999 resultados para Carvosso, William, 1750-1834.


Relevância:

30.00% 30.00%

Publicador:

Resumo:

Mode of access: Internet.

Relevância:

30.00% 30.00%

Publicador:

Resumo:

Mode of access: Internet.

Relevância:

30.00% 30.00%

Publicador:

Resumo:

Includes index.

Relevância:

30.00% 30.00%

Publicador:

Resumo:

Each vol. with added engraved series title-page (with vignettes engraved after designs by T. Stothard dated 1781-82) and special title-page.

Relevância:

30.00% 30.00%

Publicador:

Resumo:

Extracted from the author's "Memoirs of the life of the Reverend Theophilus Lindsey" printed in London, 1812, and now published for the benefit of the Christian churches in this country without note or alteration.

Relevância:

30.00% 30.00%

Publicador:

Resumo:

"Vols. 3 and 4 ... are always bound together with one title and one index. The preface explains that this is in consequence of a printer's error. The paging runs from 1 to 132 (intended to be vol. 3), and then, with only a sub-title, from 9 to 607 (vol. 4), including an index to both volumes."--Soule, Lawyer's ref. manual, 1884.

Relevância:

30.00% 30.00%

Publicador:

Resumo:

Mode of access: Internet.

Relevância:

30.00% 30.00%

Publicador:

Resumo:

Mode of access: Internet.

Relevância:

20.00% 20.00%

Publicador:

Resumo:

William St building-Riverside Expressway building junction.

Relevância:

20.00% 20.00%

Publicador:

Resumo:

Published in the final months of 1891, Architecture, Mysticism and Myth was the first architectural treatise written by the late nineteenth-century English architect and theorist William Richard Lethaby (1857-1931).' Documenting the characteristic attributes of the architectural myth of the "temple idea", and its presence amongst architectures of multiple ancient cultures, the text was endowed with a distinctly historical tone. In examining the motives behind myth, which Lethaby defined as the interaction and reaction between the natural universe and the built environment, Lethaby also injected a series of theoretical considerations into the text. It is clear that Lethaby's interest in the temple idea was not limited to its curious, prolific presence in past architectures, hut also embraced a consideration of what lessons the temple idea may contribute to the struggle of the late nineteenth-century English architect to define an "art of the future".