975 resultados para Folk songs, Portuguese
Resumo:
A história do fado começa no século XIX e está entrelaçada por diversas teorias sobre suas origens, as quais continuam sendo debatidas até hoje. Inserido a Lista Representativa do Patrimônio Cultural Imaterial da Humanidade pela Organização das Nações Unidas para a Educação, a Ciência e a Cultura (UNESCO) em 2011, o fado é considerado como o principal símbolo musical de Portugal, presente na vida quotidiana social e cultural de muitos portugueses, tendo superado fronteiras geográficas, sociais, culturais, políticas e econômicas. Considera-se neste trabalho a importância do Império Português e de suas colônias, como Moçambique, Angola, Brasil e Goa, como contributos para o início do processo da disseminação do fado pelo mundo, levando para os territórios ultramarinos fragmentos da cultura portuguesa a partir do século XV, bem como o desenvolvimento do capitalismo e a fluidificação das fronteiras que, através da mídia, globalizaram o fado, mundializando-o, e catalisando nele o processo de mestiçagem entre as músicas das mais diferentes classificações (VALENTE, 2007:94), e, a influência dos fadistas, que com o surgimento das novas formas de comunicação possibilitaram a sua interação com outras culturas e, consequentemente, com outras canções. Destaca-se em sua trajetória a transformação de música exclusivamente consumida pelos transgressores da lei e da moral à música representativa da cultura de um país, deixando para trás as casas de má fama do século XIX e ganhando espaço pelos palcos do mundo no século XXI. A indústria fonográfica e também o rádio constituem ferramentas que colaboraram para o desenvolvimento do fado. O objetivo desta dissertação é observar o fado na atualidade, recuperando sua história desde as origens no século XIX. Para isso identifica e localiza as diversas transformações ao longo do tempo e personagens que se destacaram durante este percurso, mostrando como as tradições são reinventadas pelas novas gerações que, em vários momentos, são responsáveis pelo zelo e, muitas vezes, pela reinvenção do fado como herança cultural. Nesta análise a globalização da cultura é considerada como um poder redefinidor do significado de uma tradição. Alguns fadistas serão os pontos de referência desta pesquisa, representativos de uma linha do tempo que se distribui em 200 anos de história. As letras de fado percorrerão esta pesquisa com o intuito de ilustrar os pontos abordados. Como pesquisa cartográfica apoiada no modelo dos rizomas proposto por Gilles Deleuze e Félix Guattari (2000), pretende-se analisar a história contemporânea do fado, tendo como marco temporal a Revolução dos Cravos decorrida em 25 de abril de 1974.
Resumo:
Portuguese commercial elasmobranch landings were analyzed for the period 1986–2001. An average of 5,169 (± 795 t) were landed yearly, representing 18 families, 29 genera, and 34 confirmed species. However, annual landings for the fishery generally decreased over time, with a corresponding increase in price per kilogram. The most important group, Raja spp., accounted for 33% of the landings or 26,916 t. They were followed by Centroscymnus coelolepis, Scyliorhinus spp., Centrophorus granulosus, and Centrophorus squamosus (accounting for 12%, 12%, 11%, and 9% of the landings, respectively). In the absence of CPUE data, the comparative trends of landings and price were employed as an indicator of the “status” of specific elasmobranch species. Raja spp., Centrophorus granulosus, Mustelus spp., Torpedo spp., and Squatinidae displayed indications of possible overexploitation, and they merit the focus of future research.
