Beyond the American century: Walter Lippmann and American grand strategy, 1943-1950

As the United States became a world Power, journalist and intellectual Walter Lippmann feared that it would become its own worst enemy. During and after the Second World War, he tried to steer the country towards coherent statecraft, to define the national interest and the limits of power, and give geopolitical expression to the role of the United States as the core of an Atlantic strategic system. But in response to world war, the Truman Doctrine, and the Korean War, he became pessimistic about the country's ability to conduct strategy effectively. In the prophetic tradition, he believed that a fatal symbiosis between America's growing strength and domestic politics led it towards crisis. Though at times ahistorical, Lippmann's concept of strategy deserves attention for its dialogue between power and identity, for its questioning of “ends” as well as means, and for its focus on the danger of self-defeating behaviour.

The zero, the centre and the empty utopia: from Rossellini to Walter Salles

This article examines utopian gestures and inaugural desires in two films which became symbolic of the Brazilian Film Revival in the late 1990s: Central Station (1998) and Midnight (1999). Both evolve around the idea of an overcrowded or empty centre in a country trapped between past and future, in which the motif of the zero stands for both the announcement and the negation of utopia. The analysis draws parallels between them and new wave films which also elaborate on the idea of the zero, with examples picked from Italian neo-realism, the Brazilian Cinema Novo and the New German Cinema. In Central Station, the ‘point zero’, or the core of the homeland, is retrieved in the archaic backlands, where political issues are resolved in the private sphere and the social drama turns into family melodrama. Midnight, in its turn, recycles Glauber Rocha’s utopian prophecies in the new millennium’s hour zero, when the earthly paradise represented by the sea is re-encountered by the middle-class character, but not by the poor migrant. In both cases, public injustice is compensated by the heroes’ personal achievements, but those do not refer to the real nation, its history or society. Their utopian breadth, based on nostalgia, citation and genre techniques, is of a virtual kind, attune to cinema only.

Taylor v Caldwell (1863)

A Landmark Case is one which stands out from other less remarkable cases. Landmark status is generally accorded because the case marks the beginning or the end of a course of legal development. Taylor v Caldwell is regarded as a landmark case because it marks the beginning of a legal development: the introduction of the doctrine of frustration into English contract law. This chapter explores the legal and historical background to the case to ascertain if it is a genuine landmark. A closer scrutiny reveals that while the legal significance of the case is exaggerated, the historical significance of the cases reveals an unknown irony: the case is a suitable landmark to the frustration of human endeavours. While the existence of the Surrey Music Hall was brief, it brought insanity, imprisonment, bankruptcy and death to its creators.

Taxonomic review of Haliclystus antarcticus Pfeffer, 1889 (Stauromedusae, Staurozoa, Cnidaria), with remarks on the genus Haliclystus Clark, 1863

Difficulties concerning the taxonomy of stauromedusae are long known, and there is a clear need for taxonomic revision of the genus Haliclystus, as well as the reevaluation of some species. Haliclystus antarcticus Pfeffer, 1889 is recorded from Admiralty Bay, King George Island, Antarctic Peninsula. Due to the lack of detailed information on this species, we provide a redescription, presenting new data on the cnidome, morphometry, geographical distribution and intraspecific variation. Based on these characters, we propose that our specimens and Haliclystus auricula from Chile and Argentina are synonymous and should be classified as H. antarcticus. We also review the worldwide distribution of the genus Haliclystus Clark, 1863 and discuss taxonomic issues, concluding that some characters traditionally used in the taxonomy of the group should be used cautiously.

Dyrbara experimenter : Införandet av modernare gatubelysning i Falu stad 1863-1888

Syftet med uppsatsen är att belysa en aspekt av Faluns omvandling till modern stad. Den del i denna modernisering som vidrörs i uppsatsen är införandet av elektrisk gatubelysning. Frågeställningarna i uppsatsen rör diskussionen som föregicks i stadsförvaltningen då man införde elektrisk gatubelysning i Falun och anledningarna till införandet av elektrisk belysning. Materialet som har använts för undersökningen är protokoll från stadsfullmäktige och drätselkammare i Falun under perioden 1863-1888. Gatubelysningen i Falun har sedan 1849 varit i stadsförvaltningens regi. Flera olika metoder av gatubelysning har sedan dess tillämpats och ännu fler metoder har diskuterats men aldrig kommit till stånd. Denna uppsats rör också anledningarna till gatubelysning i Falun vilka var flera utöver att få gatorna belysta för nattvandrarna. Stävjandet av brottsligheten var en av dem, estetiken en annan men även ett självändamål tycks också skönjbart. Byggandet av den moderna staden krävde moderna metoder och material. Elektriciteten som metod för belysning av gator var i högsta grad modernt och Falun var bland de första städerna som antog elektrisk gatubelysning i Sverige.

Walter Burley Griffin : residential

An analysis of Walter Burley Griffin's residential planning is presented. 43 plans are described according to the manipulation of triangle, T-square and compass, which support the possibility that Griffin may have been working in accordance with an underlying system of applied geometry based on the square and root 2 diagonal.