940 resultados para Génération de textures


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La prospectiva es parte de la planificación estratégica. Es una herramienta habitual en la gestión y dirección de empresas. Algunos países europeos la incluyen dentro de sus trabajos de diseño de las políticas ambientales. La generación de escenarios es una técnica cualitativa de prospectiva apta para los entornos con alta variabilidad y complejidad. El artículo explica el modo de aplicar esta técnica poniendo en paralelo los pasos dados en el proyecto Nature Outlook 2050 que ha desarrollado la agencia de evaluación y prospectiva ambiental de los Países Bajos (PBL).

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This paper explores the problem of the synthesis between vitalism and rationalism, in contemporary philosophy. With this aim, we compare the intellectual careers of Georges Canguilhem (1904-1995) and José Ortega y Gasset (1883-1955). We contrast their conceptions of philosophy as “hybrid” knowledge, closely related to science, as well as their points of view on Vitalism, anthropology, the technique and the perspectivism. To avoid that comparison is purely abstract and ahistorical, we use the method of the sociology of philosophy. This forces us to locate both paths in their respective philosophical fields and generational units, also according to his social background and professional career.

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Electroless nickel (EN) coatings are recognised for their hardness and wear resistance in automotive and aerospace industries. In this work, electroless Ni–P coatings were deposited on aluminium alloy substrate LM24 (Al–9 wt.% Si alloy) and the effect of post treatment on the wear resistance was studied. The post treatments included heat treatment and lapping with two different surface textures. Scanning electron microscopy (SEM), energy dispersive spectrometry (EDS), X-ray diffraction (XRD) and micro-abrasion tester were used to analyse morphology, structure and abrasive wear resistance of the coatings. Post heat treatment significantly improved the coating density and structure, giving rise to enhanced hardness and wear resistance. Microhardness of electroless Ni–P coatings with thickness of about 15 μm increased due to the formation of Ni3P after heat treatment.

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Aspidochirote holothurians found on tropical reef flats feed on particulate deposits which form a variety of substrata. The synaptid holothurian Opheodesoma grisea (Semper) feeds in a similar manner by scraping deposits from the surfaces of sea grasses. Distributional and gut content analyses showed that species partitioning is on the basis of substratum and particle size preference. Scanning electron microscopy revealed that the tentacles of aspidochirotes have a nodular surface while those of O. grisea have a tessellated surface structure. The twelve different species examined were shown to have different tentacular surface textures which bore an apparent relationship with the mean particle sizes selected by the different species. Light microscope studies of tentacle sections confirmed earlier observations on the extent of the water vascular system in aspidochirote and pinnate tentacles. From these observations a functional interpretation is proposed for tentacular operation and the means of particle selection in such holothurians.

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Stapleton’s self designed instrument, the BoSS (Bonsai Sound Sculpture, 2010) combines with Rose’s circular breathed baritone, multi-phonic and harmonic textures, to explore other sound worlds through real time interaction/composition. The method of exploration commits to a free improvisation aesthetic whereby the music is created at the point of performance. Encountering one another’s music while performing at the ‘Call them Improvisers’ performance at SARC, an ensemble directed by Evan Parker (November 2010) an affinity to the possibilities of one another’s particular approach became immediately apparent. This strongly identified connection led them to further explore the musical possibilities within the parameters created by the duo setting. Duo activities include concerts at Ausland (Berlin), SARC (Belfast), Sowieso (Berlin), Wendel (Berlin), and a recording with Elmar Susse in Hoffnungskirche, Pankow released by the California-based pfMENTUM record label in 2013.

This output is published in the form of an audio CD on the pfMENTUM record label.

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6061 O Al alloy foils were welded to form monolithic and SiC fibre-embedded samples using the ultrasonic consolidation (UC) process. Contact pressures of 135, 155 and 175 MPa were investigated at 20 kHz frequency, 50% of the oscillation amplitude, 34.5 mm s sonotrode velocity and 20 °C. Deformed microstructures were analysed using electron backscatter diffraction (EBSD). At all contact pressures deformation occurs by non-steady state dislocation glide. Dynamic recovery is active in the upper and lower foils. Friction at the welding interface, instantaneous internal temperatures (0.5-0.8 of the melting temperature, T), contact pressure and fast strain rates result in transient microstructures and grain size reduction by continuous dynamic recrystallization (CDRX) within the bonding zone. Bonding occurs by local grain boundary migration, which allows diffusion and atom interlocking across the contact between two clean surfaces. Textures weaken with increasing contact pressure due to increased strain hardening and different grain rotation rates. High contact pressures enhance dynamic recovery and CDRX. Deformation around the fibre is intense within 50 μm and extends to 450 μm from it. © 2009 Acta Materialia Inc.