Resumo:
Pesquisar sobre escritoras portuguesas do século XIX não é tarefa das mais simples. A barreira maior é a escassez de fontes, que se deve, principalmente, ao papel que cabia à mulher na sociedade de oitocentos. Sem direitos políticos e restrita ao espaço privado, deveria estar sempre sob a dependência de um homem. Ao penetrar num espaço que não era o seu, é compreensível que as mulheres que ousaram se afirmar como escritoras o tenham feito a princípio sob o signo do anonimato. É o caso de Maria Peregrina de Sousa (1809-1894). Teve participação profunda nos periódicos literários da época, nos quais publicou romances, poemas e contos populares, utilizando pseudônimos como Uma obscura portuense, Mariposa ou suas iniciais, D. M. P. Por meio de um diálogo com a História, estudamos as obras Retalho do mundo (1859), Maria Isabel (1866), Henriqueta: romance original (1876) e Pepa (1846), da qual também fizemos a edição. Nosso objetivo é investigar, nesses textos, como o discurso do senso comum ora se confirma às vezes, ora é desestabilizado, e como algumas personagens poderiam contornar os interditos sociais. Ao trazer essa obscura portuense à luz, pretendemos também refletir sobre como uma autora pensava a sua realidade e qual o reflexo disso na sua produção literária.
Resumo:
The article discusses the uses of marine organisms in folk medicine and in horticulture in the Philippines. Commonly used marine organisms are the different varieties of seaweeds, sea urchin, sea cucumber, turtle, crocodile and fishes such as grouper and rabbitfish.
Resumo:
In this study,the effects of temperature,the growth regulator GA3 and storage conditions on seed germination of the biennial Swertia mussotii Franch were compared in seeds from a natural high altitude alpine site and after one-cycle of artificial cultivation at a low altitude.The untreated seeds from high altitude displayed higher germination than those from low altitude.Both GA3 and storage conditions enhanced germination from all sources.After treatment,the final germination of seeds from different sources shows no distinct difference.These results suggest that:(i) all seeds of this species,irrespective of their sources,have similar kinds of dormancy;(ii) the dormancy of this species can not been broken through one-cycle adaptation in ex situ cultivation and thus might be genetically controlled;(iii) both GA3 and 4℃ cold storage are effective for dormancy breaking in ex situ cultivation of this important medicinal species.
Resumo:
The contents of five pharmacologically active flavone and xanthone glycosides, namely, swertianolin, swertisin, isoorientin, mangiferin, and 7-O-[alpha-L-rhamnopyranosyl-(1 -> 2)-beta-D-xylopyranosyl]-1,8-dihydroxy-3-methoxyxanthone, extracted from Tibetan folk medicinal species Swertia mussotii and S. franchetiana were determined by capillary electrophoresis with diode-array detection. The separation of five components has been optimized with a capillary column with a total length of 48.5 cm and effective length of 40 cm (50 mu m i.d). The influence of the running buffer, the sodium dodecyl sulfonate (SDS) concentration, organic modifier, etc. on the resolution was evaluated. The background electrolyte contained 30 mM borate buffer, 28 mM SDS, 1.0% (v/v) acetonitrile, and was adjusted to pH 9.0 with 0.1 M NaOH. A good baseline resolution was obtained for the separation of five components within 5 min with the working voltage of 24 kV and a column temperature of 25 degrees C. The established method was rapid and reproducible for the separation and determination of five flavone and xanthone glycosides from the extracts of S. mussotii and franchetiana plant samples.
Resumo:
A sensitive and specific reversed-phase high performance liquid chromatography (RP-HPLC) method with diode array detection (DAD) was established for the quantitative determination of the nine active components, namely, swertiamarin (SWM, 1), mangiferin (MA, 2), gentipicroside (GE, 3), sweroside (SWO, 4), isoorientin (IS, 5), swertisin (SWS, 6), swertianolin (SWN, 7), 7-O-[alpha-L-rhamnopyranosyl-1 -> 2)-beta-D-xylopyranosyl]-1,8-dihydroxy-3-methoxyxanthone (RX, 8), and bellidifolin (BE, 9) used as the external standard, in Tibetan folk medicinal species Swertia franchetiana. Based on the baseline chromatographic separation of most components from the methanolic extract of Swertia franchetiana on a reversed-phase Eclipse XDB-C8 column with water-acetonitrile-formic acid as mobile phase, the nine components were identified by comparison with standard samples and qualified by using the external standard method with DAD at 254 nm. The correlation coefficients of all the calibration curves were found to be higher than 0.9980. The relative standard deviations (RSDs) of the peak areas and retention times for the nine standards were less than 2.07% and 2.86%, respectively.
