Proteção Ambiental na Gestão de Áreas Turísticas em Unidades de Conservação: o caso da Região de Visconde de Mauá (RJ, MG).

Este estudo observa em que medida os instrumentos legais de proteção ambiental são eficientes na gestão do desenvolvimento sustentável de locais especialmente voltados para o turismo, dando uma ênfase à questão da participação, recentemente incorporada à legislação ambiental para a proteção de Unidades de Conservação. Foi baseado em pesquisa de campo, realizada entre setembro de 2006 e novembro de 2007, optando-se por uma abordagem qualitativa. A Região de Visconde de Mauá apresenta importantes elementos deste debate, pois se encontra na Área de Proteção Ambiental da Serra da Mantiqueira, no entorno do Parque Nacional de Itatiaia e, ao mesmo tempo, é um antigo pólo turístico. A comunidade presente no local é bastante heterogênea, formada por descendentes de diversos povoados e migrantes vindos de cidades, e o ambiente em que vivem é considerado um dos mais ricos em biodiversidade, pela grande variedade de espécies raras e endêmicas, além de apresentar muitas fontes de recursos hídricos. Apesar disto, a localidade tem recebido um grande contingente de turistas, que representa, hoje, sua principal fonte de sustento. Desta forma, criam-se ali conflitos, contradições e transformações particularmente ricos para a discussão das questões propostas. Este trabalho observa em que medida os instrumentos legais de proteção ambiental são eficientes na gestão do desenvolvimento sustentável de locais especialmente voltados para o turismo. Pretende-se, através do estudo de caso, confrontar as conseqüências da proteção ambiental legal com as ações de gestão pública, e com o desenvolvimento econômico da região, através do levantamento e da análise de alguns riscos e potencialidades da Região de Visconde de Mauá, para a gestão do meio ambiente e do turismo. Busca-se mostrar as implicações da implantação de unidades de conservação da natureza na vida das populações que habitam essas áreas, transmitindo conceitos importantes para a compreensão do engajamento da Região de Visconde de Mauá no processo turístico, com a conscientização sobre o seu desenvolvimento e a participação dos diversos segmentos sociais no planejamento de políticas sócio-ambientais. Apesar de uma boa consciência ambiental, a participação e o conhecimento sobre a legislação ambiental ainda são fracos. Faltam, ainda, medidas práticas que facilitem a difusão da legislação ambiental e o estímulo à participação no conselho gestor. Faz-se necessária a educação para a participação, visando a autonomia dos participantes. Se bem conduzido, o turismo pode se tornar compatível e mesmo contribuir com a proteção ambiental, observando-se as particularidades de cada lugar.

Paulicéia desvairada e Paranóia: o eu solidário nas entranhas do combate

Paulicéia Desvairada, de Mário de Andrade e Paranóia, de Roberto Piva, carregam o aspecto revolucionário de estreias (estreia modernista de Mário) que chegam para derrubar o estabelecido. Ambos encontram um ambiente hostil e combatem o padrão de suas respectivas épocas com versos calcados na concepção de confronto. Muito deste ímpeto, por vezes, pode esconder outras características aparentemente menos relevantes e mais trabalhadas em obras posteriores. O conceito solidário de João Luiz Lafetá (1986) uma solidariedade também reforçada por Giorgio Agamben (1993) e que estaria nas entranhas de um posicionamento claramente mais radical é o caminho percorrido nesta dissertação, trazendo à tona o eu solidário para além do pano de fundo em Paulicéia Desvairada e Paranóia. A complexidade polissêmica na poesia de Mário de Andrade e o agressivo desregramento dos sentidos na poética de Roberto Piva unem-se na semelhança e na diferença, incitando e proporcionando esta pesquisa. Uma vez descortinada, a primeira pessoa solidária uma espécie de embrião a ser explorado revela-se maior, com uma força que atravessa o tempo e convida o leitor a não se entregar ao comodismo

基于模糊统计的模糊Petri网token确定方法

在模糊Petri网应用研究中,普遍存在模糊token由专家直接给出或主观假定的问题。基于这种情况,提出了通过模糊统计法来获得库所的模糊token,为成功应用模糊Petri网理论创造了条件。给出了计算模糊token的通用形式化算法。实例论证了模糊统计法在求取模糊token时的可行性与有效性。

