Safety and immunomodulatory effects of three probiotic strains isolated from the feces of breast-fed infants in healthy adults: SETOPROB study.

We previously described the isolation and characterization of three probiotic strains from the feces of exclusively breast-fed newborn infants: Lactobacillus paracasei CNCM I-4034, Bifidobacterium breve CNCM I-4035 and Lactobacillus rhamnosus CNCM I-4036. These strains were shown to adhere to intestinal mucus in vitro, to be sensitive to antibiotics and to resist biliary salts and low pH. In the present study, a multicenter, randomized, double-blind, placebo-controlled trial with 100 healthy volunteers in three Spanish cities was carried out to evaluate the tolerance, safety, gut colonization and immunomodulatory effects of these three probiotics. Volunteers underwent a 15-day washout period, after which they were randomly divided into 5 groups that received daily a placebo, a capsule containing one of the 3 strains or a capsule containing a mixture of two strains for 30 days. The intervention was followed by another 15-day washout period. Patients did not consume fermented milk for the entire duration of the study. Gastrointestinal symptoms, defecation frequency and stool consistency were not altered by probiotic intake. No relevant changes in blood and serum, as well as no adverse events occurred during or after treatment. Probiotic administration slightly modified bacterial populations in the volunteers' feces. Intestinal persistence occurred in volunteers who received L. rhamnosus CNCM I-4036. Administration of B. breve CNCM I-4035 resulted in a significant increase in fecal secretory IgA content. IL-4 and IL-10 increased, whereas IL-12 decreased in the serum of volunteers treated with any of the three strains. These results demonstrate that the consumption of these three bacterial strains was safe and exerted varying degrees of immunomodulatory effects.

El héroe lleva tacones: sobre la aventura mítica en La mujer habitada de Gioconda Belli

En el presente trabajo se analiza la primera novela de Gioconda Belli La mujer habitada desde la perspectiva de la aventura mítica del héroe analizada en el libro The hero with a thousand faces de Joseph Campbell. Se estudia la trayectoria arriesgada de la protagonista, una joven heroína contemporánea que, sin embargo, no se diferencia mucho de las andanzas peligrosas de héroes míticos. El trabajo consta de tres capítulos dedicados al estudio de la protagonista y su semejanza con la figura del héro mítico, de su aventura, y de las funciones de algunos personajes secundarios dentro de esta, respectivamente

La cuestión de la mímesis (de Platón a la Odisea)

Proyecto de investigación realizado en la Freie Universität Berlin, Alemania, entre 2010 y 2012 desarrollando el proyecto titulado "El problema ontológico de la mímesis", el cual continuaba y desarrollaba planteamientos esbozados en mi tesis doctoral ("Problemas hermenéuticos en la lectura de la Ilíada"). Se pretendía examinar la noción de «mímesis» que se critica en el libro décimo de "La república". Se observó que 1. la actividad de Homero y los «poetas» era analizada en términos de pretensión de «saber»; 2. la noción de «saber» que operaba en la base del análisis filosófico era la de «saber habérselas con» (quien sabe de riendas es el jinete, etc.); 3. la problematicidad de la actividad de los «poetas» radicaba en que su pericia no tenía ámbito de referencia delimitado alguno; en este sentido, el poeta era un imitador, o sea, se le disputaba la posesión de auténtico saber. Partiendo del análisis platónico la investigación pasó a centrarse en ciertos aspectos cruciales para una interpretación de la Odisea. Nos interesaba especialmente observar que Ulises era un héroe esencialmente atípico en cuanto que era extraordinariamente «sabio» (astuto, capaz, perspicaz), lo cual daba cuenta tanto de la anticotidianidad del aprendizaje realizado (las llamadas «aventuras») como de su condición de héroe-poeta, o sea, de experto «decir». El reverso de esta especialísima capacidad era nada más y nada menos que su dudosa y problemática aptitud para actuar y decir como si fuera otro, es decir, su capacidad para lo que en Platón se llama «mímesis».