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At the formation of the new Republic of Ireland, the construction of new infrastructures was seen as an essential element in the building of the new nation, just as the adoption of international style modernism in architecture was perceived as a way to escape the colonial past. Accordingly, infrastructure became the physical manifestation, the concrete identity of these objectives and architecture formed an integral part of this narrative. Moving between scales and from artefact to context, Infrastructure and the Architectures of Modernity in Ireland 1916-2016 provides critical insights and narratives on what is a complex and hitherto overlooked landscape, one which is often as much international as it is Irish. In doing so, it explores the interaction between the universalising and globalising tendencies of modernisation on one hand and the textures of local architectures on the other.

The book shows how the nature of technology and infrastructure is inherently cosmopolitan. Beginning with the building of the heroic Shannon hydro-electric facility at Ardnacrusha by the German firm of Siemens-Schuckert in the first decade of independence, Ireland became a point of varying types of intersection between imported international expertise and local need. Meanwhile, at the other end of the century, by the year 2000, Ireland had become one of the most globalized countries in the world, site of the European headquarters of multinationals such as Google and Microsoft. Climatically and economically expedient to the storing and harvesting of data, Ireland has subsequently become a repository of digital information farmed in large, single-storey sheds absorbed into anonymous suburbs. In 2013, it became the preferred site for Intel to design and develop its new microprocessor chip: the Galileo. The story of the decades in between, of shifts made manifest in architecture and infrastructure from the policies of economic protectionism, to the opening up of the country to direct foreign investment and the embracing of the EU, is one of the influx of technologies and cultural references into a small country on the edges of Europe as Ireland became both a launch-pad and testing ground for a series of aspects of designed modernity.

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O objecto de estudo deste trabalho centra-se em torno de duas grandes revistas literárias que marcaram o século XX, em França e em Portugal: La Nouvelle Revue Française (NRF) e a presença. O primeiro verdadeiro número da NRF surgiu em 1909 e, progressivamente, esta revista cosmopolita, anti doutrinária e defensora da independência intelectual do artista impôs-se nas letras francesas como um movimento, um espírito e uma geração de referência. Posteriormente, em pleno período dos “années folles”, surgiu em Portugal a revista presença, que, mais do que uma publicação literária de longa duração (1927-1940), se destacou, na cultura literária portuguesa do século XX, como a afirmação de uma geração revolucionária que propugnou a arte pura e a liberdade do artista. Após uma reflexão sobre as grandes coordenadas que conduziram à construção de um espírito NRF e à instituição do mito em torno dessa revista, ocupámo-nos da presença-revista, mas também, e sobretudo, da presença-geração em busca de um espaço próprio para a edificação do seu projecto estético-literário. Tentámos, numa terceira etapa deste trabalho, destacar distintas vertentes da francofilia na geração da presença, demonstrando, por um lado, a inspiração tutelar do espírito NRF e da literatura francesa sobre os presencistas e, por outro lado, o posicionamento destes últimos face à cultura e literatura francesas.

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A presente tese de doutoramento procura focar o vidro como material plástico para a concepção de obras de arte. Os seus alicerces caracterizam-se pelo estudo técnico sobre o uso do vidro e a sua aplicação na realização de obras com pressupostos estéticos e artísticos. Hoje a arte em vidro apresenta-se inovadora e contemporânea, procurando uma componente ligada à pesquisa e à experimentação. Portugal possui uma ampla história ligada à tradição do vidro, em especial ao vitral. No que concerne à sua aplicação na arte contemporânea, assistimos a um renovado interesse por parte de vários artistas. No entanto, quando se trabalha com o vidro, é necessário o artista conhecer e dominar a técnica que utiliza, para assim compreender as potencialidades que o material oferece e empregá-las de acordo com o seu modus operandi. Cria-se uma relação entre a ciência e a arte, uma descoberta e utilização de novos conhecimentos, em que se pretende manter uma relação estreita entre o cientista e o artista através do desenvolvimento de novos materiais, nomeadamente os vidros e esmaltes luminescentes e a adição de óxidos de metais de transição 3d na sua composição. Neste sentido foram desenvolvidos estudos minuciosos sobre a técnica de kilncasting onde se utilizou o vidro sonoro superior produzido no CRISFORM (Centro de Formação Profissional para o Sector da Cristalaria), na Marinha Grande. Assim, verifica-se que as premissas desta tese podem ser divididas em três vertentes: a) Uma contextualização histórica e teórica do panorama artístico do vidro em Portugal; b) Uma componente teórica/prática do estudo do vidro: a ciência do vidro, a sua composição, com a preocupação de utilizar esses conhecimentos para a elaboração de amostras práticas, onde a componente técnica é fundamental para a produção de futuras obras de arte; c) A idealização de obras de arte e a utilização do vidro como material plástico para a sua realização. Na elaboração destas obras procurou-se focar a dicotomia entre transparência versus opacidade, os efeitos cromáticos produzidos por diferentes espessuras e texturas do vidro, assim como da monocromia versus policromia, esta última através do vidro e esmaltes luminescentes. Em suma, na complementaridade laboratório/ateliê, os segredos da matéria abrem novas fronteiras à criatividade estética.

