948 resultados para public sphere


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Thesis (Master, Education) -- Queen's University, 2016-08-29 15:56:53.748

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À partir de la décennie 1970, on voit surgir dans la plupart des métropoles en Occident des quartiers comprenant une grande concentration de ménages gays et d’établissements commerciaux destinés à cette clientèle. Les recherches menées sur le phénomène ont négligé de se pencher sur la façon dont la trajectoire de la communauté homosexuelle locale s’articule au parcours historique, politique et urbain de la ville où le quartier est situé. Ce travail vise à combler cette lacune et à éclairer la trajectoire qui a mené la population gay à s’approprier un espace urbain. Il dresse d’abord un panorama des quartiers étant devenus le secteur homosexuel de la ville et de la vie de ses habitants dans les métropoles de San Francisco, Paris et Montréal, à partir de sources secondaires sur l’urbanisation du quartier et sur la communauté gay locale depuis 1900 jusqu’à nos jours. Ensuite, il compare leur évolution selon une périodisation comportant deux axes principaux : l’époque où les homosexuels avaient un vécu clandestin dans la ville et la période où les gays cherchaient à vivre leur sexualité dans la sphère publique. Le résultat montre une trajectoire similaire où la sortie de la clandestinité aboutisse à un quartier ouvert, gentryfié et touristique qui passe par une formation de ghetto liée au contexte économique et politique national, mais aussi au cadre urbain de la ville. En identifiant les facteurs déterminants, il était possible de concevoir l’existence de figures types de quartier gay rendant possible la vie communautaire : le quartier gay portuaire et militant, le quartier symbole d’une culture et le quartier bastion ethnique.

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Esta investigación busca analizar las distintas formas a través de las cuales las personas gais y lesbianas de Quibdó lograron una visibilización en la esfera pública de su ciudad. Este proceso será visto en diferentes escenarios. Primero, en la participación en espacios culturales como San Pacho, shows y reinados de belleza. Segundo, en el activismo realizado por la Fundación Ébano Diverso, que ha logrado abrir espacios de diálogo con instancias como la Alcaldía de Quibdó y la Gobernación del Chocó. Finalmente, se verá cómo la creación de tejidos familiares y afectivos está relacionada con su activismo y las formas distintas de visibilizarse.

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Mário Saa (1893-1971) - um percurso de índole nacionalista, onde se cruzam a literatura, a ciência, a filosofia e a história. Pretende-se revelar o trajecto de um intelectual português da direita conservadora do início do século XX, numa perspectiva transnacional. Aborda-se o seu percurso intelectual, analisando os reflexos da identidade europeia na sua produção cultural. Através do seu legado depositado na Fundação Arquivo Paes Teles, no Ervedal, uma freguesia do concelho de Avis, acedemos ao tempo da sua formação académica e às temáticas que abordou na sua vasta e diferenciada produção cultural. Descobrem-se os seus círculos de sociabilidade literária e intelectual, e entende-se a construção da sua consagração através de um conjunto de dedicatórias gravadas nos livros da sua biblioteca. Um legado que permite aceder à sua «modernidade» decorrente da interacção com a Europa intelectual e do seu contexto de vivências variadas. /ABSTRACT: ln this paper we examine the career of the nationalist thinker, Mário Saa (1893-1971), whose achievements were in the fields of literature, science, philosophy and history, as a model of the right-wing conservative Portuguese intellectual at the beginning of the 20th century from a trans-national perspective. We trace his intellectual trajectory, analysing the influence of European identity on his cultural output. The complete works of Mário Saa, housed at the Paes Teles Archive Foundation in Ervedal, a parish in the district (concelho) of Avis, provide us with a window on the period during which he completed his academic training and the topics he examined in his extensive and varied cultural works. We profile the literary and intellectual social circles in which he moved, and seek to gain an understanding of how his reputation carne to be established by analysing the dedications contained in books from his library. Mário Saa's legacy enables us to understand the ‘modern’ nature of his work, deriving from his interaction with European intellectuals and the context of his varied experience.

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Este proyecto pretende profundizar en algunos aspectos del funcionamiento institucional y político del Colegio de España, como ente integrado en las redes políticas y sociales de la ciudad italiana, a través del análisis de sus relaciones con la familia Malvezzi a inicios de la Edad Moderna, un período caracterizado por la creación y reforzamiento gradual de una red social conectada con el mundo hispano. Además, se pretende señalar los canales de colaboración y acuerdo recíproco que el Colegio de San Clemente puso en marcha con distintos miembros de la aristocracia boloñesa. Este estudio concibe el Colegio de España como una institución que va más allá de los límites estrictamente universitarios y que desarrolla un rol político y económico de primer nivel en el contexto local. Por otra parte, se interpretan las dinámicas del poder urbano en clave de red, dentro de la cual se entrecruzaban diversos intereses privados, familiares, clientelares y personales que tuvieron su repercusión en la esfera pública. En resumen, se trata de ofrecer una visión amplia y rica del cuadro de relaciones de poder de la ciudad de Bolonia. El objetivo final es conocer las razones, lógicas y fases que han plasmado, reforzado y caracterizado los vínculos personales e institucionales entre la familia Malvezzi y el Colegio de España.

