Dynamics of Deforestation and Socio-Economic profile of Tribal Women Folk in Kerala- A study of Attappady is

This thesis Entitled Dynamics of deforestation and Socio-Economic profile of tribal women flok in kerala -A study of Attappady. The study was based on both primary and secondary data. Primary data were collected through a sample survey conducted in three panchayaths .The thesis is organized in eight chapters. The first chapter provides the background to the study. Second chapter reviews the literature. Third chapter provides the profile of the study area and general conditions. Fourth chapter consists of the life cycle structure of the tribal woman. Fifth chapter covers the socio-economic conditions of the tribal women in the study area. Sixth chapter consists of relationship between tribal women and forest and the degradation of the forest. Seventh chapter provides the documentation of the development programmes implemented in Attappady and their importance to the tribals. Last chapter consists of summary and conclusions of the study, suggestions and recommendations of the study.

A COMPARA'l‘IVE STUDY OF FOLK POETRY IN HINDI AND MALAYAIaA.M LITERATURE

HINDI

SHGs and Cooperatives in the Fishing Sector: An Inclusive Development Option for the Fisher folk of Kerala

The Kerala model of development mostly bypassed the fishing community, as the fishers form the main miserable groups with respect to many of the socio-economic and quality of life indicators. Modernization drive in the fishing sector paradoxically turns to marginalization drives as far as the traditional fishers in Kerala are concerned. Subsequent management and resource recuperation drives too seemed to be detrimental to the local fishing community. Though SHGs and cooperatives had helped in overcoming many of the maladies in most of the sectors in Kerala in terms of livelihood and employment in the 1980s, the fishing sector by that time had been moving ahead with mechanization and export euphoria and hence it bypassed the fishing sector. Though it has not helped the fishing sector in the initial stages, but because of necessity, it soon has become a vibrant livelihood and employment force in the coastal economy of Kerala. Initial success made it to link this with the governmental cooperative set up and soon SHGs and Cooperatives become reinforcing forces for the inclusive development of the real fishers.The fisheries sector in Kerala has undergone drastic changes with the advent of globalised economy. The traditional fisher folk are one of the most marginalized communities in the state and are left out of the overall development process mainly due to the marginalization of this community both in the sea and in the market due to modernization and mechanization of the sector. Mechanization opened up the sector a great deal as it began to attract people belonging to non-fishing community as moneylenders, boat owners, employers and middle men which often resulted in conflicts between traditional and mechanized fishermen. These factors, together with resource depletion resulted in the backwardness experienced by the traditional fishermen compared to other communities who were reaping the benefits of the overall development scenario.The studies detailing the activities and achievements of fisher folks via Self Help Groups (SHGs) and the cooperative movement in coastal Kerala are scant. The SHGs through cooperatives have been effective in livelihood security, poverty alleviation and inclusive development of the fisher folk (Rajasenan and Rajeev, 2012). The SHGs have a greater role to play as estimated fall in demand for marine products in international markets, which may result in reduction of employment opportunities in fish processing, peeling, etc. Also, technological advancement has made them unskilled to work in this sector making them outliers in the overall development process resulting in poor quality of physical and social infrastructure. Hence, it is all the more important to derive a strategy and best practice methods for the effective functioning of these SHGs so that the

Practice english and music with songs and games

Cuaderno de trabajo dirigido a alumnos de Ense??anza Primaria que puede ser utilizado como material de apoyo y complementario. Se presenta un total de 22 unidades organizadas en dos partes: la primera presenta la canci??n o rima y la segunda una partitura con la melod??a. Se incluye un cap??tulo dedicado a la autoevaluaci??n con un total de 100 preguntas y otro dedicado al vocabulario. Se complementa este trabajo con un CD cuyo objetivo es combinar el aprendizaje y la pr??ctica del idioma ingl??s con el uso de las nuevas tecnolog??as.

Yasmin Levy's Ladino ballads and flamenco songs : background for students of Spanish. 'Yasmin Levy canta romances ladinos y canciones flamencas : orientación para los estudiantes de hispánicas'.

Resumen en español

50 songs for helping and enjoying... the teaching of English.