Arnau de Montrodon y la catedral de San Carlomagno. Sobre la imagen y el culto al emperador carolingio en Gerona

In 1345, the unique worship of Saint Charlemagne was institutionalized in the cathedral of Gerona. The roots (and for many, the reasons) of this celebration are found in the existence of an old local legend, the well-known testimonies to which go back to the eleventh century. Nevertheless, a lengthy analysis of the facts that marked the life of the cathedral during the long permanence Amau de Montrodon had there—first in quality of canon (1297-1335) and later as bishop (1333-1348)- make it possible for us to verify that the promotion of the cult to San Charlemagne falls within a complex program of ideological and symbolic exaltation of the See of Girona that was designed by this notable and restlessly active ecclesiastic

Reactable Role Gaming (RRG): disseny, implementació i avaluació d'un entorn pel desenvolupament de jocs de rol per a taules interactives

En aquest projecte s’ha implentat un framework per crear jocs de rol per ainterfícies tangibles. S’ha intentat arribar a un nivell d’abstracció prou elevat com perquè l'usuari del framework no necessiti tenir coneixements de programació gaire avançats per utilitzar-lo.El projecte va néixer de la idea d’utilitzar miniatures dels jocs de rol convencionalssobre una interfície tangible, intentant fusionar realitat amb ficció. Agafant com a influència principal un joc de taula ja existent, el Hero Quest™. D’aquesta manera s’ha pogut fer un anàlisi complert del joc i intentar solucionar possibles defectes que les interfícies tangibles ens ajudessin a solucionar.Gracies al equip reacTable, que forma part del Grup de Tecnologia Musical de laUniversitat Pompeu Fabra, qui va desenvolupar una interfície tabletop d’aquestes característiques com a instrument musical, s’ha pogut realitzar aquest experiment i barrejar els jocs de rol sobre taula amb els videojocs.

A Comparison of the Management Models of Protected Areas between China and the Southern African Region

A Comparison of the Management Models of Protected Areas between China and the African South Region allows reading and evaluating the similarities and differences in the use of management model as a management tool for protected areas in China and South African Region. Specifically, some positive and negative features of the management approaches for the two regions. Secondary data was collected from various related literature such as policy documents, students‟ dissertations/thesis, scientific articles and magazines. Based on the method above, the study found out that China's first nature reserve was the Dingus Mountain Nature Reserve in Zhaoqing, Guangdong province established in 1956. By the end of 2005, about 2,349 nature reserves of various kinds were set up throughout the country, covering a total area of 149.95 million ha and accounting for 15 percent of the total land territory. The study further found that Southern Africa has approximately 4,390 protected areas out of 11487920 total land areas and Eastern Africa has approximately 1838144 protected areas, which is equivalent to 15.0% of the total land areas. South Africa in this region had its first declared natural park in 1926 after Paul Kruger (a war hero) had alerted the authorities of the extinguishing threat of some animal species of region.

La caverna de Josep Palau i Fabre (1952-1969): teatre versus al·legoria filosòfica per a representar i impedir el final tràgic i fosc del lluminós art de pensar.

What is the use of performing the myth of the cave from book VII of the Republic by Plato? Josep Palau i Fabre, considers that, in Plato's dialogues, the speakers are mere instruments at the service of his dialectical goal. The aim of this article is to show how, by turning the myth into a tragedy and also by relying on Heraclitus's conflict or war of opposites, the playwright succeeds in favoring a sort of thought which is not one-sided or univocal. On the contrary, in Palau i Fabre's La Caverna, the tragic hero, that is, the released prisoner transformed by the light of Reality and finally killed by his "cavemates" -after having been imprisoned again and having tried to rescue them from their ignorance or shadows-, still leaves to them his powerful experience of the agonistikos thought, which might bear fruit in their life to come.

La caverna de Josep Palau i Fabre (1952-1969): teatro versus alegoría filosófica para representar e impedir el final trágico y sombrío del luminoso arte de pensar.

What is the use of performing the myth of the cave from book VII of the Republic by Plato? Josep Palau i Fabre, considers that, in Plato's dialogues, the speakers are mere instruments at the service of his dialectical goal. The aim of this article is to show how, by turning the myth into a tragedy and also by relying on Heraclitus's conflict or war of opposites, the playwright succeeds in favoring a sort of thought which is not one-sided or univocal. On the contrary, in Palau i Fabre's La Caverna, the tragic hero, that is, the released prisoner transformed by the light of Reality and finally killed by his "cavemates" -after having been imprisoned again and having tried to rescue them from their ignorance or shadows-, still leaves to them his powerful experience of the agonistikos thought, which might bear fruit in their life to come.