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Présentement, les enseignantes et les enseignants de Soins infirmiers manquent de moyens pour former leurs étudiantes et leurs étudiants à cette compétence, ayant elles-mêmes ou eux-mêmes reçu peu de formation à cet égard. Pourtant, il y a une importante opportunité pour le personnel enseignant de contribuer au développement de la compétence interculturelle, particulièrement pendant les activités de stages. Il est donc évident que pour former une nouvelle génération d'infirmières et d'infirmiers à la communication interculturelle, qui est un élément central de la compétence interculturelle, il faut d'abord développer cette compétence chez les enseignantes et les enseignants. L'élaboration d'une formation pour soutenir le développement de la compétence et de la communication interculturelles, offrant des outils pédagogiques concrets et spécifiques pour les enseignantes et les enseignants en Soins infirmiers, répondrait aux besoins précédemment identifiés. À l'aide d'un devis méthodologique(Paillé 2007), cet essai relate les principales étapes de la mise en forme de l'innovation pédagogique, poursuivant les objectifs suivants : Utiliser une démarche didactique pour la conception et la réalisation d'outils pédagogiques en vue du développement de la compétence interculturelle en préparation des stages de Soins infirmiers; vérifier la correspondance du matériel et du cadre conceptuel développé; expérimenter et évaluer le produit de formation auprès des pairs.

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Tese de doutoramento, Estudos de Literatura e de Cultura (Cultura e Comunicação), Universidade de Lisboa, Faculdade de Letras, 2015

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This essay analyses the roles played by purity of blood and caste in seventeenth-and eighteenth-century identity narratives of Goan clites. Goa and its population are usually excluded from the mainstream literature of Indian social history, and seldom related to the early-modern Atlantic world, making this case study all the more valuable as a place to think the topic of blood and caste. The early establishment and the longevity of the Portuguese imperial presence (1510-1961) in Goa, its location at the crossroads of multiple cultural geographies (Iberian and Indian, and later, also Dutch, British and French), as well as the systematic process of religious conversion of its inhabitants and the questions of legal equality that conversion entailed, all intensified the types, textures, layers and meanings of experiences of social differentiation in this colonial context. This mapping of the experiences of purity of blood and caste in early-modem Goa therefore illuminates from a new angle the role of European imperial powers in the mUltiple expressions of racial classification.

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Financial time series have a complex dynamic nature. Many techniques were adopted having in mind standard paradigms of time flow. This paper explores an alternative route involving relativistic effects. It is observed that the measuring perspective influences the results and that we can have different time textures.

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Abstract: Preferential flow and transport through macropores affect plant water use efficiency and enhance leaching of agrochemicals and the transport of colloids, thereby increasing the risk for contamination of groundwater resources. The effects of soil compaction, expressed in terms of bulk density (BD), and organic carbon (OC) content on preferential flow and transport were investigated using 150 undisturbed soil cores sampled from 15 × 15–m grids on two field sites. Both fields had loamy textures, but one site had significantly higher OC content. Leaching experiments were conducted in each core by applying a constant irrigation rate of 10 mm h−1 with a pulse application of tritium tracer. Five percent tritium mass arrival times and apparent dispersivities were derived from each of the tracer breakthrough curves and correlated with texture, OC content, and BD to assess the spatial distribution of preferential flow and transport across the investigated fields. Soils from both fields showed strong positive correlations between BD and preferential flow. Interestingly, the relationships between BD and tracer transport characteristics were markedly different for the two fields, although the relationship between BD and macroporosity was nearly identical. The difference was likely caused by the higher contents of fines and OC at one of the fields leading to stronger aggregation, smaller matrix permeability, and a more pronounced pipe-like pore system with well-aligned macropores.

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Dissertação para obtenção do Grau de Mestre em Engenharia do Ambiente Perfil de Gestão de Sistemas Ambientais