The life and public services of our greatest living statesman, Hon. James G. Blaine, ... to which is added The life of Gen'l John A. Logan.

On spine: The life and public services of James G. Blaine and of Gen. John A. Logan.

In memory of James G. Blaine; memorial services of the California legislature (thirtieth session).

On cover: In memorium.

The Hawaiian incident; an examination of Mr. Cleveland's attitude toward the revolution of 1893,

Mode of access: Internet.

American portraits, 1875-1900,

Mark Twain.--Henry Adams.--Sidney Lainer.--James McNeill Whistler.--James Gellespie Blaine.--Grover Cleveland.--Henry James.--Joseph Jefferson.

Music and some highly musical people : containing brief chapters on I. A description of music. II. The music of nature. III. A glance at the history of music. IV. The power, beauty, and uses of music. Following which are given sketches of the lives of remarkable musicians of the colored race ; with portraits, and an appendix containing copies of music composed by colored men /

"The original edition was published in 1880."

Campaign of '84 : Biographies of James G. Blaine, the Republican candidate for president, and John A. Logan, the Republican candidate for vice-president, with a description of the leading issues and the proceedings of the national convention. Together with a history of the political parties of the United States: comparisons of platforms on all important questions, and political tables for ready reference /

Parts II-III are taken from "American politics," by Thomas V. Cooper and Hector T. Fenton.

A Collection of four hundred portraits of remarkable, eccentric and notorious personages printed from the original copper plates of Caulfield's Remarkable characters, Grainger, and Kirby's Wonderful museum.

Mode of access: Internet.

A catalogue of the highly valuable collection of prints, the property of the late Sir Mark Masterman Sykes ... which ... will be sold by auction by Mr. Sotheby ... March-[December] 1824.

Priced.

History of Westminster Massachusetts (first named Narragansett no. 2) from the date of the original grant of the township to the present time, 1728-1893; with a biographic-genealogical register of its principal families /

Mode of access: Internet.

Margo St. James, President of the San Francisco Prostitute Union, at the Battered Women's conference

General note: Title and date provided by Bettye Lane.

Jodi Anderson at West Point Women's Pentathlon

General note: Title and date provided by Bettye Lane.

Margo St. James, President of the San Francisco Prostitute Union

General note: Title and date provided by Bettye Lane.

Auction sale to close estate of Mary P. Chrystie, dec'd, 23 building plots, also Harlem River water front, near Morris Heights stations, N.Y. Central and N.Y. & Northern railroads : Wednesday, November 22d, 1893, at 12 o'clock noon at no. 111 Broadway, New York Real Estate salesroom : by order of Morris & Steele, attorneys ... New York City /

Street map showing properties to be sold, existing buildings (some with owners' names), and railroad stations.

Wrapped fragments : Drapery, the eighteenth century portrait bust and the male subject

The depiction of drapery (generalised cloth as opposed to clothing) is a well-established convention of Neo-Classical sculpture and is often downplayed by art historians as of purely rhetorical value. It can be argued however that sculpted drapery has served a spectrum of expressive ends, the variety and complexity of which are well illustrated by a study of its use in portrait sculpture. For the Neo-Classical portrait bust, drapery had substantial iconographic and political meaning, signifying the new Enlightenment notions of masculine authority. Within the portrait bust, drapery also served highly strategic aesthetic purposes, alleviating the abruptness of the truncated format and the compromising visual consequences of the “cropped” body. With reference to Joseph Nollekens’ portraits of English statesman Charles James Fox and the author’s own sculptural practice, this paper analyses the Neo-Classical use of drapery to propose that rendered fabric, far from mere stylistic flourish, is a highly charged visual signifier with much scope for exploration in contemporary sculptural practice.