Political Emotions: Civil Religion and Melodrama in Spielberg's Lincoln

This essay focuses on how Spielberg's film engages with and contributes to the myth of Lincoln as a super-natural figure, a saint more than a hero or great statesman, while anchoring his moral authority in the sentimental rhetoric of the domestic sphere. It is this use of the melodramatic mode, linking the familial space with the national through the trope of the victim-hero, which is the essay's main concern. With Tony Kushner, author of Angels in America, as scriptwriter, it is perhaps not surprising that melodrama is the operative mode in the film. One of the issues that emerge from this analysis is how the film updates melodrama for a contemporary audience in order to minimize what could be perceived as manipulative sentimental devices, observing for most of the film an aesthetic of relative sobriety and realism. In the last hour, and especially the final minutes of the film, melodramatic conventions are deployed in full force and infused with hagiographic iconography to produce a series of emotionally charged moments that create a perfect union of American Civil Religion and classical melodrama. The cornerstone of both cultural paradigms, as deployed in this film, is death: Lincoln's at the hands of an assassin, and the Civil War soldiers', poignantly depicted at key moments of the film. Finally, the essay shows how film melodrama as a genre weaves together the private and the public, the domestic with the national, the familial with the military, and links pathos to politics in a carefully choreographed narrative of sentimentalized mythopoesis.

A favor dels clàssics d'aventures de la literatura juvenil

No entengueu aquest article com un clam nostalgic als herois i hero'ines de tots els temps. No el vegeu tampoc com una manca de reconeixement al gran esforç realitzat per escriptors i escriptores, món educatiu i editorial per ampliar l'oferta de literatura infantil i juvenil i posar a l'abast deis adolescents un ventall de títols i col-leccions que els motivin per a la lectura. Aquestes pagines ni tan sois pretenen entrar en la polemica sobre la funció literaria i pedagógica del corrent anomenat "realisme crític", amb reflexió psicológica, on s'hi tracten temes que permeten als adolescents identificar-se, de manera explícita, amb els infortunis que succeeixen als joves protagonistes. Adhuc, en aquest escrit es vol deixar al marge la qüestió deis límits entre literatura per a nens i joves i literatura per a adults.

The cave (La caverna -1952-1969) by Josep Palau i Fabre: theatre versus philosophical allegory in order both to perform and stop the tragic and dark end of the bright art of thinking

What is the use of representing in performance the image of the cave from book VII of Plato’s Republic? Josep Palau i Fabre considers that in Plato’s dialogues the speakers are mere instruments at the service of his dialectical purpose. The aim of this article is to show how, by turning the myth into a tragedy and relying on Heraclitus’s conflict or war of opposites, the playwright succeeds in favouring a sort of thought which is not one-sided or univocal. On the contrary, in Palau i Fabre’s La Caverna, the tragic hero, the released prisoner transformed by the light of Reality and finally killed by his “cavemates” –after having been imprisoned again and having tried to rescue them from their ignorance or shadows– still leaves them his powerful experience of the agonistikós thought, which might bear fruit in their life to come.

A comparison of one- and two-compartment neighbourhoods in heuristic search with spatial forest management goals

Abstract

Sankari on kuollut - eläköön sankari! : kuolintapa saagojen sankaruuden mittana

Abstract: The hero is dead - long live the hero! : the way of dying as a measure of heroism in sagas

Patriarchal Hauntings: Re-reading Villainy and Gender in Daphne du Maurier's Rebecca

Criticism of Daphne du Maurier’s popular classic Rebecca (1938) can be divided into two mainstream interpretations. On the one hand, it was traditionally marketed as a gothic romance where the hero and the heroine conquered the evil women that separated them. On the other, certain feminist critics have recently provided a very diff erent view of the story, aligning it with gothic narratives that deal with the dangers women suff er under the patriarchal control of their husbands. Th is would imply that du Maurier’s novel should not be read as a traditional romance that promotes patriarchy, as the former interpretation suggested. In this article, I propose, through a Gothic Studies and a Gender Studies reading, that villainy in this novel is not exclusively linked to gender and, therefore, the victim and abuser statuses cannot be equated to femininity and masculinity, respectively. Instead, I argue that villainy in the novel is inextricably connected to being in a powerful position within patriarchy, and that it is the desire to maintain this position and perpetuate the patriarchal system that leads the main characters (men and women) to commit acts of villainy.