entre os séculos XIX e XX.

The effectiveness of the “Processo Especial de Revitalização” as an instrument of corporate restructuring in the context of the current economic crisis

This work project intends to evaluate the effectiveness of the Portuguese Government’s strategy to promote the orderly deleveraging of the corporate sector in the context of the current economic crisis. The recommendations of the Troika and the commitments assumed under the Memorandum of Understanding signed by the Government in 2011 required the creation of formal processes to avoid disorderly deleveraging. Conclusions and recommendations were drawn based on past experiences of large-scale corporate restructuring strategies in other countries and on the analysis of financial and statistical data on companies applying for “Programa Especial de Revitalização”.

History of Art and Art Criticism: A System in Crisis

This article aims to reconstruct the critical debate regarding the examination of the crisis in the disciplines of art history and criticism with a particular focus on the proposal formulated by U.S. theorists who contributed to October journal. The discrediting of many modernist critical methods, particularly that of Clement Greenberg – the formalist diktat – marked the birth of the journal and gave rise to proposals set forth by critics committed to a new approach. Their divergent positions, nonetheless, have contributed to undermining the traditional concepts of the autonomy of art and criticism. The proposals discussed over the course of publication were the result of a reappraisal of the disciplinary instruments of art history and criticism pursuant to the crucial cultural changes which took place in the 1980s.

Revolution in Crisis: The Ruptures of Revolution and Ruptured Revolutions Through the Ruptures of Artistic Practice

This article proposes an investigation of the history and memory of the Carnation Revolution through the lens of contemporary art. Drawing upon the argument according to which history and memory are investigated by visual artists by means other, but no less relevant, than those of professional historians, this article will argue for the importance of attending to the visual, auditory, textual, object- and research-based ways in which artists from several generations and geographies have been unearthing the repressed histories and memories of the Carnation Revolution in Portugal and of anticolonial struggles, decolonization and post-independence nation-building in Mozambique, Guinea-Bissau and Angola. The discussion focuses on several works by Ângela Ferreira, but attention will also be paid to precursors in imaging the Revolution, such as Ana Hatherly, and to a younger generation of artists such as Filipa César, Kiluanji Kia Henda and Daniel Barroca.

In Search of the Origins of Modernism: Venice and the Crisis of Classical Architecture in the mid-eighteenth century

This paper attempts to prove that in the years 1735 to 1755 Venice was the birthplace and cradle of Modern architectural theory, generating a major crisis in classical architecture traditionally based on the Vitruvian assumption that it imitates early wooden structures in stone or in marble. According to its rationalist critics such as the Venetian Observant Franciscan friar and architectural theorist Carlo Lodoli (1690-1761) and his nineteenth-century followers, classical architecture is singularly deceptive and not true to the nature of materials, in other words, dishonest and fallacious. This questioning did not emanate from practising architects, but from Lodoli himself– a philosopher and educator of the Venetian patriciate – who had not been trained as an architect. The roots of this crisis lay in a new approach to architecture stemming from the new rationalist philosophy of the Enlightenment age with its emphasis on reason and universal criticism.

De la crisis de experiencia a la experiencia de la crisis. Una aproximación al arte público en Argentina

Siguiendo algunos desarrollos de Walter Benjamin y la lectura de su pensamiento que realiza Giorgio Agamben, este artículo explora ciertas aristas de la relación entre historia, tiempo y catástrofe como la crisis que permite comprender el vínculo del hombre con la experiencia en la modernidad. Esto implica tematizar una nueva noción de experiencia a fin de pensar modos de concebir la relación entre las prácticas artísticas y la historia, fundados en la discontinuidad, la interrupción y el shock. Dar por tierra el tiempo continuo y vacío significa asumir un tiempo “pleno, separado, indivisible y perfecto de la experiencia humana concreta”, tal como propone Agamben. A esta nueva concepción de la historia y al arte les compete posibilitar el advenimiento del tiempo pleno que supone la liberación del goce ahistórico, para acceder a una temporalidad placentera, cualitativamente transformadora del tiempo, a la vez crítica y destructiva.

La Science française (Paris. 1890)

Variante(s) de titre : La Science française et la science pour tous