Gwaith Madog Dwygraig

Edwards, Huw, Gwaith Madog Dwygraig (Canolfan Uwchefrydiau Cymreig a Cheltaidd Prifysgol Cymru, 2007)

Les Tritons de Th?ophile

Sibona, Bruno, 'Les Tritons de Th?ophile', L'Esprit cr?ateur - Literature and Ecology (2006) 46(2) pp.17-32

(O)znaki śmierci w polskiej poezji po roku 1956

Wydział Filologii Polskiej i Klasycznej: Instytut Filologii Polskiej

Próba zastosowania lotniczych termowizyjnych obrazów wideo do wykrywania miejsc nielegalnego składowania odpadów zwierzęcych

Access to the remote sensing data was increasing in Poland since 1989. This procccess had stimulating impact on scientific research in the scope of changes in the environment. Special attention should be given to the thermal imagery methods because of its information potential. Presented paper discusses the possibilities of using information from thermal images for detecting of places of illegal dumping of animal waste in the ground. On the basis of earlier survey and gathered data draft fl ight plan was created, covering the sorroundings of Śmiłowo (around 30 sq km). Theoretical thesis for the subject was an assumption that all disturbances of the ground and soil structure should give visible representation in both thermal and visible images. Moreover the process of decay of animal tissues should be the source of heat, which can be observed through thermal sensor. Several places of potential dumping of animal waste were selected. For detailed ground verifi cation eight of them were chosen. In these location geological drillings were performed and than analysis of the samples. Thermovision is a method with great potential for the monitoing of the environment, but its effectiveness depends on the access to another sources of geoinformation.

Revisiting Irish poetic modernisms

This thesis discusses Irish Modernist poetry written between 1905 and 1970, specifically the poetry of Joseph Campbell (1879-1944), Thomas MacGreevy (1893-1967), Denis Devlin (1908-1959) and Brian Coffey (1905-1995). All four poets have been largely neglected in criticism until a growth of interest encouraged by Michael Smith and Trevor Joyce’s New Writers’ Press during the 1970s. J.C.C. Mays, Stan Smith, Susan Schreibman, Terence Brown, Patricia Coughlan and Alex Davis published subsequent critical support during the ‘80s and ‘90s. My research aims to highlight poetry previously omitted from the canon of Irish literature, those with connections to British or continental European literary movements as well as poetry by women writers and writers from the North. Part of this exploration of Irish Poetic Modernisms involves an investigation of intersections between poetic modernisms and Irish war poetry and of depictions of Irish masculinity in the poetry of Devlin and Coffey. My discussion of Campbell’s poetry focuses on links between the early regional modernism of his poetry and later Irish modernist poetry, including his participation in the Ulster Literary Theatre, with the Literary Revival community in Dublin and his association with the proto-Imagist movement in London. My examination of connections between Irish war poetry and Irish modernism allows me to discuss the writing of several underrecognized Irish poets who are contemporaries and near contemporaries of the main subjects of my thesis. Thomas MacGreevy’s poetry is the most clear case study of the links between Irish modernist poetry and poetry about Ireland’s participation in the Great War. MacGreevy’s writing reveals his multiple allegiances: he both elegizes and challenges the increasing cultural inhibitions of Free State Ireland. Denis Devlin’s poetic portrayals of Ireland reveal his rejection both of the Literary Revival’s fascination with Celticism and of Dublin’s literary community while upholding tradition poetic gender roles. My research explores representations of masculinity and Irish politics, including heroic masculine imagery, in the long poems of Devlin and Coffey. My discussion of Brian Coffey considers the importance of the figure of the “poet as maker” to his writing and his relationship with Ireland during his long writing career. I also consider his role as the editor and executor of Devlin’s literary estate and the impact that had on both the latter’s posthumous reputation and Coffey’s later writing.