Esta recopilación pretende servir de ejemplo de distintas formas de explotación de canciones en el aula. La mayoría de las canciones seleccionadas contienen elementos para el desarrollo más amplio de ciertos temas, algunas son ejemplos para la repetición de estructuras muy básicas y útiles para los planteamientos pedagógicos. Los objetivos que se pretenden trabajar con cada una de las canciones se especifican en una ficha adjunta y son ampliables en función de las necesidades o conocimientos de la clase en que vaya a trabajarse. La aplicación de estas técnicas y actividades al Segundo Ciclo de Secundaria y BUP es muy aconsejable, ya que los intereses de los alumnos y sus conocimientos gramaticales se acercan más al mundo de la canción.

Jack and the beanstalk : based on a traditional folk tale.

Este cuento tradicional tiene un texto rítmico para ayudar a construir habilidades de lectura. Para leer en voz alta.

Creating chants and songs.

Los cantos y canciones son una parte esencial de la enseñanza del idioma: ayuda a la pronunciación, al aprendizaje del vocabulario y a las estructuras gramaticales, así como proporcionar variedad y diversión a la experiencia. Da modelos y sugerencias para el desempeño de la clase y a los niños oportunidades para crear sus propias canciones. Cada canto o canción incluye las actividades de orientación para el nivel apropiado: nivel 1 básico de palabras, simples estructuras de base; nivel 2 estructuras de frases de nivel básico, algunos con uso del presente; nivel 3 ampliación del vocabulario, en colaboración con tiempos del presente, pasado simple, las formas de futuro y otros patrones funcionales, como por ejemplo 'So i do'. Contiene orientación para el profesor con mas de sesenta actividades para niños de primaria, y hojas fotocopiables. Las actividades se explican con objetivos, edades y niveles claramente diferenciados. El CD de audio ofrece melodías y ritmos, y ejemplos de los cantos producidos en el libro.

Songs of ourselves : the University of Cambridge International Examinations anthology of poetry in english.

Antología de poesías pertenecientes a cien poetas de todo el mundo de habla inglesa. Es una introducción a una gran variedad de formas, estilos y contenidos de versos de los últimos cuatro siglos, desde el siglo XVI hasta la actualidad. Su contenido se adapta al estudio del CIE, IGCSE y al programa de estudios del nivel AS y nivel avanzado de literatura en inglés.

Singing grammar : teaching grammar through songs.

Recurso para enseñar gramática por medio de canciones, y adecuado para estudiantes de primaria en los niveles elemental e intermedio. Contiene dieciocho canciones, cada una con un enfoque específico de gramática. Cada unidad incluye notas para el profesor con sugerencias para utilizar el material, gramática y juego, y partitura de las canciones. El material también puede ser utilizado con adultos. Las canciones del cd-audio tienen variedad de estilos musicales: glosario de música pop; karaoke alternativo o versión lenta para cada canción; cancionero con letras y acordes. Incluye hojas fotocopiables e instrucciones y consejos para los profesores.

Terminal: a miracle play with popular music from the end of the world

Terminal: A Miracle Play with Popular Music from the End of the World is a film and live performance project exploring the politics of post-apocalyptic fiction. A theatrical staging of a morality play for end times and future folk music, it recasts eschatology, as a foundational myth for a future society. Post-apocalyptic writing and cinema are grounded in an ethos of survivalism. Invoking Rousseau’s state of nature, or time before government, these fictions propose violent scenarios in which nuclear holocaust, environmental catastrophe and other disasters generate an individualistic politics of pure pragmatism, negating the possibility of democratic deliberation. Terminal narrates this familiar scenario, but at the same time questions its validity. The film, shot on black and white VHS at Kurt Schwitters’ Merzbarn in Cumbria, dramatises a series of conversations between future-historical archetypes about the needs and pressures of the situation in which they find themselves at the end of the world. The performers then gather to play worshipful songs about acid rain, radiation sickness and eating the dog, using a mix of conventional, obscure and makeshift instruments In the tradition of books such as Russell Hoban’s Riddley Walker and Arthur M. Miller Jr.’s A Canticle for Liebowitz, Terminal imagines artistic expression and new folk traditions for a world to come after the apocalypse. If, as Slavoj Žižek would have it, it is easier to imagine the end of the world than to think of the end of capitalism, the project juxtaposes these two endpoints to test out how alternative scenarios might emerge from the collaborative practice of making theatre and music against a setting of social collapse.