Coniectanea Ciceroniana quibus Roberto Ungero ... gratulatur ...

Mode of access: Internet.

Roberto Ardigo, l'uomo e l'umanista.

Mode of access: Internet.

Prediche de frate Roberto vulgare nouamente hystoriate [et] corepte secundo li Euangelii che se contengono in le ditte prediche.

Mode of access: Internet.

Officio del principe christiano del cardenal Roberto Belarmino y avisos utiles para el govierno politico militar y domestico : en tres libros /

Mode of access: Internet.

Vita del venerabile cardinale Roberto Bellarmino archivescovo di Capua, e religioso della Compagnia di Gesu' /

Mode of access: Internet.

Chronicon Cisterciensis ordinis a S. Roberto abbate, Molismensi primum inchoati, postea a S. Bernardo abbate Clarevallensis mirifice aucti, ac propagati /

Signatures: (:)⁸ A-V⁸ (-A1) X

Crudelitas et idolum caluinistarum reuelatum seu Defensio trium librorum de peccato a ... Roberto Belarmino ... contra castigationes et explanationes Dauidis Parei ... /

Mode of access: Internet.

História Oral do Supremo [1988-2013] - Luís Roberto Barroso

Este volume é parte integrante do projeto “História Oral do Supremo”, uma contribuição da FGV para a história contemporânea do Brasil. Nas páginas a seguir, o leitor encontrará a narrativa do ministro Luís Roberto Barroso sobre sua própria trajetória, marcada notadamente pela atividade de magistrado na nossa mais alta corte.

Las aguafuertes africanas de Roberto Arlt : reescritura, tensiones y divergencias

Fil: Juárez, Laura Susana. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación; Argentina.

Técnicas estendidas para saxofone em obras compostas por meio de colaboração compositor-intérprete

This dissertation deals with the use of extended techniques for the saxophone in the piece Minus (for solo saxophone in Bb), composed through a composer-performer collaboration between Agamenon de Morais and the saxophonist Kleber Dessoles. The text is organized in the following manner: the first part brings the historical background of the concert music written for the saxophone since the beginning of the 20th-century, exploring the use of extended tehcniques and the main characters and historical facts of this period, with data obtained through a literature review; the second part deals with the issue of the composer-performer collaboration, since cases documented in the 18th and 19th centuries until nowadays, exploring in which different ways collaborations may happen and the motivations behind them; the third and final part is about the specific work, followed by a detailed description of the collaboration between the composer and the interpreter, as well as detailed explanations about the extended techniques present in the work (multiphonics and flatterzunge), through bibliographic and documental research, as well as descriptions of the meetings between composer and interpreter. At the end of the collaborative process, one may say that the final result was created from a sum of the composer's knowledge with the interpreter's, almost as if the composition had double authorship. The document describing this process may help composers and interpreters in composing for the saxophone, as well as guide future collaborative experiences.