927 resultados para Diálogo guionado
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The term “independent media art” expresses an artistic-scientific process performed in the Art- Science Communication interface presented as Final Paper in Visual Arts baccalaureate modality. The first part consists in gather, in artisticscientific research, an overview of the production of independent comics, mainly in Brazil, as well as some of the manifestations that were derived from it. The identification is made from bibliographical and iconographical survey, both printed and virtual materials. The second part discusses the production of a comic of my own - Imperfect Lives - published independently. This work is inserted in the line of research “Artistic Processes and Procedures” of the Department of Fine Arts of the Art Institute of UNESP and describes: Creative process, production, dissemination and influences. The third and final section brings together the work done by me during the four-year course, whose theme has some relation with comics. Experiments are in various media, using one or another characteristic intrinsic to them. The monography includes as an appendix a copy of each issue of the fanzine Imperfect Lives. The methodology used was Freinetiana Educational Cybernetics, developed in the research group “Art media and Videoclip”, whose leading advisor is the one from this Final Paper. The result and discussion of the artistic research and scientific monography were reported in the following versions: PDF File repository for dissemination in the virtual library of the Institute of Arts. Hardcover version for physical collection in the Library of the Institute of Arts. Paper version for the committee. Template version appropriate for submission to International Scientific Congress in the area of Arts
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The large flow of businesses going abroad generates an ever more diverse internal multicultural organizational scenario. Different national cultures inside an organization can directly influence the management of people. Human values, languages, customs, work modes/routines and different habits can create conflicts among parties. This study deals with the role of Public Relations as a tool/strategy to deal with conflicting intercultural communication inside business organizations. The analysis is grounded on theoretical principles concerning the roles of communication professionals as the individuals responsible for the relationship between an institution and the internal public. The study introduces intercultural communication as a growing area to be explored by the Public Relations professional and highlights the possibility of emerging innovative solutions for organizational problems. It also brings reports by professionals that have intercultural experience concerning Brazil and Germany in an attempt to illustrate conflicts that might have been prevented by actions taken by a specialist in Communication in order to promote mutual understanding
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O estudo busca, num ato comprometido, aproximar-se das questões da autonomia na prática docente a partir do diálogo com autores(as) e com professoras(es) da rede pública de Ensino Básico com vistas no repensar da noção de autonomia na prática docente. Na primeira parte, familiarizo-me com o cenário no qual estamos inseridos: influências da globalização e da política neoliberal sobre as políticas educacionais brasileiras, como nos discursos dos PCNs e os currículos oficiais. Em seguida, dialogo com alguns autores sobre o que se compreende por autonomia e as questões da autonomia na prática docente. Com eles, vou descobrindo afinidades. Na segunda parte, em busca do diálogo com e entre professoras(es), organizei um grupo de discussão por meio de um curso. O Curso de Difusão Cultural - Leituras de Paulo Freire: autonomia e subjetividade - foi um espaço criado no intuito de fomentar o diálogo, a reflexão e a troca de saberes entre professoras(es) e alunas(os) de licenciatura a partir de escritos de Paulo Freire. A escolha dos textos pautou-se no entendimento destes como disparadores de reflexões que pudessem acercar-se do tema em estudo. Cada encontro apresentava uma leitura antecipada na qual sugeri que destacassem trechos a serem compartilhados e discutidos com os demais colegas no encontro seguinte. Durante as leituras, para cada texto, propus que escrevessem algo relacionando os trechos destacados com suas práticas docentes; nomeei esta atividade de produção escrita. Após o término dos encontros, os materiais de registros – gravações em audiovisual, produções escritas e anotações em caderno de registros – foram analisados. Nota-se que, mesmo diante de tantas incoerências de uma política educacional que pouco promove a legitimação de seu discurso, a autonomia na prática docente, como a compreendo neste estudo, não pode ser exclusivamente dada nem... (Resumo completo, clicar acesso eletrônico abaixo)
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La lucha por la tierra en el Brasil se confunde con la própria historia del país, erigida sobre una cuestión agraria turbulenta en la cual ha predominado la hegemonía de los grandes proprietarios de tierra, tanto en la forma de latifundistas, cuanto, más recientemente, de los empresarios del agribusiness, caracterizando una versión más moderna de la dominación de la lógica del capital en detrimento de las demás formas de organización de la vida. A partir de la segunda mitad del siglo XX, ocurre un aguzamiento de los conflictos por la tierra con la emergencia de los principales movimientos sociales en Brasil, como el MST. Esos movimientos surgen en un contexto de transformación de la formación socioespacial brasileña, marcada por la creciente urbanización del país, lo que repercute em las sus formas de organización, pasando a comparecer una preocupación con la población urbana en las discusiones y acciones en pro de la Reforma