Mémoires sur la vie privée de Marie-Antoinette, reine de France et de Navarre; suivis de souvenirs et anecdotes historiques sur les règnes de Louis XIV, de Louis XV et de Louis XVI.

"Lettres de deux jeunes amies": v. 3, p. [169]-304.

Memoirs of the private life of Marie Antoinette, Queen of France and Navarre. To which are added, Recollections, sketches and anecdotes, illustrative of the reigns of Louis XIV. Louis XV. and Louis XVI.

"Biographical notice of Madame Campan," signed F. Barriere: p. [i]-xxvii.

Don Juan : Cantos XV and XVI.

Errata slip inserted following p. 16.

Préface de l'histoire de Louis XVI, ou Histoire véridique des dernieres années de Louis XV,

Mode of access: Internet.

Mémoires du ministère du duc d'Aiguillon, pair de France, et de son commandement en Bretagne; pour servir à l'histoire de la fin du règne du Louis XV et à celle du commencement du règne de Louis XVI.

Edited by J.L. Giraud Soulavie.

Ein hundert fünfzehn weltliche u. einige geistliche Lieder mit deutschem, lateinischem, französischem und italienischem Text zu vier, fünf und sechs Stimmen gesetzt von den bedeutendsten Meistern des XV. und XVI. Jahrhunderts...

Contains polyphonic vocal works by various composers, including Heinrich Isaac, Ludwig Senfl, Thomas Stoltzer, Stephan Mahu, Mathias Eckel, Wilhelm Braytengrässer, Sixt Dieterich, Arnold von Bruck, Crecquillon, Gombert, Lupus, Richafort, and Verdelot.

Die mittelenglische Stabzeile im XV. und XVI. Jahrhundert.

Thesis (doctoral)--Rheinische Friedrich Wilhelms-Universitat zu Bonn.

Antisemitismo y estereotipos del judío en la poesía española del siglo XIII al XV /

Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

Antisemitismo y estereotipos del judío en la poesía española del siglo XIII al XV /

Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

Dios y la dama como referentes en la poesía amorosa española (siglos XV-XVII). A propósito de la hipérbole sacroprofana

In this dissertation I will study the phenomenon of the hipérbole sacroprofana in different Castillian writers of the 15th to the 17th centuries, in order to show in what does this fact consists, and how it has to be sorted out. Thus, I will also show how this tendency unfolds and how the use of either one or another resource leads the hipérbole towards different expressive horizons. Although the hipérbole sacroprofana is usually detected by most of scholars, it has never met proper attention, so that it has turned into a jumble in which the most disparate instances of a lady’s praise. Yet, an accurate analysis of this phenomenon reveals that this is not the case, and that this resource has manifold aspects and varying intentions and expressive ways as well. In this dissertation, where some five thousand hipérboles are analysed, I point out the various kinds of instances, and I classify them according to their expression and their literary-intellectual interweaving. Besides I monitor this fact to explain how hipérbole varies with the passage of times. By so doing a deficiency in the history of literary criticism, which mistook and likened all sorts of hipérboles in poetical texts, is eased. So we can see that, in its origins, hipérbole was confined to using sacred terms in profane poems out of their context (which I call hipérbole léxica o de inserción terminológica). This resource was effectual insofar as the use of words religiously connoted carried along devout attitudes towards poems of earthly love so that the lady and the feeling that the author professed became “adulterated” by Christian attitudes...

A Recepção de Juan de Mena em Portugal (séculos XV e XVI)

Neste artigo procuramos sistematizar algumas informações sobre as relações do poeta com personalidades portuguesas do seu tempo, como o Infante D. Pedro (Regente) e com o seu filho, o Condestável D. Pedro, e mostrar como foi reconhecida em Portugal a autoridade poética de Juan de Mena. Centraremos a nossa atenção particularmente na poesia do Cancioneiro Geral de Garcia de Resende (ed. 1516) e nas diferentes referências a Mena, quer através da evocação da sua poesia, da citação dos seus versos, e mesmo da simulação da sua voz poética.

O Brasil e o índio na geografia dos descobrimentos portugueses - século XVI

pp. 77-102

Violino e tecnologia: origem e evolução tecnológica entre os séculos XV e XXI

Dissertação de mestrado para obtenção do Grau de Mestre em Artes Musicais – Estudos em Música e Tecnologias