A sentimental journey through France and Italy ; to which are added The letters to Eliza /

MTSD 0379.

Bulletin of bibliography and dramatic index.

Title varies slightly.

Journal of the Society of Arts

Title from caption

Athalie, tragédie, tirée de l'Écriture Sainte

"Printed for the Department of French, Faculty of arts and sciences, of Harvard university, by the Cooperative printing society of Cambridge, Mass."

Addresses in America, 1919,

I. At the Lowell centenary.--II. American and Briton.--III. From a speech at the Lotus Club, New York.--IV. From a speech to the Society of Arts and Sciences, New York.--V. Address at Columbia University.--VI. To the League of Political Education, New York.--VII. Talking at large.

A history of the mathematical theories of attraction and the figure of the earth from the time of Newton to that of Laplace.

Available on demand as hard copy or computer file from Cornell University Library.

Outline of comparative Slavic literatures.

Mode of access: Internet.

Regular singular points of a system of homogeneous linear differential equations of the first order.

"From Proceedings of the American Academy of Arts and Sciences, v.38, no. 9, Oct. 1902."

Contributions from the Zoölogical Laboratory.

No. 332-454 unnumbered.

The Journal of obstetrics and gynaecology of the British Empire

Issues for 1921-60 called "new series."

The New-England courant; a selection of certain issues containing writings of Benjamin Franklin or published by him during his brother's imprisonment. Reproduced from copies of the originals owned by the Massachusetts Historical Society in honor of the 250th anniversary of his birth. With an introd. by Perry Miller.

Mode of access: Internet.

Bulletin.

Mode of access: Internet.

Contribution towards a monograph of the Laboulbeniaceae,

Extracted from the Memoirs of the American society of arts and sciences, v. 12, 1902.

Los números cuentan. Sub-representación de la obra artística de mujeres creadoras en museos y centros de arte contemporáneos

Este artículo cuantifica la presencia de obra artística de mujeres artistas en 21 museos y centros de arte contemporáneo españoles. Los resultados constatan una nítida sub-representación de la obra exhibida, por debajo del 20 por ciento. ¿Por qué sucede esto?, ¿diferencial potencial artístico de mujeres y hombres?, ¿superioridad masculina?, ¿discriminación? o ¿un sistema de arte con sesgo androcéntrico? En estas páginas se discute sobre la presencia de varios factores para explicar la brecha de género y se reclama, de las administraciones públicas y las instituciones de gestión cultural, el cumplimiento de la Ley para la Igualdad para garantizar la paridad.