Oracion panegyrica que en las annuales honras, que el colegio mayor de San Ildefonso, Universidad de Alcalá, consagra a la siempre viva memoria de su Santo Amo y Fundador ... D. Fray Francisco Ximenez de Cisneros /

Mode of access: Internet.

Della forza de'corpi che chiamano viva libri tre del signor Francesco Maria Zanotti al signore Giambatista Morgagni : ne quali libri ha proccurato l'autore, quanto ha potuto di promovere la quistione col solo discorso metafisico ...

Mode of access: Internet.

Giacobini e realisti; o, Il viva Maria.

Reprint of the 1882 edition.

¡Viva Don Canuto! : juguete cómico en un acto y en verso /

Representado el día 6 de septiembre de 1864 en el teatro de Jovellanos

Fenómeno raro de preñez, o historia de una hernia de la matriz en estado de gestacion, terminada felizmente por la operacion cesárea, con la extraccion de una niña viva ... /

Mode of access: Internet.

Exanthemata viva ... /

Also published in Linnés̓ Amoenitates academicae, v. 5, ed. 1, 1760; ed. 2, 1788, p. 92-105. cf. Hulth, Bibl. Linn. (1907) p. 108-109.

FÉ E TRANSFORMAÇÃO SOCIAL: A INFLUÊNCIA DA RELIGIÃO NO MOVIMENTO DE MORADIA NA FAVELA DE HELIÓPOLIS 1970-1993

A pesquisa se propõe a refletir sobre a influência da fé na transformação social da favela de Heliópolis. Focada em algumas ações representativas da luta por moradia, no período de 1970 a 1993, e na conquista de melhores condições de vida na favela e na cidade de São Paulo, a pesquisa observa como as práticas religiosas servem ou não de motivação para a transformação social. A pesquisa pergunta pela influência da fé no engajamento de indivíduos denvolvidos ativamente no movimento de moradia na favela e como essa fé se evidencia em meio à luta por melhores condições de vida.

MEMÓRIA TELEVISIVA COMO PRODUTO CULTURAL: um estudo de caso das telenovelas no Canal Viva

This research is aimed at studying the television memory, recovered and built by a pay-TV channel, Canal Viva, and the telenovelas from TV Globo displayed by the channel concerned, in order to verify its characteristics as a cultural product and its place in the plot of mediation and social interactions. In order to do so, the following theoretical bases are established, relating them to the concept of memory: culture, identity, imagination, history of TV and the Brazilian telenovelas, television reception (with a focus on mediation) and nostalgia. For this purpose, the methodology, as built-up, is divided into two steps: first, a bibliographic research and then a case study, on which techniques of documentary analysis are applied, guided interviews with representatives from the channel and, finally, a focus group with assiduous viewers of the Canal Viva telenovelas. The goal of this research is to contribute to studies on communication related to television memory, thus affirming its importance in social interactions.

An Analysis of a Small Favela-Based Youth Organization

This research identifies the value of a community-run NGO (nongovermental organization) in its work to advocate for a more positive image of Rio’s favelas (urban slums). Basic interpretive inquiry is used to analyze interviews with the principle spokesperson for the organization. Recommendations for further research are made.

A visual critical ethnography of youth develoment in a Rio de Janeiro favela

Favelas are Brazilian informal housing settlements that are areas of concentrated poverty. In Rio de Janeiro, favelas are perceived as areas of heightened criminal activity and violence, and residents experience discrimination, and little access to quality education and employment opportunities. In this context, hundreds of non-formal educational arts and leisure programs work to build the self-esteem and identity of youth in Rio's favelas as a way of preventing the youth from negative local influences. The Morrinho organization, located in the Pereira da Silva favela in Rio, uses art as a way for the local male youth to communicate their lived reality. This study used a visual critical ethnographic methodology to describe the way in which the Morrinho participants interpret living in a favela. Seventeen semi-structured interviews with young men aged 15 to 29, the feature-length documentary film on the organization, 206 researcher produced documentary style photographs of the Morrinho artwork, and the researcher's field notes were analyzed. Truth claims, ways of seeing as communicated through words and actions, were induced through a cyclical process of reconstructive horizon analysis that incorporated the societal context and critical theory. The participants communicated their concerns about life in a favela; however, they did not describe their societal positions in terms of complete marginalization. They named multiple benefits of living in Pereira da Silva, discussed positive and negative experiences in school, and described ways they circumvented discrimination. Morrinho as an organization was described as an enthralling game and a social project that benefited dozens of local youth. Character development was a valuable result of participation at Morrinho. The Morrinho artwork communicates a nuanced vision of both benevolent and violent social actors, and counters the overwhelmingly negative dominant characterization of Rio de Janeiro's favelas. This study has implications for an inclusive critical pedagogy and the use of art as a means to facilitate a transformative education. Further research is recommended to explore terminology used to refer to favelas, and perceptions that favela residents have of their experiences in public education.

Amélia Duarte Machado, a Viúva Machado: a esposa, a viúva e a lenda na Cidade do Natal (1900-1930)

The research project examines representations elaborated about Amelia Duarte Machado, images that were built in a particular space: the Natal City. Amelia, one mossoroense that has a simple life, stated a luxurious life after marrying with a rich Portuguese merchant Manuel Machado, in 1904. She led a life of society lady, lived in a sumptuous residence, traveled to Europe, attending the Theatre the city and took care of the social image of her husband, opening the doors of your home to promote dinners and receptions. Experienced the changes occurring in Natal in the first three decades of the twentieth century, when the initiative of a political and intellectual elite of the city began to incorporate bourgeois values and to provide a technical framework focused on the improvements brought by the Industrial Revolution. In 1934, with her husband's death, took over the family business. Besides the widow, also became an enterprising woman. The widow Amelia Machado also became the target of suspicion of the population, rumors about his life. From there emerges a frightening figure in Natal, a being that captured and ate the liver of children, the papa-figo of Natal City, the Widow Machado. In this research, we relate different images that circulated about this woman, who was society lady, dashing widow and papa-figo, articulating these representations with the discourse on female circulating in Natal from 1900 to 1930 yet will raise hypotheses about the creation of the Legend of the Widow Machado

A ADESÃO PENTECOSTAL DE BANDIDOS E EX-BANDIDOS – UM ESTUDO SOBRE RELIGIÃO E PERIFERIA NA FAVELA DO JARDIM SÃO JORGE EM CIDADE ADEMAR - SP

A dissertação preocupou-se em analisar as relações de bandidos e ex-bandidos com o pentecostalismo na Assembleia de Deus Fortificada em Cristo (ADFEC), situada na favela Jardim São Jorge, periferia da Cidade Ademar, região Sul da capital de São Paulo. Interessou-nos compreender as interações desses agentes e de qual maneira a igreja desempenhou seu trabalho em um espaço pentecostal. A pesquisa, teve como objetivo fundamental, examinar as aproximações da criminalidade e o pentecostalismo indicando suas rupturas e características peculiares. O trabalho de campo se dedicou em coletar dados que comprovassem atuação da ADFEC juntos aos agentes do crime, e em que medida a filiação religiosa dos agentes ganhava importância. Por fim, buscamos refletir sobre a adesão de bandidos e ex-bandidos ao pentecostalismo e a influência dessa adesão no cotidiano da comunidade.