Frames of War: When is Life Grievable?

La tesis principal de Butler en Frames of War es que los marcos interpretativos por medio de los cuales nos es posible entender la violencia son parte material y esencial del propio acto de librar una guerra. Del mismo modo que un contenido y su envoltorio a veces no pueden separarse, lo que entendemos como"contenido" (el hecho bélico) está necesariamente enmarcado y no es posible aproximarse a él ajeno a los marcos que lo vehiculan. El marco es una estrategia activa de contención que no sólo contiene lo que es sino también su justificación y su interpretación, y en un contexto de guerra el marco dictamina, además de la justificación, la distinción entre las vidas que merecen ser preservadas y lloradas, y las que no.

“All we want in Laos is peace, not war": Intervención de Estados Unidos en Laos, 1954-1961

La guerra de Laos es probablemente uno de los episodios de la Guerra Fría más desconocidos e ignorados por la historiografía a pesar de las terribles consecuencias que tuvo. El hecho de que frecuentemente se considere como un conflicto periférico y ligado a la Guerra de Vietnam no contribuye tampoco a mejorar esta imagen.

Gone with the Wind and the Southern Way of Life: the Civil War as described in Margaret Mitchell’s Novel

This essay examines the American Civil War of 1861 – 1865, which is also known as the bloodiest war that the United States has ever experienced. The pretext for the war was the abolition of slavery in the South, and after many battles the Southern states lost: as a consequence, they experienced major changes in their economic and social life. This interesting piece from American history can be traced out throughout the characters’ lives in the novel Gone with the Wind which has been thoroughly analyzed in order to draw nearer and to comprehend the changes in the Southern way of life before and after the war. The author, Margaret Mitchell, was born in Atlanta, Georgia, and grew up with the stories about the war. As a result, Gone with the Wind studies not only its causes, but also the years after its end – a period which is not generally a subject of history and receives little attention – and the effects that such reversals have on former planters and slaves. From the position of contemporaneity, the reader can see that such changes in a society do not end with the laying down of an act, or in this case the end of the war, but they continue during many years; thus, the modern world can draw conclusions and lessons for events that are happening at the moment.

Garde impériale française. Camp de Châlons, 1866 / G. Prévot

Ancien possesseur : Melo, Antonio Maria Fontes Pereira de (1819-1887)

War and National Renewal: Civil Religion and Blood Sacrifice in American Culture

Wars are often associated with a rhetoric of renewal or new beginnings. This essay explores this claim through the lens of civil religion and a recent book by Carolyn Marvin and David Ingle, Blood Sacrifice and the Nation, which combines Emile Durkheim with Réné Girard in proposing that modern national cohesion depends on blood sacrifice. I unpack some of the paradoxes raised by this theory of national renewal in the context of 9/11, with a special focus on the sacred status of the flag and the special attention given to uniformed serviceman in the American body politic.

[1 lettre de Auguste-Emmanuel Vaucorbeil à Jacques-Léopold Heugel, 19 janvier 1866]

Fait l'éloge de Marie Trélat : "Mme Trélat a chanté comme une fée"