Kurt Hirschfeld (left) speaking with Thomas Mann Portraits Groups Men

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Adolpf Molling, Janet Krakauer nee McColl, Hymie Joachim and Thomas Krakauer (l-r); Weggis, Switzerland Portraits Groups

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Audience members watching the opening ceremonies of the Heidelberg festival, with opening speech given by Thomas Mann.

Typed caption: Festakt in der Stadthalle zur Eroeffnung der Heidelberger Festpiele 1929. Thomas Mann hielt die Festrede. Unsere Aufnahme zeigt einen Ausschnitt aus der Festversammlung, an der die geistige Prominenz Heidelbergs und zahlreiche bedeutende Persoenlichkeiten des deutschen Kulturlebends teilnahmen. Von links nach rechts in der 1. Reihe: Rene Schickele, Rudolf Rittner, Gustav Hargung, Prof. Dr. Martin Dibelius, Gerhart Hauptmann, Dr. Rudolf H. Goldschmidt, Oberbuergermeister Dr. Neinhaus, Thomas Mann und Frau, Kultusminister Leers, Rudolf G. Binding; In der 3. Reihe: Oberbaurat L. Schmieder, Nobelpreistraeger Dr. F. Bergius, Bankdirektor Fremerey, Prof. Hellpach, Prof. Radbruch

Myer S. Isaacs collection undated, 1844, 1851-1925

Contains correspondence and newspaper clippings relating to the centennial birthday celebration of and memorial services for Sir Moses Montefiore; correspondence consists primarily of replies to a circular advocating the holding of memorial services issued by the Board of Delegates on Civil and Religious Rights from congregations in Buffalo, Charleston, Chicago, Cincinnati, Cleveland, and Detroit. Contains also correspondence relating to the activities of the Alliance Israelite Universelle on behalf of Palestine and the Jews in the Balkan States and Morocco and to the establishment of United States committees for the Alliance and the raising of funds, including correspondence with H. Pereira Mendes, Henry S. Jacobs, John Hay, and Adolphe Cremieux as well as letters from Baltimore, Cleveland, Detroit, Galveston, Minneapolis, Mobile, Rochester, St. Louis, and San Francisco. Also contains extensive correspondence concerning anti-semitism in Russia, aid to Jewish immigrants, and Jewish agricultural colonies in the United States, with letters from James G. Blaine, Manuel Augustus Kursheedt, Sabato Morais, Charles Nathan, Hirsch Leib Sabsovich, (Isaac N.?) Seligman and Judah Wechsler, among others. Also contains newspaper clippings and other items relating to Jewish life during the late 19th century and articles and memorabilia about various members of the Isaacs family.

Letter from Thomas Hope, architect, regarding drawings for ark of new synagogue

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Thomas-Fermi Method For Particles Obeying Generalized Exclusion Statistics

We use the Thomas-Fermi method to examine the thermodynamics of particles obeying Haldane exclusion statistics. Specifically, we study Calogero-Sutherland particles placed in a given external potential in one dimension. For the case of a simple harmonic potential (constant density of states), we obtain the exact one-particle spatial density and a {\it closed} form for the equation of state at finite temperature, which are both new results. We then solve the problem of particles in a $x^{2/3} ~$ potential (linear density of states) and show that Bose-Einstein condensation does not occur for any statistics other than bosons.

Variational Approach to the Thomas-Fermi Equation

By the semi-inverse method, a variational principle is obtained for the Thomas-Fermi equation, then the Ritz method is applied to solve an analytical solution, which is a much simpler and more efficient method.

Las escenas espejo en el teatro isabelino : el jardín de Isabel en “La tragedia española” de Thomas Kyd

Resumen: Este trabajo busca demostrar cómo la escena de “El Jardín de Isabel” (acto IV, escena ii) en la obra La tragedia española de Thomas Kyd es un ejemplo de una escena espejo. Inicialmente se observa cómo esta escena est�� laxamente conectada con el resto de la obra y la misma no sufriría un cambio significativo de ser la escena eliminada; la característica de “prescindible” de ésta, es propia de una escena espejo. La escena del Jardín de Isabel es luego estudiada en profundidad para dejar en evidencia cómo resume la obra y la simboliza. El personaje de Isabel es examinado en detalle, siguiendo una sensibilidad pict��rica y, a través de una interpretación temática y simbólica, Isabel es presentada como Piedad, Testigo de Justicia Divina y Venganza. Finalmente el espacio es también analizado como locus amoenus al ser inicialmente un lugar de encuentro de los enamorados y locus eremus luego de la maldición de Isabel. Luego del estudio de estos aspectos de esta escena espejo, se pone en evidencia cómo la misma “refleja” los temas centrales de la obra: la verdad se revela con el tiempo, hay que ser paciente y esperar la justicia divina y, por último, la venganza sólo condena al vengador.

Restauracion de la ciudad del Salvador, i Baia de Todos-Santos, en la provincia del Brasil :por las armas de Don Philippe IV, el Grande, Rei Catholico de las Espanas i Indias, [et]c. A su Magestad : Don Thomas Tamaio de Vargas, su cronista

Tomás Tamayo de Vargas, historiador espanhol, nasceu em 1588 e morreu em 1641. Cronista do Reino, escreveu essa obra por ordem real, que foi publicada em 1628, utilizando documentação oficial e informações que as relações da época lhe proporcionavam. ‘Restauracion de la ciudad del Salvador, i Baia de Todos-Sanctos, en la Provincia del Brasil’ reflete a opinião oficial espanhola sobre a restauração da Bahia e mostra a repercussão que o acontecimento teve na metrópole espanhola que, na época, dominava o Brasil. Rodrigues considera essa uma edição ‘rara’ e Brunet afirma ser ‘muito rara’. H�� uma edição brasileira, difícil de encontrar, publicada em Salvador pela Tipografia de Epifanio Pedroza (1847)

Collecção das Leis do Imperio do Brasil de 1851

Parte 1 - Atos do Poder Legislativo