L'art de propagande en Espagne, de la Seconde République au premier franquisme : affiches et portraits officiels

This thesis questions the major esthetic differences between the artistic productions of the Second Spanish Republic (1931-1939) and the nationalist artistic productions of the Civil War years and the first decade of the francoist dictatorship. These differences are analysed using the artistic productions of Josep Renau (1907 Valence – 1982 Berlin East) and of Ignacio Zuloaga (Elibar 1870 – Madrid 1945). Renau was an important artistic figure during the Spanich Republic. In this thesis, we analyse Renau’s different propaganda productions between 1931 and 1939. Zuloaga was an international artist when the nationalist uprising occurred in 1936. He was recognized by the European elites for his portraits of Andalousian and Castillian sceneries. Zuloaga supported the nationalist putsch and the francoist ideology. In 1939, the Caudillo ordered the painting of the portrait that we will be analysing. The theories of François Hartog, Reinhart Koselleck, Paul Ricoeur and Hannah Arendt are used to analyse the historical conceptual confrontation in Spain, portrayed by the artworks that we studied. During the Republic, it was the modern historical regime that was in force. The historical references used are close in time and the history is constructed in the future and attached to the idea of progress. With the nationalists, the historical conception is connected to the Historia magistra where the past is used as an example. In the first francoism, a return to Spain’s glorious past (the Middle Ages, the Golden Century and the Counter Reform) is clearly claimed in order to rescue the country from the ills of modernity. It is with these different historical conceptions in mind that we compare the esthetics specificities of the artworks, the identity and historical references and the mediums used to legitimize the power and the political actions of each front.

Rothschild ... : Schriftenreihe: Histoire contemporaine : portraits et silhouettes au XIXe siècle, 103

Eugène de Mirecourt

Medical faculty and students, 1865

Standing in front of the class (from left) are Abram Sager, Alonzo Palmer, Corydon Ford, Moses Gunn, and Silas Douglas (source: Not Just Any Medical School by Horace W. Davenport). On verso: March 1865. Dr. J. Ballard, then at 20 ... Gift of Dr. Elmer Belt, Los Angeles, Calif.

Richard Wagner en caricatures : 130 reproductions de caricatures françaises, allemandes, anglaises, italiennes, portraits : autographes (lettre et musique) dessins originaux de J. Blass, Moloch et Tiret-Bognet /

Includes bibliographical references.

A second Gallery of literary portraits /

Mode of access: Internet.

Les empereurs romains : caractères et portraits historiques /

Mode of access: Internet.

Etudes sur les hommes et les moeurs au XIXe siècle : portraits contemporains, scènes de voyage, souvenirs de jeunesse /

Fecha tomada del prólogo.

Abrégé de la vie des plus fameux peintres : avec leurs portraits gravés en Taille-douce, les indications de leurs principaux ouvrages, Quelques Réflexions sur leurs caractères et la maniere de connoître les desseins et les tableaux des grands maîtres /

Mode of access: Internet.

Abrégé de la vie des plus fameux peintres : avec leurs portraits gravés en Taille-douce, les indications de leurs principaux ouvrages, Quelques Reflexions sur leurs caractères et la maniere de connoître les desseins et les tableaux des grands maîtres /

Mode of access: Internet.

Les empereurs romains : caractères et portraits historiques /

Mode of access: Internet.

Essai historique et critique sur la Révolution Française : ses causes, ses résultats, avec les portraits des hommes les plus célèbres /

"La 1ère éd. fut enlevée entière, par ordre de l'ancien gouvernement en 1810, et détruite en 1813"

Abrégé de la vie des plus fameux peintres : avec leurs portraits gravés en Taille-douce, les indications de leurs principaux ouvrages, Quelques Reflexions sur leurs caractères et la maniere de connoître les desseins et les tableaux des grands maîtres /

Mode of access: Internet.

Jules Lemaître,

Mode of access: Internet.

The poetical works of Horace Smith and James Smith ... with portraits and a biographical sketch.

"Our reprint of this work is from the twenty-third London edition, and the notes inclosed in brackets are from the pen, we believe, of Mr. Peter Cunningham."--Pref.