977 resultados para Richardson, Max


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Es la versión en cd-rom de MAX, Madrid Linux , un sistema operativo con aplicaciones de código abierto desarrollado y distribuido por la Consejería de Educación de la Comunidad de Madrid. La versión 1.2. incorpora aquellas aplicaciones necesarias para impartir los contenidos de Informática incorporados en los currícula de la enseñanza no universitaria y aquellas aplicaciones educativas y entornos de desarrollo que permitan, al profesorado no especialista, la utilización, elaboración y distribución de contenidos educativos en formato digital..

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En la cub. además: Materiales de historia de la filosofía

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Max se prepara un sandwich con varias capas de alimentos: pan moreno, queso, tomate, pimiento verde, jamón, brotes y lechuga.

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Max se prepara un sandwich con varias capas de alimentos: pan moreno, queso, tomate, pimiento verde, jamón, brotes y lechuga.

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En la actualidad se confrontan dos grandes corrientes alrededor del tema de la definición de la necesidad: la que define la necesidad humana como un valor relativo que depende de opciones individuales y de las posibilidades que cada persona y su familia tienen para adquirirlas en el mercado (corriente liberal); y la que define la necesidad como un proceso determinante de la vida, cuya realización se constituye de esa manera en un derecho humano inalienable, al que debe accederse bajo una distribución equitativa para todos/as los/as miembros de una sociedad, acceso que debe construirse solidariamente para el máximo bien común (corriente solidaria).

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The idea that supercomputers are an important part of making forecasts of the weather and climate is well known amongst the general population. However, the details of their use are somewhat mysterious. A concept used to illustrate many undergraduate numerical weather prediction courses is the idea of a giant 'forecast factory,' conceived by Lewis Fry Richardson in 1922. In this article, a way of using the same idea to communicate key ideas in numerical weather prediction to the general public is outlined and tested amongst children from local schools.

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This article considers ideas about the suitability of experimental, non-naturalist, narrative forms in theatre and television, through the example of a 1965 BBC2 adaptation of J. B. Priestley's 1939 play Johnson over Jordan. Using both textual analysis of the programme and research into the BBC production documentation, this essay explains how the circumstances and conditions of 1960s television adaptation and the star casting of Sir Ralph Richardson transformed Priestley's stage play. The TV adaptation achieved cosmic effects on an intimate scale, through inference and the imaginative integration of the studio space with dubbed sound.

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This article traces the paradoxical impact of Weber's oeuvre on two major scholars of nationalism, Ernest Gellner and Edward Shils. Both these scholars died in 1995, leaving behind a rich corpus of writings on the nation and nationalism, much of which was inspired by Max Weber. The paradox is that although neither scholar accepted Weber's sceptical attitude to the concept of ‘nation’, they both used his other major concepts, such as ‘rationality’, ‘disenchantment’, ‘unintended consequences’, the ‘ethic of responsibility’ and ‘charisma’, in their very analyses of the nation and nationalism. And they both saw, each in his own way, the nation and nationalism as constitutive elements of modern societies. However, the paradox ceases being a paradox if one sees the integration, by Shils and Gellner, of concepts of the nation and of nationalism in the analysis of modernity, as a development of Weber's ideas.