999 resultados para Henley, William Ernest, 1849-1903.


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Top Row: Seymour Conger, Willie Heston, Paul Miller, Elmer Shank, Irving Stone

3rd Row: student mngr. Henry Danforth, Joseph Maddock, Guy Leslie Waite, George Read, Eugene Brewer, Myron Verburg, Grad. Dir. Charles Baird, trainer Keene Fitzpatrick

2nd Row: Arthur Rebstock, Raymond Stewart, Archie Hahn, Charles Dvorak, John Robinson, Nelson Kellogg, Morris Hall, Harris Ralston, Walter Perry

Front Row: George Edmonds, Charles Sturgeon, Ernest Sims, Fred Norcross, Robert Diljaway, Robert Walton

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Mode of access: Internet.

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Appendix IV: The literary remains of "Ald Hoggart," the painter's uncle, p. 206-209.

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Mode of access: Internet.

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Mode of access: Internet.

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We investigated hygienic behavior in 10 colonies of Plebeia remota, using the pin-killed method. After 24 h the bees had removed a mean of 69.6% of the dead brood. After 48 h, the bees had removed a mean of 96.4% of the dead brood. No significant correlation was found between the size of the brood comb and the number of dead pupae removed, and there was no apparent effect of the origin and the condition of the colony on the hygienic behavior of the bees. Plebeia remota has an efficiency of hygienic behavior superior to that of three of the other four stingless bee species studied until now.

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William St building-Riverside Expressway building junction.

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Published in the final months of 1891, Architecture, Mysticism and Myth was the first architectural treatise written by the late nineteenth-century English architect and theorist William Richard Lethaby (1857-1931).' Documenting the characteristic attributes of the architectural myth of the "temple idea", and its presence amongst architectures of multiple ancient cultures, the text was endowed with a distinctly historical tone. In examining the motives behind myth, which Lethaby defined as the interaction and reaction between the natural universe and the built environment, Lethaby also injected a series of theoretical considerations into the text. It is clear that Lethaby's interest in the temple idea was not limited to its curious, prolific presence in past architectures, hut also embraced a consideration of what lessons the temple idea may contribute to the struggle of the late nineteenth-century English architect to define an "art of the future".

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