Resumo:
A simple and sensitive method for the determination of free fatty acids (FFAs) using acridone-9-ethyl-p-toluenesulfonate (AETS) as a fluorescence derivatization reagent by high performance liquid chromatography (HPLC) has been developed. Free fatty acid derivatives were separated on an Eclipse XDB-C-8 column with a good baseline resolution and detected with the fluorescence of which excitation and emission wavelengths of derivatives were set at lambda(ex) 404 and lambda(em) 440 nm, respectively. Identification of 19 fatty acid derivatives was carried out by online post-column mass spectrometry with an atmospheric pressure chemical ionization (APCI) source under positive-ion detection mode. Nineteen FFAs from the extract of Lomatogonium rotatum are sensitively determined. The results indicate that the plant Lomatogonium rotatum is enriched with an abundance of FFAs and FFAs of higher contents, which mainly focus on even carbon atoms, C-14, C-16, and C-18. The validation of the method including linearity, repeatability, and detection limits was examined. Most linear correlation coefficients for fatty acid derivatives are > 0.9989, and detection limits (at signal-to-noise of 3: 1) are 12.3-43.7 fmol. The relative standard deviations (RSDs) of the peak areas and retention times for 19 FFAs standards are < 2.24% and 0.45%, respectively. The established method is rapid and reproducible for the separation determination of FFAs from the extract of Lomatogonium rotatum with satisfactory results.
Resumo:
Concentrations of seven phytochemical constituents (swertiamarin, mangiferin, swertisin, oleanolic acid, 1,5,8-trihydroxy-3methoxyxanthone, 1,8-dihydroxy-3,7-dimethoxyxanthone and 1,8-dihydroxy-3,5-dimethoxyxanthone) of "ZangYinChen" (Swertia mussotii, a herb used in Tibetan folk medicine) were determined and compared in plants collected from naturally distributed high-altitude populations and counterparts that had been artificially cultivated at low altitudes. Levels of mangiferin, the most abundant active compound in this herb, were significantly lower in cultivated samples and showed a negative correlation with altitude. The other constituents were neither positively nor negatively correlated with cultivation at low altitude. Concentrations of all of the constituents varied substantially with growth stage and were highest at the bud stage in the cultivars, but there were no distinct differences between flowering and fruiting stages in this respect. (c) 2005 Elsevier Ireland Ltd. All rights reserved.
Resumo:
Two new iridoid glycosides designated as senburiside III (2) and senburiside IV (3), together with one known iridoid glycoside senburiside I (1) and three known secoiridoid glucosides swertiamarin (4), gentiopicroside (5) and sweroside (6), were isolated from the whole plant of Swertia franchetiana. The structures of the two new compounds were elucidated by spectroscopic methods.
Resumo:
The present work is an exploration of the beliefs and practices of three lay Catholic devotional communities in and around the city of Cork, Ireland. The research is guided by the theory that folk, or popular, religion is a dynamic process in which individuals and groups utilise the resources of orthodoxy, popular tradition, and personal creativity, to better interpret, articulate, and create religious experiences. Ethnographic fieldwork was the principal method of data collection. Four areas of folk religion are given special attention: the use of religious narrative to represent and reproduce religious experience, the use of material artefacts to create channels for sacred presence and activity, the use of ritual and pilgrimage to establish sacred time and space, and the use of prayer to accomplish all of these goals. These sections are followed by a more holistic analysis of the material, a critical examination of the work, and suggestions for further research.
Resumo:
Distant Light: Songs on Texts by Richard Boada is a collection of songs for baritone voice, piano, alto saxophone, and percussion (vibraphone and marimba). The texts do not present a continuous narrative, but they share common themes. Most are set in the rural South and deal with the conflict between nature and industrial development. This piece functions as a cohesive whole, but each song could be performed separately and would be effective out of the context of the entire work. Distant Light is made up of eight songs and is approximately 23 minutes in duration.