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The internet is fast becoming a means for people to obtain information, creating a unique forum for the intersection of the public, technical, and private spheres. To ground my research theoretically, I used Jürgen Habermas’s sphere theory. Habermas (1987) explains that the technical sphere colonizes the private sphere, which decreases democratic potential. In particular, the internet is a place for altering technical colonization of the private and public spheres. My research focuses on women’s health because it is a particularly useful case study for examining sphere tensions. Historically, the biomedical health establishment has been a powerful agent of colonization, resulting in detrimental effects for women and their health. The purpose of this study is to examine how the internet encourages expert and female patient deliberation, which empowers women to challenge the experts and, thus, make conversations between the private/technical spheres more democratic. I used PCOS (Polycystic Ovarian Syndrome) as a case to observe the changing sphere boundaries by studying the discourse that took place on multiple patient and doctor websites over a four-year period. Through my research, I found that the PCOS women challenge the biomedical model by appropriating medical language. By understanding the medical talk, the women are able to feel confident when discussing their health conditions with the doctor and with each other. The PCOS women also become lay-experts who have personal and medical experience with PCOS, reducing private sphere colonization. This case study exemplifies how female empowerment can influence expert culture, challenging our conventional understanding of democracy.

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Universidade Estadual de Campinas . Faculdade de Educação Física

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The thesis is the first comprehensive study on Finnish public painting, public artworks generally referred to as murals or monumental paintings. It focuses on the processes of production of public paintings during the post-WWII decades in Finland and the complex relationships between the political sphere and the production of art. The research studies the networks of agents involved in the production of public paintings. Besides the human agents—artists, assistants, commissioners and viewers—also public paintings were and are agents in the processes of production and in their environments. The research questions can be grouped into three overlapping series of questions: First, the research investigates the production public paintings: What kinds of public paintings were realised in postwar Finland—how, where, by whom and for what purposes? Second, it discusses the publicness of these paintings: How were public paintings defined, and what aspects characterised them as “public”? What was their relation to public space, public authorities, and audience? And third, it explores the politics of public paintings: the relationship between Finnish public painting, nationalism, and the memory of war. To answer these questions, extensive archival work has been performed, and over 200 public paintings have been documented around Finland. The research material has been studied in a sociological framework and in the context of the political and economic history of Finland, employing critical theories on public space and public art as well as theories on the building of nationalism, commemoration, memory, and forgetting. An important aim of this research was to open up a new field of study and position public painting within Finnish art history, from which it has been conspicuous by its absence. The research indicates that public painting was a significant genre of art in postwar Finland. The process of creating a national genre of public painting participated in the defining of municipal and state art politics in the country, and paintings functioned as vehicles of carrying out the agenda of the commissioning bodies. In the formation of municipal art policies in Finland in the 1950s, public painting connected to the same tendency of democratising art as the founding of public art museums. Public painting commissions also functioned as an arena of competition and a means of support for the artists. Public paintings were judged and commissioned within the realm of political decision-making, and they suggested the values of the decision-making groups, generally conveyed as the values of the society. The participation of official agents in the production allocated a position of official art to the genre. Through the material of this research, postwar public painting is seen as an agent in a society searching for a new identity. The postwar public painting production participated in the creation of the Finnish welfare society as indications of a humane society. It continued a tradition of public art production that had been built on nationalist and art educational ideologies in the late 19th and early 20th century. Postwar public paintings promoted the new national narrative of unification by creating an image of a homogeneous society with a harmonious communal life. The paintings laid out an image of Finnishness that was modern but rooted in the agrarian past, of a society that was based on hard work and provided for its members a good life. Postwar public painting was art with a mission, and it created an image of a society with a mission.

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Health is an important aspect of everybody’s life. Today, there is an increasing recognition and commitment to the pursuit of health both within government and beyond. Any attempt on the part of the " State to protect and promote people’s health, in turn, must be accompanied by effective controls on air quality, as air constitutes ‘ one of the important elements of man’s life and the consequences of air pollution covers a very wide spectrum ranging from material ---damage to personal discomfort and illness. The broad social and economic objectives adumbrated in the Directive Principles of State Policy including the commitment to improve public health underlying in Article 47 and the obligation to preserve and protect-the natural environment cast under Article 48A of the Constitution are being used as versatile weapons by the State to regulate the public health scenario. Preservation and maintenance of air quality is a significant area within the sphere of public health, where the regulatory arm of the law is not adequately touched and in this arena urgent State intervention through legislative and administrative action is called for in the well-being of the society. Judiciary also plays a pivotal role in this arena in the larger interest of the society and for the benefit of the present and future generations. The research study is an attempt to analyze how far the existing legal system, for maintaining air quality and in controlling air pollution, is effective in protecting public health. The study also analyzes the limitations of the control mechanisms. The study focuses on industrial air pollution, indoor and personal air pollution, vehicular pollution and noise pollution which are today appearing as the major public health hazards affecting the air quality. However, this is not to overlook the importance of controls required under other areas of public health.

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This paper provides a review of the role played by volunteers within one particular offender management and reintegration scheme in the United Kingdom. Circles of Support and Accountability (COSA) draw on the expertise of volunteer members of the public to create supportive monitoring frameworks around sex offenders following their release from prison. The paper presents evidence as to the motivations of these volunteers, and argues that they play a crucial role in the success of the scheme, as they provide an instrumentally-useful form of reintegrative social contact to a socially-excluded offender population, and perform a symbolically important role as representatives of the wider community in taking ownership of offender management practices on behalf of the wider society. This is particularly significant in grounding those processes in the communicative practices of the social sphere, providing powerful reasons for intervention that reinforce the work that COSA do.

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"A sketch of Hahnemann and his wife / by Helen Berkley."--p. [xxi]-xliii.

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Mode of access: Internet.

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CCBE. S. XVI,

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Mode of access: Internet.