Fleshing Out and Losing Flesh: The Decomposing Corpse as Narrative Object in American Hardboiled Detective Fiction

This dissertation examines the corpse as an object in and of American hardboiled detective fiction written between 1920 and 1950. I deploy several theoretical frames, including narratology, body-as-text theory, object relations theory, and genre theory, in order to demonstrate the significance of objects, symbols, and things primarily in the clever and crafty work of Dashiell Hammett (1894-1961) and Raymond Chandler (1888-1959), but also touching on the writings of their lesser known accomplices. I construct a literary genealogy of American hardboiled detective fiction originating in the writings of Edgar Allan Poe, compare the contributions of classic or Golden Age detective fiction in England, and describe the socio-economic contexts, particularly the predominance of the “pulps,” that gave birth to the realism of the Hardboiled School. Taking seriously Chandler’s obsession with the art of murder, I engage with how authors pre-empt their readers’ knowledge of the tricks of the trade and manipulate their expectations, as well as discuss the characteristics and effect of the inimitable hardboiled style, its sharpshooting language and deadpan humour. Critical scholarship has rarely addressed the body and figure of the corpse, preferring to focus instead on the machinations of the femme fatale, the performance of masculinity, or the prevalence of violence. I cast new light on the world of hardboiled detective fiction by dissecting the corpse as the object that both motivates and de-composes (or rots away from) the narrative that makes it signify. I treat the corpse as an inanimate object, indifferent to representation, that destabilizes the integrity and self-possession, as well as the ratiocination, of the detective who authors the narrative of how the corpse came to be. The corpse is all deceptive and dangerous surface rather than the container of hidden depths of life and meaning that the detective hopes to uncover and reconstruct. I conclude with a chapter that is both critical denouement and creative writing experiment to reveal the self-reflexive (and at times metafictional) dimensions of hardboiled fiction. My dissertation, too, in the manner of hardboiled fiction, hopes to incriminate my readers as much as enlighten them.

Pensar las ciencias sociales desde América Latina ante el cambio de época

Herederas de propuestas disciplinarias originales, como la teoría de la dependencia -y sus posteriores críticas desde el marxismo-, o del pensamiento socioeconómico de la CEPAL, las ciencias sociales latinoamericanas toman distancia de enfoques anglo-euro-céntricos, para avanzar en una línea crítica del pensamiento y de las prácticas neocolonialistas. El desafío para el pensamiento es ser cosmopolita y simultáneamente latinoamericano. En este proceso, el pensamiento social latinoamericano está logrando recuperar su originalidad y vigor, gracias a un rico diálogo Sur-Sur que no pierde de vista el carácter global de sus reflexiones y de sus referentes universales. Aunque ni el marxismo clásico ni el occidental son hegemónicos dentro de la teoría crítica, el (neo)marxismo enriquecido con la crítica a la colonialidad del poder, la teoría del Sistema-mundo, la geopolítica crítica y la ecología política recuperan el campo de la teoría crítica en clave fundadora de un pensamiento de época. Sus debates epistemológicos con el post-estructuralismo y diversos enfoques posmodernos configuran los desarrollos recientes de la teoría crítica.

A catalogue of the English books printed before MDCI, now in the library of Trinity College, Cambridge,

Indexed by towns, by printers, by authors, and by donors.

An eighteenth century miscellany; the classics of the eighteenth century which typify and reveal an era: Jonathan Swift, Alexander Pope, John Gay...[and others]

Swift, Jonathan. The Drapier's letters.--Pope, Alexander. The Dunciad.--Gay, John. The beggar's opera.--Chesterfield, Earl of. Selected letters to his son.-- Sterne, Laurence. A sentimental journey through France and Italy.--Walpole, Horace. The castle of Otranto.--Sheridan, R. B. The school for scandal.--Gibbon, Edward. Memoirs of my life and writings.--Blake, William. Songs of innocence and songs of experience.

Books & characters, French & English /

Edmons A4b.

Early English Text Society.

Latest issue consulted: No. 229 (for 1948), published in 1954.

A register of bibliographies of the English language and literature /

"Of this book seven hundred and fifty copies have been printed."

English humorists of the eighteenth century : Sir Richard Steele, Joseph Addison, Laurence Sterne, Oliver Goldsmith /

"With introductions from Thackeray's English humorists'."

List of English editions and translations of Greek and Latin classics printed before 1641.

Mode of access: Internet.

Contributions in English.

Mode of access: Internet.

The English program at the U.S. Military Academy : with some practical aids for cadets.

Mode of access: Internet.

Report on the teaching of English in the United States,/

Mode of access: Internet.

The Horace Mann Book of English,/

Blank pages for notes interspersed.

A brief handbook of English authors,/

Mode of access: Internet.

Twenty-five letters on English authors,/

Mode of access: Internet.