Historia literaria de España : origen, progresos, decadencia y restauración de la literatura española ... /

Mode of access: Internet.

Historia literaria de España : origen, progresos, decadencia y restauración de la literatura española ... /

Mode of access: Internet.

Historia literaria de España : origen, progresos, decadencia y restauración de la literatura española ... /

Mode of access: Internet.

Historia literaria de España : origen, progresos, decadencia y restauración de la literatura española ... /

Mode of access: Internet.

Historia literaria de España : origen, progresos, decadencia y restauración de la literatura española ... /

Mode of access: Internet.

Historia literaria de España : origen, progresos, decadencia y restauración de la literatura española ... /

Mode of access: Internet.

Discursos leídos ante la Real academia de la historia en la recepción pública de Rafael de Ureña y Smenjaud, el día 24 de enero de 1909 ...

Discurso de recepción: Ureña, Rafael de. Una edición inédita de las Leges gothorum regum preparada por Diego y Antonio de Covarruvias, en la segunda mitad del siglo XVI. Necrología del excmo. sr. d. José Gómez de Arteche.--Discurso de contestación: Oliver, Bienvenido. Observaciones histórico-étnicas sobre la composición de la raza española.

Historia tēs archaias Hellados kata viographias syngegrammenē: ētoi, Hoi endoxoi andres

Half-title: Hellēnikē historia.

Historia de la literatura colonial de Chile,

Mode of access: Internet.

Svensk historisk bibliografi, 1771-[1920]; systematisk förteckning över skrifter och uppsatser som röra Sveriges historia utkomna frȧn och med 1771 till och med [1920]

1771-1874; Reviderad och till trycket befordrad av Sven Ȧgren.

Coleccion de historiadores de Chile y documentos relativos a la historia nacional.

Vol. 1 (?), 3-5, 7 edited by Diego Barros Arana; v. 2, by Francisco Solano Asta Buruaga y Cienfuegos; v. 6, 8-10, by Miguel Luis Amunátegui; v. 11, by Luis Montt; v. 12-45, by José Toribio Medina.

Escenarios productivos diversos en Mendoza : En la búsqueda de una fruticultura comercial (1900-1930)

La conformación de una economía regional diversificada en Mendoza encuentra antecedentes en las primeras décadas del siglo XX. En efecto, los sectores dirigentes, empresarios y técnicos buscaron alternativas con vistas a matizar los efectos de crisis cíclicas que afectaban a la vitivinicultura. De modo que este período tiene un marcado carácter transicional, en el que se verifica una complejización del panorama agroproductivo como resultado de la conjunción de diversos factores que son detectados y analizados en este trabajo

Amélia Duarte Machado, a Viúva Machado: a esposa, a viúva e a lenda na Cidade do Natal (1900-1930)

The research project examines representations elaborated about Amelia Duarte Machado, images that were built in a particular space: the Natal City. Amelia, one mossoroense that has a simple life, stated a luxurious life after marrying with a rich Portuguese merchant Manuel Machado, in 1904. She led a life of society lady, lived in a sumptuous residence, traveled to Europe, attending the Theatre the city and took care of the social image of her husband, opening the doors of your home to promote dinners and receptions. Experienced the changes occurring in Natal in the first three decades of the twentieth century, when the initiative of a political and intellectual elite of the city began to incorporate bourgeois values and to provide a technical framework focused on the improvements brought by the Industrial Revolution. In 1934, with her husband's death, took over the family business. Besides the widow, also became an enterprising woman. The widow Amelia Machado also became the target of suspicion of the population, rumors about his life. From there emerges a frightening figure in Natal, a being that captured and ate the liver of children, the papa-figo of Natal City, the Widow Machado. In this research, we relate different images that circulated about this woman, who was society lady, dashing widow and papa-figo, articulating these representations with the discourse on female circulating in Natal from 1900 to 1930 yet will raise hypotheses about the creation of the Legend of the Widow Machado

"Em cada esquina um poeta, em cada rua um jornal": a vida intelectual natalense (1889-1930)

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES

Terra de charneca erma e de saudade: a construção simbólica do Alentejo português na obra de Florbela Espanca (1916-1930)

In this work, we investigate the symbolic construction of a particular spatiality, starting from the theoretical assumption that spaces are subjective constructions guided by different cultures, feelings and rationales, but mostly spaces are human constructs driven by social relations, as a result of the material investment and symbol that reflects the needs of a particular society at a given time of historical development. Accordingly, we analyze the construction and symbolic imagery of the central region of Portugal, the Alentejo, from the literary production (1916 – 1930) the English poet Florbela Espanca D'Alma Conception Espanca. Thus, we propose to analyze the florbelian work not only from its internal relations, but also external, emphasizing the link between history, space and literature. Thus, we propose to inquire about the symbolic dimension – the meanings of images and representations – which prompted one of the most controversial Portuguese poets of the early twentieth to look into the poetic construction of space Alentejo century, questioning not only the senses brokered by speech literary Florbela Espanca to invent your Alentejo, adorned with memories, pain and longing, but investigate how the socio-cultural environment influenced your work, in your life and ways to feel and live the Alentejo. To better understand how the poet means the Alentejo spatiality, throughout this work we question three categories of space in the work of Florbela Espanca: the region, the countryside and the landscape of the Alentejo. Thus, this research falls within the field of cultural history in the medical we will work with the entire literary output Florbela Espanca, letters, diaries, photos and biographical and literary criticism, by establishing the time frame of 1916 – beginning of intellectual activity Florbela Spank – the 1930 – publication of Blossom Heath (posthumous) and the suicide of the poet. Therefore, a constant symbolic exercise of words crossed by more subjective feelings of the subject, all the time our work will be guided by the question of what would be the Alentejo for the poet, who senses and meanings across this spatiality that marked so sovereignly happiest memories and sad life Florbela Espanca.