999 resultados para Griffin, Edward Dorr, 1770-1837.


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The playwright Edward Bond has long made known his antagonism to dramatists allied to Martin Esslin’s Theatre of the Absurd. The work of Samuel Beckett has come in for particular criticism by Bond. Using published writings (and unpublished correspondence between myself and Bond), I hope to trace the development of this antagonism between ‘Bondian’ and ‘Beckettian’ views of theatre. However, this article will also set out to argue that both early work such as The Pope’s Wedding (1962), and more recent work such as Coffee (1995), make use of motifs, characters and ideas from Beckett’s theatre. The article will set out provisional reasons why Bond, despite his misgivings, is not averse to incorporating elements from Beckett’s ‘theatre of ruins’, as he terms it, into his own work.

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A shibboleth has grown up around the work of Edward Bond. The tag ‘controversial dramatist’ has continued to dog both the man and his work. This article will hope to explore some of the contradictory, and sometimes frustrating manifestations that such ‘celebrity’ has produced. Since the reception of The War Plays [1985] by the Royal Shakespeare Company at the National Theatre Bond has largely withdrawn his work from mainstream British theatre. Since the late 1990s he has looked to a new home – La Colline Theatre – in France, to premiere new work and run retrospective seasons of older plays. Here, Bond's celebrity is of a different kind, and has allowed him to enhance and develop his work as a playwright, director and writer about theatre. While this article draws on secondary sources it also uses material based on personal correspondence with Edward Bond.

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This article traces the paradoxical impact of Weber's oeuvre on two major scholars of nationalism, Ernest Gellner and Edward Shils. Both these scholars died in 1995, leaving behind a rich corpus of writings on the nation and nationalism, much of which was inspired by Max Weber. The paradox is that although neither scholar accepted Weber's sceptical attitude to the concept of ‘nation’, they both used his other major concepts, such as ‘rationality’, ‘disenchantment’, ‘unintended consequences’, the ‘ethic of responsibility’ and ‘charisma’, in their very analyses of the nation and nationalism. And they both saw, each in his own way, the nation and nationalism as constitutive elements of modern societies. However, the paradox ceases being a paradox if one sees the integration, by Shils and Gellner, of concepts of the nation and of nationalism in the analysis of modernity, as a development of Weber's ideas.

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Syftet med denna uppsats är att utröna om risken att avlida i förtid var större i Falun än på tre andra jämnstora orter i Mellansverige med i övrigt likartade miljömässiga förutsättningar, mellan åren 1750 till 1770. Det använda källmaterialet är Tabellverkets folkbokförings- och mortalitetstabeller för åren 1750 till 1770. Dödsfall i miljörelaterade sjukdomar för Falun har jämförts med orterna Mora, Gefle och Hedemora. Miljön i Falun skiljde sig från de andra orterna främst på grund av den massiva exponeringen av svaveldioxid och metallhaltiga partiklar, som förekom som ett resultat av gruvverksamheten och den efterföljande kopparframställningen. Gefle var en tätort med stadens problem medan Mora var ett agrart samhälle och Hedemora var både och. Resultatet visar, att risken att avlida i bröst- och lungrelaterade sjukdomar var signifikant högre i Falun än i Mora och Hedemora. Även i Gävle var risken mindre än i Falun, dock ej lika tydligt, vilket sannolikt är en följd av att Gävle var en tätort, som allmänt gav en högre dödlighet. Även den allmänna risken att avlida i förtid var högre i Falun än för de andra orterna. Undersökningen visar också på den risk, som fanns, att avlida i förtid, som de olika epidemierna gav upphov till och den stora inverkan det får. Medelåldern var högre i Falun än för de andra undersökta orterna men detta förklaras främst och rimligast av demografiska skillnader