826 resultados para Pen and Pencil Club.


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This layer is part of a set of georeferenced, raster images of the manuscript, paper map set entitled: Ch'ing-Hai upper Yellow River expedition : Rock and Simpson, 1925-27, [cartography by J.F. Rock]. Scale 1:250,000. This layer image is of Sheet I [of 10] covering a portion of the Yellow River (Huang He) region in eastern Qinghai Sheng, China. The map set details the route and surrounding environs of the Arnold Arboretum's "Western China" expedition led by Joseph Rock, 1924-1927. The set covers a portion of the Yellow River (Huang He) region in south central China (Qinghai, Gansu, and Sichuan shengs (a portion of historic Tibet)). It shows features, labeled variously in English, Chinese, Wade-Giles transliteration, and Tibetan, including: rivers, streams, lakes, mountains, gorges, valleys, plateaus, plains, cities, towns, villages, provincial capitals, county seats, passes, monasteries, ruin sites, native tribe locations, and more. Relief is shown by hachures, spot heights, and landform drawings. The original manuscript map set is part of the Harvard College Library, Harvard Map Collection. "Joseph Rock traced his travels for the [Arnold] Arboretum's [Western China] 1924-1927 expedition in a colorful, hand-drawn map entitled 'Ch'ing-Hai upper Yellow River expedition.' The pen-and-ink drawing was made on ten sheets that when joined form a single, irregularly-shaped map, approximately six by eight feet in size. The individual sheets are numbered, using roman numerals; on sheet VII is a second title, 'Choni Territory, Upper and Lower T'ieh-Pu country and route to Sung-Pan, J. F. Rock, 1925-1927.' Topographical and other features are identified using a combination of English, Chinese characters, Wade-Giles transliterations and Tibetan script. Rock's attractive cursive style and use of hachures, spot heights, and landform drawings to depict relief add character to the map." -- Text from the Arnold Arboretum Web site.

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Advertisements at end.

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Advertisement "T. Nelson and Sons' American views" on verso of p. 15.

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Leonardo da Vinci; 11 31/32 in.x 8 21/32 in.; pen and ink over red chalk

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Peter Paul Rubens; 10 7/16 in.x 6 31/32 in.; pen and brown ink over black chalk heightened with white, with brush and gray ink

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Rembrandt van Rijn; 6 7/64 in.x 7 29/32 in.; pen and brown ink corrected with white

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Polidoro da Caravaggio; 7 61/64 in.x 11 47/64 in.; pen and brown ink, some brush and brown wash

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Louis Léopold Boilly; 1 ft. 2 3/8 in. x 1 ft. 5 63/64 in.; pen and black ink with black and grey wash over traces of graphite on paper

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Leonardo da Vinci; 7 9/32 in.x 10 35/64 in.; pen and ink over black chalk on paper

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Rembrandt van Rijn; 7 21/64 in.x 10 in.; pen and brown ink, heightened with white gouache on paper

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"Dutchess county motor tours": p. [85]-153.

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Vol. 2, no. 1 called v. 1, no. 3 on p. 1.

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1879-1908 as Botanical Exchange Club of the British Isles; 1909-1913, Botanical Exchange Club and Society of the British Isles; 1914-1947 Botanical Society and Exchange Club of the British Isles.

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-[pt. I] Mechanical drawing, by E. Kenison. Shades and shadows, by H. W. Gardner. Perspective drawing, by W. H. Lawrence. Freehand drawing, by H.E. Everett. Pen and ink rendering, by D. A. Gregg. Rendering in wash, by H. V. von Holst. Architectural lettering, by F. C. Brown.- [pt. 2] - Mechanical drawing, by E. Kenison. Working drawings, machine design, by C. L. Griffin. Sheet metal pattern drafting, tinsmithing, practical problems in mensuration, by W. Neubecker.

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Supplement v. 2, no. 1, consisted of lists of members only, and was not issued for binding with the rest of the volume.