1.te Mai-Scene: Herr Criminel' - ik wollte sagen, Herr Hofrath ...

Welsch (Projektbearbeiter): Karikatur auf die Ablehnung der deutschen Kaiserkrone durch Friedrich Wilhelm IV.: der vor einem bezopften Repräsentanten des Hauses Habsburg stramm stehende und seine Pickelhaube lüftende preußische König gibt die ihm von der Nationalversammlung angetragene Kaiserkrone symbolisch der Wiener Schatzkammer zurück

Die Höhle zu En-Gedi : eine biblische Scene

Lipmann Mose Büschenthal

PSHARE: Stata module to compute and graph percentile shares

-pshare- computes and graphs percentile shares from individual level data. Percentile shares are often used in inequality research to study the distribution of income or wealth. They are defined as differences between Lorenz ordinates of the outcome variable. Technically, the observations are sorted in increasing order of the outcome variable and the specified percentiles are computed from the running sum of the outcomes. Percentile shares are then computed as differences between percentiles, divided by total outcome. pshare requires moremata to be installed on the system; see ssc describe moremata.

Scene istoriche del Medio Evo d'Italia

[Pietro di Santarosa]

Schneider-Scene i. "Ariadne auf Naxos"

Signatur des Originals: S 36/F07726

Schneider-Scene i. "Ariadne auf Naxos"

Signatur des Originals: S 36/F07727

Schneider-Scene i. "Ariadne auf Naxos"

Signatur des Originals: S 36/F07729

Friedrich Haase in: Die Royalisten von Raupach. Cromwell. Act II., Scene IV: "Der verstorbene Mann hatte scharfe Züge, man vergisst sie nie - diese Züge!"

Signatur des Originals: S 36/G03112

Friedrich Haase in: Die Royalisten von Raupach. Cromwell. Act II., Scene IV: "Der verstorbene Mann hatte scharfe Züge, man vergisst sie nie - diese Züge!"

Signatur des Originals: S 36/G03113

La Sonnambula. Act I. Scene XI. : Elvino: Al nuovo amante, sconoseente t'abbandono. Amina: Oh crudo istante! Deh mudite io rea von sono. ; Elvino: I abandon thee ungrateful, to thy new lover. Amina: Oh, cruel moment! I am not guilty.

Signatur des Originals: S 36/G03300

Robert il Diavolo, Act I., Scene 4 : Alice: Più non vie. Roberto: Che intendo! Ah madre! io gelo. ; Alice: She is no more. Robert: What! my mother? O torture.

Signatur des Originals: S 36/G03301

Ludwig Löwe als Holofernes. Act 5: Scene 2: Trink Wein Judith! Im Wein ist Alles was uns fehlt!

Signatur des Originals: S 36/G03339

Costume Bild zur Theaterzeitung : Die Spinn Scene aus der Oper "Martha", Text von Friedrich, Musik von Flotow

Signatur des Originals: S 36/G14524

An investigation of the performance of a new Mechanical thrombectomy device using Bond Graph modelling: application to the extraction of blood clots in the middle cerebral artery

A number of thrombectomy devices using a variety of methods have now been developed to facilitate clot removal. We present research involving one such experimental device recently developed in the UK, called a ‘GP’ Thrombus Aspiration Device (GPTAD). This device has the potential to bring about the extraction of a thrombus. Although the device is at a relatively early stage of development, the results look encouraging. In this work, we present an analysis and modeling of the GPTAD by means of the bond graph technique; it seems to be a highly effective method of simulating the device under a variety of conditions. Such modeling is useful in optimizing the GPTAD and predicting the result of clot extraction. The aim of this simulation model is to obtain the minimum pressure necessary to extract the clot and to verify that both the pressure and the time required to complete the clot extraction are realistic for use in clinical situations, and are consistent with any experimentally obtained data. We therefore consider aspects of rheology and mechanics in our modeling.