Agraria. Yuxtaponiendo-se a eso proceso, también ha emergido fortemiente en las últimas décadas la problemática de la hambre en el mundo, tanto a través de los dados alarmantes de los organismos supranacionales (FAO), como del debate impulsado por los movimientos sociales acerca de la Soberanía Alimentaria (Via Campesina). Todos esos elementos merecen atención em esto trabajo, que busca aprehender cómo se efectiva la participación de barrios de la periferia pobre de la ciudad de Presidente Prudente/SP en el proceso de lucha por la tierra en el Pontal del Paranapanema, haciendo eso por lo medio de una lectura geográfica de esa realidad que prime por la superación analítica de la disociación entre ciudad y campo, como se fueran espacios inertes entre sí. Además, es nuestro objetivo destacar las motivaciones que llevan los sujetos protagonistas de eso proceso a dejaren la ciudad y adhieriren a la lucha por la tierra, permitiendo identificar elementos que extrapolan la esfera económico-material
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Pós-graduação em Artes - IA
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O presente estudo discute o diálogo intertextual existente entre o romance brasileiro O Grande Mentecapto, de Fernando Sabino, e outras obras de escritores mineiros, explicitando as transformações que as obras citadas ou referidas provocam no discurso do romance em questão. Com um olhar mais atento sobre o plano discursivo da obra, podemos perceber a presença de um jogo lúdico e burlesco, típico do discurso carnavalizado, com as fronteiras entre o real e o fictício, onde o diálogo intertextual se insere.
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This work consists of a semiotic analysis of the animation motion picture The Lion King (1994), by the Walt Disney Animation Studios, describing its intertextual relation with Hamlet, by Shakespeare, considering Disney’s individuality, its style. In order to study style in texts, we use discursive semiotics theory, highlighting Discini’s work (2013) and the concept of discursive settings. Hence, a deep discussion about The Lion King’s style, compared to the Shakespeare’s play, is established. The movie, once a syncretic text, requires advanced studies on Expression Plane, its plastic, musical and verbal/phonic aspects. We find these studies in the work of José Luiz Fiorin (2009), Lúcia Teixeira (2009), Ana Claúdia de Oliveira (2009), Jean-Marie Floch (2009) and Antônio Vicente Pietroforte (2008). We note how a syncretic text makes the discursive settings more complex by assembling plastic and sonorous materials in semissimbolic relation. Once defined The Lion King’s style, we analyze the way it justifies the intense popularity of this kind of animation features. Finally, it is important to understand how Disney uses in its style not only discursive settings, but also passional settings, revealing its own way to stir emotions on the spectator
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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This article shows some reflections on the dilemmas of contemporary education, especially those that go without a horizon of truth and value, that are foundation and justification for the setting up of the modern school. Such reflections are grounded in the texts of Friedrich Nietzsche to discuss the dissolution of metaphysics, regarded here as an element of destabilization of the symbolic repertoire of the school. It is suggested at the end, the recovery of the interpretive act as an alternative to the emptying of the concepts of truth and value and recognition of dialogue as a privileged place to get closer to temporary and circumstantial truth.
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The purpose of this work and to provide education professionals regarding the way a reflection of how the body has been seen and treated at school. In view of embodiment and sexuality education body and movement performed by him has received a new treatment in our time, overcoming the dichotomy inherited from the mechanistic paradigm and structured by Newton and Descartes and predominant in recent centuries. We know that these changes are consequences of the emergence of AIDS and the advancement of the incidence of unwanted pregnancies among young people of school age. Therefore, this discussion reinforces the need for training of teachers in promoting discussions about sexuality and corporeality with broader focus, dialogues, be traced paths to address the biopsychosocial aspects from a sociohistorical context of gender equity, respect for sexual diversity, the reduction of prejudice and violence against the so-called “minorities” sex.
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This essay aims to contribute to a critical assessment of contemporary Brazilian poetry, investigating the relationship between two tendencies: minimalism that verges on silence of speech in Kléber Mantovani’s and Tarso de Melo’s poetry, and the dialogue with the tradition in Armando Freitas Filho’s, Fabiano Calixto’s and Iacyr Anderson Freitas’s poetry.
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This paper analyses the ideas and the work of Anísio Teixeira in the first years of the 1930s, focusing his conceptions concerning the value of Psychoanalysis for Educational Reform in Brazil. Whereas the ideas and practices Teixeira should be understood in the historical context in which they were developed, the work presents the history of the introduction of the psychoanalytic knowledge in the Brazilian Renovator Educational Movement, highlighting the relevance of hygienism in the dissemination of Freud's theses in education. The findings indicate that Teixeira interacted with the concepts of Psychoanalysis through the hygienist movement and the ideas of Arthur Ramos, considering the individual as being linked to the social environment.
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Pós-graduação em Ciências da Motricidade - IBRC