Gotthold Ephraim Lessings Fabeln : drei Bücher. Nebst Abhandlungen mit dieser Dichtungsart verwandten Inhalts.

Mode of access: Internet.

The British anthology : or, poetical library.

Title on spine: Sharpe's British anthology.

Illustrations of political economy.

v. 1. Life in the wilds. The hill and the valley. Brooke and Brooke farm.--v. 2. Demerara. Ella of Garveloch. Weal and woe in Garveloch.--v. 3. A Manchester strike. Cousin Marshall. Ireland.--v. 4. Homes abroad. For each and for all. French wines and politics.--v. 5. The charmed sea. Berkeley the banker. In two parts.--v. 6. Messrs. Vanderput and Snoek. The loom and the lugger. In two parts.--v. 7. Sowers not reapers. Cinnamon and pearls. A tale of the Tyne.--v. 8. Briery Creek. The three ages.--v. 9. The Farrers of Budge-row. The moral of many fables.--v. 10-11 Illustrations of taxation.

Stories of Mother Goose Village /

A collection of short stories for children which uses character names from well known fables and poems.

Ḳriloṿs mesholim /

Mode of access: Internet.

Les fabulistes latins depuis le siècle d'Auguste jusqu'à la fin du moyen âge.

v. 1-2: 2 éd. entièrement refondue.

Poésies de Marie de France, poéte Anglo-Normand du XIIIe siècle; ou Recueil de lais, fabels et autres productions de cette femme célèbre; publiées d'aprés les manuscripts de France et d'Angleterre, avec une notice sur la vie et les ouvrages de Marie; la traduction de ses lais en regard du texte, avec des notes, des commentaires, des observations sur les usages et coutumes des François et des Anglois dans les XIIe et XIIIe siècles;

Frontispieces engraved by Adrien Godefroy after Charles Chasselat, marked in plate.

Prefaces and prologues to famous books : with introductions and notes.

(Contents, cont.) Preface of Fables, ancient and modern / by J. Dryden -- Preface to Joseph Andrews, by H. Fielding -- Preface to the English dictionary; Preface to Shakespeare / by S. Johnson -- Introduction to the Propylaen / by J.W. von Goethe-- Prefaces to various volumes of poems; Appendix to Lyrical ballads; Essays supplementary to preface / by William Wordsworth -- Preface to Cromwell / by Victor Hugo -- Preface to Leaves of grass / by Walt Whitman -- Introduction to the History of English literature / by H.A. Taine.

Die Fabeln des Erasmus Alberus. Abdruck der Ausgabe von 1550 mit den Abweichungen der ursprünglichen Fassung

"Die Quellen der Fabeln": p. xxix-lvi.

Phaedri, Augusti Liberti,

"Publii Syri Mimographi (et fortasse aliorum) Sententiae": p. [97]-127.

The novels and tales of Robert Louis Stevenson ...

Criticisms, etc.--XXIII-XXIV. Letters to his family and friends, selected and ed. ... by S. Colvin.--XXV-XXVI. The life of Robert Louis Stevenson, by G. Balfour.--XXVII. New letters, selected and ed. by S. Colvin.

La Fontaine et les fabulistes,

"Auteurs cités dans l'ouvrage": v.2, p.[479]-484.

Tracing Hybrid Collectives of Illness, War, and Medicine in Twentieth- and Twenty-First Century Narratives of Illness