Chicana poetics: genre and style in Gloria Anzaldúa and Lorna Dee Cervantes

This thesis conducts a formal study of the poetry of Gloria Anzaldúa and Lorna Dee Cervantes, placing their work in dialogue with genre and style. These two Chicana poets are exemplary of politicised experimentation with poetics, underpinned by a keen awareness of the rich history of form, genre and style. In the work of each poet, two poetic modes are examined: one traditional, and one experimental. Anzaldúa’s uses of the dramatic monologue as a border genre, and her construction of [auto]poetics, stemming from her multi-genre, autobiographical approach to writing, are considered. Cervantes’s complex approach to the construction of docupoetics that achieves a depth of field in terms of merging a multidimensional approach to aesthetics with highly politicised transnational content, as well as her engagement with the longstanding poetic of elegy via various formal points of entry, is investigated. These poetic modes are primarily explored via close readings, supported by a multidisciplinary framework that includes Anzaldúa’s feminist theories of identity and writing, abjection theory, postcolonialism, and transnationalism. Overall, these four key areas demonstrate the ways in which aesthetics is a crucial consideration in the exploration of the broader issues of content and context in Chicana poetry.

SCHUBERT’S WINTERREISE AND THE PIANO TRIO IN Eb; TWO REMARKABLE WORKS FROM ONE REMARKABLE YEAR – 1827: A RECORDING PROJECT

During Franz Schubert’s penultimate year of 1827, he produced two profoundly important and mature works that are the focus of this recording project. The works are, in chronological order: • Winterreise (cycle of 24 songs on the poetry of Wilhelm Müller, 1794-1827) • Piano Trio in Eb Major, Op. 100, D. 929 A unique feature of the project is to present Winterreise in two poetic orders: as traditionally performed and published by Schubert, and in the final ordering published by the poet. The program notes accompanying the dissertation’s three compact discs have extensive information as well as comparative tables of Müller’s and Schubert’s final ordering of the cycle. There are significant differences in ordering, and ultimately the listener will determine which is more dramatically satisfying. Dark melancholy is the central emotion in Winterreise, which Schubert composed at various times throughout 1827 in a mood of corresponding gloom and distress. By contrast, the summer and fall of that year produced, in quick succession, the two glowing and remarkable Piano Trios in Bb and Eb, the second of which is included on these compact discs. The contrast between the trios and Winterreise follows the outward circumstances of Schubert’s life and health, a pattern of sorrow and later consolation and elation. The sound recordings for this dissertation recording project are available on three compact discs that can be found in the Digital Repository at the University of Maryland (DRUM). Winterreise was recorded in August 2009, at the University of Baltimore recital hall in Baltimore, Maryland with University of Maryland Professor François Loup. The trio, recorded in live performance in Baltimore in the spring of 2010, features two members of the Baltimore Symphony Orchestra: Qing Li, B.S.O. principal second violin, and Bo Li, B.S.O. section cellist.

Entre la "flânerie" y el ostracismo: la resignificación subjetiva de la ciudad en Fabián Casas y Martín Gambarotta

Desde los estudios pioneros de Walter Benjamín dedicados a la imagen del flâneur en la poesía de Baudelaire, la experiencia del sujeto poético y su íntima reconstrucción afectiva de la ciudad constituyen un índice significativo para aproximarnos a la experiencia de la vida moderna. En este artículo, nos interesa revisar cuáles son las particularidades que distinguen esta experiencia en un corpus de poesía argentina reciente -los libros Punctum y Refrito, de Martín Gambarotta, y Horla City y otros, de Fabián Casas-, que durante las décadas de 1990 y 2000 tematiza, con insistencia y mediante opciones diversas, la relación sujeto-ciudad. En dichos textos, es posible releer una continuidad -relativamente canónicadel paseante por los márgenes periféricos de la modernidad -en el caso de Casas- y la reclusión voluntaria, como repliegue extremo ante la vivencia del deambular callejero, que se percibe como intimidante en Gambarotta.

National Identity and National Unity in Contemporary East Timorese Literature

Beginning with a panoramic analysis of the role played by East Timorese poets in the struggle for liberation from Portuguese and Indonesian colonial rule, this article examines the extent to which an East Timorese national identity and unity repeatedly featured in the poetry of the 1970s and 80s are represented in contemporary Timorese literary production. By reading the work of the novelist Luís Cardoso, and the poets Abé Barreto and Celso Oliveira, the article also assesses whether the independent nation envisioned earlier by those such as Borja da Costa, Fernando Sylvan and Xanana Gusmão, has been realised. In doing so, critical attention is brought to bear on the intimate relationship between the specific material and political circumstances of East Timor and the literature produced in colonial and postcolonial moments in the nation’s history.