A comparative study of cytoarchitecture and serotonergic afferents in the suprachiasmatic nucleus of primates (Cebus apella and Callithrix jacchus) and rats (Wistar and Long Evans strains)

The suprachiasmatic nucleus, an essential diencephalic component of the circadian timing system, plays a role in the generation and modulation of behavioral and neuroendocrine rhythms in mammals. Its cytoarchitecture, neurochemical and hodological characteristics have been investigated in various mammalian species, particularly in rodents. In most species, two subdivisions, based on these aspects and considered to reflect functional specialization within the nucleus, can be recognized. Many studies reveal a typical dense innervation by serotonergic fibers in this nucleus, mainly in the ventromedial area, overlapping the retinal afferents. However, a different pattern occurs in certain animals, which lead us to investigate the distribution of serotonergic afferents in the suprachiasmatic nucleus of the Capuchin monkey, Cebus apella, compared to the marmoset, Callithrix jacchus, and two Rattus norvegicus lines (Long Evans and Wistar), and to reported findings for other mammalian species. Our morphometric data show the volume and length of the suprachiasmatic nucleus along the rostrocaudal axis to be greatest in C. apella > C. jacchus > Long Evans ≥ Wistar rats, in agreement with their body sizes. In C. apella, however, the serotonergic terminals occupy only some 10% of the nucleus' area, less than the 25% seen in the marmoset and rats. The distribution of the serotonergic fibers in C. apella does not follow the characteristic ventral organization pattern seen in the rodents. These findings raise questions concerning the intrinsic organization of the nucleus, as well as regarding the functional relationship between serotonergic input and retinal afferents in this diurnal species. © 2007 Elsevier B.V. All rights reserved.

Suicídio, da identificação com a mãe morta ao resgate narcísico: um estudo psicanalítico do personagem Richard Brown do filme As horas

O tema desta Dissertação é o suicídio como conseqüência da identificação com a mãe morta. Trata-se de uma pesquisa teórica fundamentada na teoria psicanalítica, que recorre à análise do personagem Richard Brown, do filme As Horas, para ilustrar o argumento teórico de que a revivescência da identificação com a mãe morta pode ser um fator desencadeante do suicídio do melancólico na vida adulta. Inicialmente procura explicitar o conceito de mãe morta, caracterizada como uma mãe que mesmo quando está presente mostra-se ausente nos cuidados e no investimento amoroso ao filho em função de sua depressão. Assim, para a criança, a imagem materna será a de uma mãe sem vida, de uma mãe morta. Mostra a identificação com a mãe morta como saída psíquica para a situação traumática proveniente do desinvestimento amoroso maternal. A criança na relação com esta mãe vive uma catástrofe psíquica chamada por Green de trauma narcisista, o que vai determinar o destino do investimento libidinal, objetal e narcisista do sujeito. Assim sendo, considera-se a melancolia como uma psicopatologia manifestada na vida adulta pelo sujeito subjugado pelo complexo da mãe morta. O estudo da melancolia no texto Luto e Melancolia, de Freud, fornece subsídios para se compreender os processos do mundo interior daqueles que querem dar cabo à sua própria existência. A melancolia evidencia o embate entre o Eu e o Supereu nos papéis de acusado e acusador. Mostra que o Supereu se torna sádico ao cobrar perfeição do Eu masoquista empobrecido narcisicamente pela identificação com a mãe morta. Quando chega às raias do sadismo esse embate leva o Eu, identificado com a mãe morta, a desejar eliminar o objeto mau introjetado numa parte do Eu, para resgatar o seu valor narcísico idealizado. Aponta o suicídio como a saída psíquica encontrada pelo melancólico para livrar-se da identificação com a mãe morta. Conclui que no suicídio os conflitos inconscientes manifestados na vida adulta são revivescências dos conteúdos psíquicos registrados na infância. No caso estudado em questão, a revivescência da identificação com a mãe morta teria sido o fator desencadeante do suicídio de Richard Brown na vida adulta.

A personagem Bigger Thomas na obra de Richard Wright e a construção de identidade afro-americana

This paper analyzes the character Bigger Thomas Native Son’s American novel published in 1940 by African-American author Richard Wright. Through this character we try to study more the post-slavery racial issue in a country where racial segregation was legally sustained and how this issue was reflected in society and identity formation of their native sons African-American

Tradução anotada, autor-tradutor invisível: Richard Francis Burton na Brasiliana

The aim of this paper is to analyze the translation of the work by the translator-traveller Richard Francis Burton, Explorations of the Highlands of the Brazil, with a full account of the gold and diamond mines, made by Américo Jacobina Lacombe, trying to relate the work of the latter to the editorial goals of the Brasiliana Collection. As a subseries of the Biblioteca Pedagógica Brasileira [Brazilian Pedagogical Library] published by Companhia Editora Nacional, Brasiliana was conceived in agreement with the 1930s and 1940s policies to expand lay education and make it possible for Brazilians to get to better know the greatness of their country. The paper will focus on the numerous translator’s notes, since many of them reveal Lacombe’s didactic purpose of informing readers about Brazilian history and geography. The analysis also examines the effacement of Burton’s translations from Portuguese into English in his book.

Intoxicação pela Metáfora segundo Gilles Deleuze e Félix Guattari: os desenhos do pequeno Richard (1941)

Starting with a critical review that make Deleuze and Guattari about the use of images in the writings and drawings reproduced in Narrative of a Child Analysis, by Melanie Klein, the authors reflect on the place of metaphor in the speech of this analyzed child about desiring life, intoxicated with Oedipian metaphors. They highlight the role of metaphor in the production of the alleged psychoanalytic intoxication.

