Inscriptions et monuments du Musée gallo-romain de Sens;

Mode of access: Internet.

The Archaeological journal : published under the Council of the Royal archaeological institute of Great Britain and Ireland, for the encouragement and prosecution of researches into the arts and monuments of the early and middle ages.

Vols. 1-83, 1844-1926 called no. [1]-332; vols. 51-86, 1894-1929, called also 2nd ser., v. 1-36.

Paris illustré : son histoire, ses monuments, ses musées, son administration, son commerce et ses plaisirs : nouveau guide des voyageurs /

Fold. map in pocket at end.

History of Staindrop Church and monuments,

Mode of access: Internet.

Roman sacrificial altars; an archaeological study of monuments in Rome,

Vita.

La photographie appliquée à l'archéologie : reproduction des monuments, œuvres d'art, mobilier, inscriptions, manuscrits /

Mode of access: Internet.

Brown's stranger's handbook and illustrated guide to Salisbury Cathedral : being a full historical and descriptive account of the building and monuments with eighteen engravings on wood.

Cover title: The illustrated guide to Salisbury Cathedral.

Description de la cathédrale, des vitraux de Bourges et des autres monuments de la ville.

Mode of access: Internet.

An inventory of the ancient monuments in Wales and Monmouthshire. IV. County of Denbigh.

Mode of access: Internet.

An inventory of the ancient monuments in Wales and Monmouthshire. III. County of Radnor.

Mode of access: Internet.

Brown's stranger's handbook and illustrated guide to Salisbury cathedral : being a full historical and descriptive account of the building and monuments with eighteen engravings on wood.

Mode of access: Internet.

Vienne ses monuments, musées, curiosités, environs suivis d'une histoire abrégéee de cette capitale

In Fraktur

Model of Active Structural Monitoring and Decision-making for Dynamic Identification of Buildings, Monuments and Engineering Facilities

Structural monitoring and dynamic identification of the manmade and natural hazard objects is under consideration. Math model of testing object by set of weak stationary dynamic actions is offered. The response of structures to the set of signals is under processing for getting important information about object condition in high frequency band. Making decision procedure into active monitoring system is discussed as well. As an example the monitoring outcome of pillar-type monument is given.

Forging Iconographies and Casting Colonialism: Monuments and Memories in Ontario, 1850-2001

Commemorations are a critical window for exploring the social, political, and cultural trends of a specific time period. Over the past two centuries, the commemorative landscape of Ontario reaffirmed the inclusion/exclusion of particular racial groups. Intended as static markers to the past, monuments in particular visually demonstrated the boundaries of a community and acted as ongoing memorials to existing social structures. Using a specific type of iconography and visual language, the creators of monuments imbued the physical markers of stone and bronze with racialized meanings. As builders were connected with their own time periods and social contexts, the ideas behind these commemorations shifted. Nonetheless, creators were intent on producing a memorial that educated present and future generations on the boundaries of their “imagined communities.” This dissertation considers the carefully chosen iconographies of Ontario’s monuments and how visual symbolism was attached to historical memory. Through the examination of five case studies, this dissertation examines the shifting commemorative landscape of Ontario and how memorials were used to mark the boundaries of communities. By integrating the visual analysis of monuments and related images, it bridges a methodological and theoretical gap between history and art history. This dissertation opens an important dialogue between these fields of study and demonstrates how monuments themselves are critical “documents” of the past.

IDENTITY, IMMORTALITY, INTERACTION: FEMALE FUNERARY MONUMENTS AS SITES OF IDENTITY BUILDING IN THE ROMAN EMPIRE

As final markers of identity and memory, the tombs of Roman women carried ritual, ideological, and emotional significance. By surveying the funerary monuments of four distinct Roman women, it is possible to reconstruct, at least in part, the exhibited identities of Eumachia, Naevoleia Tyche, Faustina the Elder, Claudia, Amymone, and Postumia Matronilla. Drawing in the viewer to participate in the creation of identity through narrative and contextual relationships, each of the sepulchers solidifies the memories of the deceased women, thereby granting them an immortality of sorts. Engaging with issues of gender, status, the politics of self, propaganda, and regional variation, this paper seeks to explore the nuances of life, death, and identity in the Roman world, with an emphasis on understanding the monuments in their original contexts.