The New York mirror ; a weekly gazette of literature and the fine arts.

Many slight variations in subtitle and caption title.

Benefit formula and experience rating formula study ...

Mode of access: Internet.

Encyclopedia Britannica; a dictionary of arts, sciences, literature and general information.

Editorial introduction signed: Hugh Chisholm.

The Welsh people; chapters on their origin, history, laws, language, literature, and characteristics,

Mode of access: Internet.

Ancient Greece : a sketch of its art literature and philosophy viewed in connection with its external history from earliest times to the age of Alexander the Great.

Mode of access: Internet.

Phrenological Journal and Life Illustrated. A Repository of Science, Literature, and General Intelligence

Mode of access: Internet.

The Student and intellectual observer of science, literature and art

Vol. 5 also called New series, vol. 1

Executive decision making : observations and experience in business and government /

Mode of access: Internet.

A meta-analysis of the validity of training and experience ratings in personnel selection /

"April 1985."

Directory of periodicals publishing articles in English and American literature and language

Mode of access: Internet.

Anglo-American literature and manners:

Translation, somewhat abridged, by Donald MacLeod.

Acquisition management : waivers to acquisition work force training, education, and experience requirements : report to Congressional committees /

"GAO/NSIAD-93-128."

Contemporary American literature and religion,

Mode of access: Internet.

Seeing music performance: Visual influences on perception and experience

Drawing from ethnographic, empirical, and historical/cultural perspectives, we examine the extent to which visual aspects of music contribute to the communication that takes place between performers and their listeners. First, we introduce a framework for understanding how media and genres shape aural and visual experiences of music. Second, we present case studies of two performances, and describe the relation between visual and aural aspects of performance. Third, we report empirical evidence that visual aspects of performance reliably influence perceptions of musical structure (pitch related features) and affective interpretations of music. Finally, we trace new and old media trajectories of aural and visual dimensions of music, and highlight how our conceptions, perceptions and appreciation of music are intertwined with technological innovation and media deployment strategies.