The genomes of two key bumblebee species with primitive eusocial organization

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Ellen Evans Cathcart Papers - Accession 238 - M111 (143)

The Ellen Evans Cathcart Papers consist of biographical sketches of Mrs. Ellen Evans Cathcart (1869-1952), first woman member of the Democratic National Committee who was also instrumental in the founding of the Children’s Bureau. Also included in the collection are newspaper clippings, magazine articles, correspondence, reports, certificates, citations, and photographs relating to her work as supervisor of the Children’s Bureau of South Carolina and her involvement in the women’s suffrage movement. Of particular note is an annual report of the South Carolina Council of Defense which outlines the achievements of women of South Carolina in war work and a program book of the 47th annual convention of the National American Woman Suffrage Association.

Interview with Richard Dinning

In his October 17, 2012 interview with Robert Ryals, Richard Dinning details his thoughts and memories as an army air corps cadet at Winthrop. Dinning includes details of his career in the Army Air Corp during WWII. This interview was conducted for inclusion into the Louise Pettus Archives and Special Collections Oral History Program.

Kate Evans Cathcart Lindsey Papers - Accession 198

Kate Evans Cathcart Lindsey (1898-1975) was a Winthrop graduate (Class of 1919) and a former president of the Greenville, SC Chapter of the Winthrop Alumni Association. The Kate Evans Cathcart Lindsey Papers consist of a scrapbook and a diary relating to Mrs. Lindsey’s college days at Winthrop, as well as, correspondence and newspaper clippings pertaining to her role as the Greenville Alumni Association President. Correspondents include James P. Kinard and Shelton Phelps. The collection is a great source for information concerning student life at Winthrop (1915-1919) and of collegiate life during World War I.

A VEHICLE MOUNTED BAIT DISPENSER

A 3-inch-diameter plastic tube mounted on a truck was designed for distributing bait (cut carrots or grain) for mammal control. Baits are fed into the tube by an operator standing in the truck bed. The device is light-weight and detachable and permits rapid, accurate placement of bait along a line on the ground or in a plowed furrow.

Measurement of prompt J/psi and beauty hadron production cross sections at mid-rapidity in pp collisions at root s=7 TeV

The ALICE experiment at the LHC has studied J/psi production at mid-rapidity in pp collisions at root s = 7 TeV through its electron pair decay on a data sample corresponding to an integrated luminosity L-int = 5.6 nb(-1). The fraction of J/psi from the decay of long-lived beauty hadrons was determined for J/psi candidates with transverse momentum p(t) > 1,3 GeV/c and rapidity vertical bar y vertical bar < 0.9. The cross section for prompt J/psi mesons, i.e. directly produced J/psi and prompt decays of heavier charmonium states such as the psi(2S) and chi(c) resonances, is sigma(prompt J/psi) (p(t) > 1.3 GeV/c, vertical bar y vertical bar < 0.9) = 8.3 +/- 0.8(stat.) +/- 1.1 (syst.)(-1.4)(+1.5) (syst. pol.) mu b. The cross section for the production of b-hadrons decaying to J/psi with p(t) > 1.3 GeV/c and vertical bar y vertical bar < 0.9 is a sigma(J/psi <- hB) (p(t) > 1.3 GeV/c, vertical bar y vertical bar < 0.9) = 1.46 +/- 0.38 (stat.)(-0.32)(+0.26) (syst.) mu b. The results are compared to QCD model predictions. The shape of the p(t) and y distributions of b-quarks predicted by perturbative QCD model calculations are used to extrapolate the measured cross section to derive the b (b) over bar pair total cross section and d sigma/dy at mid-rapidity.

Intercultural Performance and Dialogue. From Richard Schechner Performance Studies Onwards

Attraverso un excursus storico, teorico e metodologico, questa tesi di dottorato analizza la nascita, gli sviluppi e l’attuale dimensione costitutivo-identitaria dei Performance Studies, un ambito di ricerca accademica che, nato negli Stati Uniti alla fine degli anni Settanta, ha sempre palesato una natura restia nei confronti di qualunque tentativo definitorio. Se i Performance Studies concepiscono la performance sia come oggetto d’analisi sia come lente metodologica, e se, come evidenziato da Richard Schechner, praticamente tutto può essere “elevato a performance” e quindi indagato secondo le categorie analitiche di questa disciplina, ecco allora che, con uno slittamento transitivo e “meta-metodologico”, questa ricerca dottorale ha scelto come proprio oggetto di studio i Performance Studies stessi, osservandoli “as performance” e avvalendosi degli strumenti metodologici suggeriti dal suo stesso oggetto d’analisi. Questo lavoro indaga come l’oggetto di studio dei Performance Studies sia, seguendo la teoria schechneriana, il “behaved behavior”, e dunque come di conseguenza, il repertorio, prima ancora che l’archivio, possa essere considerato il fedele custode delle “pratiche incorporate”. Soffermandosi su esempi di “reenactment” performativo come quelli messi in atto da Marina Abramović e Clifford Owens, così come sui tentativi condotti dalla sezione dell’Intangible Cultural Heritage dell’UNESCO, suggerisce validi esempi di “archiviazione” della performance. L’elaborato prende poi in esame casi che esemplificano la proficua identificazione tra “studiare performance” e “fare performance”, sottolinea il ruolo cruciale e imprenscindibile determinato dal lavoro di ricerca sul campo inteso come “osservazione partecipante”, ed evidenzia il costante coinvolgimento sociale e politico assunto dai Performance Studies. Questa dissertazione affronta e supporta l’efficacia dei Performance Studies nel proporsi come uno strumento innovativo in grado di analizzare un mondo sempre più performativo nelle sue dinamiche. La loro natura tanto interdisciplinare quanto interculturale sembra farne una lente adeguata attraverso cui promuovere livelli diversi di performance dialogica tra culture localmente distinte ma globalmente assimilabili.