Thesis (Ph.D.)--University of Washington, 2016-06

O LÚDICO VIA FÁBULAS EM ATENDIMENTO PSICOTERAPÊUTICO: UM ESTUDO DE CASO CLÍNICO DE MOBBING

Esta pesquisa verifica a validade da utilização de fábulas em processo psicoterapêutico de paciente de Mobbing acometida de depressão e síndrome de pânico. Desenvolve-se por meio de estudo de caso avaliativo-interventivo evolutivo prolongado, com um total de 116 sessões semanais. Inicialmente realiza o diagnóstico clínico elaborado a partir do desenho da figura humana, extraído do teste projetivo House Tree and Person, de entrevista inicial semi-dirigida, e de coleta de relatos verbais e observações feitas durante os primeiros atendimentos. As sessões são realizadas com utilização ocasional de fábulas, associada ou não a técnicas de relaxamento de Schultz e Jacobson, com interpretação de sonhos e recomendação de filmes. O objetivo é verificar se as fábulas contribuem de forma positiva para o paciente compreender com mais facilidade as interpretações do psicoterapeuta, se diminui sua resistência ao falar dos seus conteúdos e se amplia à consciência simbólica. O primeiro momento interventivo tem a duração de aproximadamente 16 meses, o segundo, de 04 meses, quando é solicitado o segundo desenho e o terceiro processa-se em 09 meses, quando é solicitado o último desenho. No primeiro momento é proporcionado à paciente um ambiente facilitador com sustentação emocional (Holding), buscando resgatar sua ilusão, numa visão winnicottiana. Revela-se uma situação de Mobbing acompanhada de depressão manifesta e síndrome do pânico; com alto nível de exigência pessoal e profissional; grande passividade nos relacionamentos e na dinâmica do casal. Ao final desse momento, já consegue começar a desviar sua auto-agressividade para o meio externo de maneira mais positiva e socialmente aceita. No segundo momento predomina o encontro e aceitação de seu verdadeiro jeito de ser; enxerga o quanto estava se deixando prejudicar; mostra-se mais confiante, comunica-se e enfrenta melhor suas dificuldades afetivas. No terceiro momento demonstra estar segura e feliz. Cuida de sua aparência e sente prazer em ser notada socialmente. Demonstra ter aprendido a se defender em situações de confronto, com maior autonomia e verbaliza estar muito feliz com as mudanças, sorri com freqüência. A análise evolutiva dos desenhos confirmam esta boa evolução. A utilização de fábulas foi muito bem aceita pela paciente, que conseguiu por meio da leitura simbólica contida nas mesmas, aproximar-se de sua problemática e aprender a lidar com ela de forma mais saudável. Os resultados também indicam que a utilização de relaxamento associado à leitura das fábulas contribuiu para sua assimilação mais abrangente e profunda. O estudo ilustra a evolução do caso por meio de 24 vinhetas, devidamente analisadas em relação aos momentos descritos.(AU)

FREADMAN, AnneThe Livres-Souvenirs of Colette Genre and the Telling of Time Oxford: Legenda, August 2012200 pp., £40.00, ISBN: 978-1-906540-93-7

Full text: The title of the book gives us a major clue on the innovative approach developed by Anne Freadman in her analysis of a particular Colette corpus, the one devoted to auto-biographical writing: Les Vrilles de la vigne, Mes apprentissages, La Maison de Claudine, Sido ,L’E ́toile Vesper and Le Fanal bleu. Freadman follows the powerful lure of Rimbaldianvieilles vieilleries and its echoes with Colette’s fondness for collecting objects, people and memories. To this must be added a technical aspect, that of the study of the genre of Colette’s writing. Freadman argues that, by largely avoiding the autobiographical form, the writer achieves a new way of ‘telling time’, collecting anecdotes and detail taken from the quotidian and setting them within an all-encompassing preoccupation with time. This provides the second part of the title.The sonata form directs the sequence of the book, orchestrated into five parts,from ‘exposition’ to ‘first subject’ to‘bridge’ to ‘second subject’ to ‘recapitulation’. This has the advantage of enabling Freadman to move and progress between distinct themes—autobiography first,then alternative forms—with grace,whilst preserving within her own writing what she sees as the essence of Colette’s relationship to time in her ‘Livres-Souvenirs’, the telling of time. This‘telling of time’ is itself therefore cleverly subjected to the time constraints and freedoms of musical composition. Freadman’s ‘Exposition’ takes us through a discussion of the autobiographical genre, analysing the texts against anumber of theorists, from Lejeune to Benjamin and Ricoeur, before launching into ‘Colette and Autobiography’. It argues pertinently that Colette did not write a ‘sustained’ autobiography, even inthe most autobiographical of her writings, Mes apprentissages. Measured against Goodwin’s three sources for autobiography, confession, apologia and memoirs, Colette’s autobiographical writings appear to be at odds with all of them. Freadman then goes on in Part II of her argument, to persuasively uncover a project that rejects self-scrutiny and with no autobiographical strategy. In ‘Collecting Time’, despite claims of continuity, narrative logic and causality areabandoned in favour of a collection offragments, family stories that are built up generation after generation into familylegends. A close and fruitful analysis of Sidoleads us to a study of ‘The Art of Ending’, concentrating on L’E ́toile Vesperandle Fanal Bleu. The closing chapter gives a fascinating reading of La Naissance du jouras an exemplar of the way in which the two subjects developed in Freadman’s volume are cast together:Colette’s own working through the autobiographical genre, and her refusal to write memoirs, in favour of collecting memories, and the strategies she uses for her purpose. In ‘Recapitulation’, her concluding chapter, Freadman adroitlyen capsulates her analysis in a fetching title: ‘Fables of Time’. Indeed, the wholepremise of her book is to move away from autobiographical genre, having acknowledged the links and debt the corpus owes to it, and into a study of the multiple and fruitful ways in which Colette tells time.The rich and varied readings of thematerial, competently informed by theoretical input, together with acute sensitivity to the corpus, mark out this study as incontournable for Colette scholars.