328 resultados para Spectator.


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The present edition is arranged like that of Colombani.

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Preface signed: C.A.B. and assumed to be C.A. Bartol.

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v.1-3. Tatler.--v.4-9. Spectator.--v.10-11. Guardian.--v.12-13. Rambler.--v.14-15. Adventurer.--v.16-17. World.--v.18-19. Connoisseur.--v.20. Idler.--v.21. Goldsmith's essays. Citizen of the world.--v.22-23. Knox's essays.--v.24. Mirror.--v.25. Lounger.--v.26-27. Observer.--v.28. Microcosm. Olla podrida.--v.29-30. Lucubrations, or Winter evenings. General index.

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Includes index.

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First published 1897.

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Includes the Life of Dr. Butler, by Dr. Kippis, the Preface, by Bishop Hallifax and two dissertations: Of personal identity. Of the nature of virtue.

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Two columns to the page.

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Series title on spine: Harvard classics : the five foot shelf of books.

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v.1. The Spectator, no. 1-314.-v.2. The Spectator, no. 315-635.-v.3. The Tatler. The Guardian. The Freeholder. The Whig-examiner. The lover. Dialogues upon the usefulness of ancient medals. Remarks on several parts of Italy, etc. The present state of the war. The late trial and conviction of Count Tariff. The evidences of the Christian religion. Essay on Virgil's Georgies. Poems on several occasions. Translations from Ovid's Metamorphoses. Poemata. Rosamond. Cato. The drummer.

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Thx copy contains an anonymous spectator's comments on an Irving-Terry performance.

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v.1. Macaulay, on the life and writings of Addison. [Prefaces, etc., to earlier editions] Translations. Poems on several occasions. The campaign. Miscellaneous poems. Dramas: Rosamund; The drummer; Cato. Poemata.--v.2. Dialogues on medals. Travels. Essay on Virgil's Georgics. Discourse on ancient and modern learning. Of the Christian religion. Letters. Political writings.--v.3. The Freeholder. Swift's notes on the Free-holder. The Plebian, by Sir Richard Steele, with The Old whig, by Mr. Addison. The Lover.--v.4. The Tatler. The Guardian.--v.5-6. The Spectator.

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Mode of access: Internet.

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A fines de los '60, mientras gobiernos dictatoriales ejercían la represión sobre la sociedad argentina, la radicalización política y los cuestionamientos a las jerarquías sociales, a la autoridad y a las instituciones emergían con fuerza. En ese contexto el artista Edgardo Antonio Vigo desarrolló una poética centrada en la participación del espectador, partiendo de una ruptura con su estatuto como sujeto pasivo y distante respecto de la obra, y del artista como único autorizado a tomar parte en el proceso creativo. Veremos en este trabajo de qué modo el artista planteó sus definiciones en torno a esos temas a través de escritos teóricos y trabajos artísticos