996 resultados para Guizar y Valencia, Rafael, 1877-1938
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Poesías en castellano y valenciano
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[1] : Himno para la apertura de la exposición regional de Valencia / T. Llorente ; música del maestro D. Salvador Giner (letra) -- [2] : Prech a la Verge : salve valenciana /Jacinto Labaila ; música Asenjo Barbieri (letra) -- [3] : Trova valenciana / letra de V. Iranzo, música de M. Penella (partitura) -- [4] : Lágrimas del corazón / J. Rodriguez Guzman (letra) -- [5] : Teresa : polka / A. Payá (partitura) -- [6] : La musa valenciana / Victor Iranzo Simon (letra) -- [7] : Canción / José Jordá (partitura) -- [8] : [Dierón las noches sus brisas...] / Rafael Mª Liern (letra) -- [9] : A Valencia /Jacinto Labaila (letra) -- [10] : Gavota para piano / Vicente Peydró (partitura) -- [11] : La llauradora / Vicente Peydró (letra)
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Hay un ejemplar encuadernado con: Las fiestas de Valencia (XVIII/4276).
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La tuberculosi (TB) és una malaltia infecciosa. Diversos estudis han analitzat l'existència d'un patró estacional en la seva presentació amb resultats discordants. Ens vam proposar conèixer el patró estacional de diagnòstic de la malaltia en l'àrea del nostre hospital. Realitzem un estudi observacional prospectiu de tots els pacients, diagnosticats de TB durant el període 2002-2009 en el nostre Departament. Per a l'anàlisi estadística de les dades recollides s'ha utilitzat l'aplicació informàtica SPSS 15.0. amb un nivell de significació: p &0,05. En el nostre medi i clima, el diagnòstic de la tuberculosi pulmonar predomina durant els mesos càlids. Aquest predomini no s'ha relacionat amb les característiques socio-demogràfiques ni clíniques dels pacients.
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Este proyecto propone el estudio del efecto substitución de un medio tradicional, la televisión, por un new media, Internet, en el público adolescente de la ciudad de Valencia y Cusco. También analiza los hábitos de uso y consumo de televisión e Internet de los y las adolescentes de ambas ciudades. Para ello, se realiza una revisión de la bibliografía existente sobre la modificación de prácticas comunicativas en ambos países en el público adolescente y se propone el diseño metodológico para llevar a cabo la futura investigación
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Giovanni C. Cattini is a young historian who offers an itemized study on Berneri's Guerra di Classe: he refers the first moments and also the definitive crisis of this newspaper after Berneri¿s assassination in May 1937. This is not the first work devoted to this militant platform has been annalysed but Cattini's approach observes not only the ideological and political contest maintained with other sectors of the libertarian movement but the contrived militant tools that have allowed its existance during the Spanish Civil War.
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Giovanni C. Cattini is a young historian who offers an itemized study on Berneri's Guerra di Classe: he refers the first moments and also the definitive crisis of this newspaper after Berneri¿s assassination in May 1937. This is not the first work devoted to this militant platform has been annalysed but Cattini's approach observes not only the ideological and political contest maintained with other sectors of the libertarian movement but the contrived militant tools that have allowed its existance during the Spanish Civil War.
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Se describen tres tipos principales de acumulaciones salinas a partir de la interpretación de los perfiles de sísmica de reflexión de las campañas ENIEPSA-MAP-77 (1977) y WESTERN GEOPHYSICAL COMPANY OF AMERICA-MEDS (1973) en el sector norte del surco de Valencia. Los principales tipos de estructuras salinas son rollers de sal, almohadillas y diapiros que se disponen en tres cinturones paralelos al límite de la sal messiniense.
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Parece mentira que una pieza teatral firmada por Calderón de la Barca haya tardado más de tres cientos años en aparecer impresa y que sea ahora,en el 2010, cuando lo haga por primera vez. ¿A qué se debe esta falta de interés por la obra?La respuestanos la ofrecen Felipe B. Pedza Jiménez y Rafael González Cañal en el capítulo que abre el estudio preliminar de su edicion tulado«Razones de una sin razón»
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This article presents a panoramic view of the development of the so-called serliana or Serlian motif throughout the Italian Renaissance, focusing on the most relevant examples in the architecture of that period. The use of this motif during the Early Renaissance was pioneered by Filippo Brunelleschi in religious buildings. As its employment become widespread in a range of different settings, architects frequently incorporated local building traditions. It was only during the last twenty years of the Quattrocento that Giuliano da Sangallo and Leonardo da Vinci adopted the Serlian arch in residential architecture designed for the ruling elites. Thanks to Bramante and other artists such as Raphael, Baldassare Peruzzi, Antonio da Sangallo the Younger and Giulio Romano, the motif was extraordinarily popular during the High Renaissance period. Ever-increasingly complex and monumental compositions eased the adaptation of the serliana to both exterior and interior spaces, and in works such as the design by Galeazzo Alessi in Genoa, the imperial connotation of the motif is clear. This process illustrates the progressive transfer from the religious to the courtly sphere, and, at the same time, the permeability between the sacred and the profane. During the sixteenth century, Spain too was at the European avant-garde, due to its contacts with Italy and the latest fashions, such as the employment of the serliana in residential architecture, were followed in the fortified palace at La Calahorra, the Vich palace in Valencia, or the palace of Charles V in Granada, as part of a complex iconography of power. Throughout the sixteenth century, the serliana featured in that specifically-Spanish typology, the monumental altarpiece or retablo, as well as in monumental tombs. Italy was certainly the leading force in the process and had an indisputable influence on Spanish art, but the latter would develop its own original solutions in the sixteenth century, which matched the innovative character of Italian creations.
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This paper is the result of the archaeo-morphological analysis of an area located to the north of the city of Valencia (Spain). This research has been developed in the context of one of the author’s PhD, which aims to analyse the whole of the city’s historical territory. The morphology of Valencia’s historical landscape and its different features have been analysed with a diachronic and multidisciplinary approach, combining data obtained from different types of analysis and through methodological procedures based on archaeo-morphology, traditional archaeology and landscape archaeology. For the first time, this methodology has been used in this territory. The results obtained represent a challenge regarding traditionally defended theses.