Diversidade e evolução do gênero Adenomera Steindachner, 1867 (Anura, Leptodactylidae)

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Resposta comportamental da broca-do-café Hypothenemus hampei (Ferrari, 1867) (Coleoptera: Curculionidae: Scolytinae) a voláteis de frutos de café

Pós-graduação em Agronomia (Entomologia Agrícola) - FCAV

Sistemática de Piabina Reinhardt, 1867 (Ostariophysi: Characidae)

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

IMMIGRATION, THE AMERICAN WEST, AND THE TWENTIETH CENTURY: GERMAN FROM RUSSIA, OMAHA INDIAN, AND VIETNAMESE-URBAN VILLAGERS IN LINCOLN, NEBRASKA

The North American West is a culturally and geographically diverse region that has long been a beacon for successive waves of human immigration and migration. A case in point, the population of Lincoln, Nebraska -- a capital city on the eastern cusp of the Great Plains -- was augmented during the twentieth century by significant influxes of Germans from Russia, Omaha Indians, and Vietnamese. Arriving in clusters beginning in 1876, 1941, and 1975 respectively, these newcomers were generally set in motion by dismal economic, social, or political situations in their sending nations. Seeking better lives, they entered a mainstream milieu dominated by native-born Americans -- most part of a lateral migration from Iowa, Illinois, and Pennsylvania -- who only established their local community in 1867. While this mainstream welcomed their labor, it often eschewed the behaviors and cultural practices ethnic peoples brought with them. Aware but not overly concerned about these prejudices, all three groups constructed or organized distinct urban villages. The physical forms of these enclaves ranged from homogeneous neighborhoods to tight assemblies of relatives, but each suited a shared preference for living among kinspeople. These urban villages also served as stable anchors for unique peoples who were intent on maintaining aspects of their imported cultural identities. Never willing to assimilate to mainstream norms, urban villagers began adapting to their new milieus. While ethnic identity constructions in Lincoln proved remarkably enduring, they were also amazingly flexible. In fact, each subject group constantly negotiated their identities in response to interactions among particular, cosmopolitan, and transnational forces. Particularism refers largely to the beliefs, behaviors, and organizational patterns urban villagers imported from their old milieus. Cosmopolitan influences emanated from outside the ethnic groups and were dictated largely but not exclusively by the mainstream. Transnationalism is best defined as persistent, intense contact across international boundaries. These influences were important as the particularism of dispersed peoples was often reinforced by contact with sending cultures. Adviser: John. R. Wunder

Cultural and Educational Society of Muslims "Narodna Uzdanica" /"National Hope"/ 1923-1941

Ibrahim Kemura. The Muslim Cultural-Educational Society Narodna uzdanica from 1923/4 to 1941 One of the features of the cultural history of the Bosniacs between the two world wars (1918-1941) was a cultural and educational society named Narodna uzdanica, which was a significant institutional and cultural-intellectual centre of the Bosniac people in Bosnia and Herzegovina. Narodna uzdanica expressed the aspirations and needs of the Bosniac citizens who were its main support and axis and was aimed at fulfilling their interests. This was reflected in an ideological-cultural orientation towards the West and the adoption of positive western achievements while at the same time stressing its Slavic origins and individuality, the education of young people and the formation of a European-type civic intelligentsia, adaptation to life in capitalist society, the development of modern trade and crafts, the emancipation of women, and cultural education based on European values. Thus conceived, the programme enjoyed the support of a wider circle of members, the reading public and the cultural consumers of those particular elements such as education and economic prosperity which it sought to achieve. The political involvement of Narodna uzdanica and its use as a platform for the leading Bosniac political party Jugoslovenska muslimanska organizacija (JMO - Yugoslav Muslim Organisation) which had founded the society, played a significant role in the socio-political life and development of Bosniacs. The opposition to the ruling regime, often expressed through close cooperation with similar Croat organisations and through the pro-Croat attitude of some of the society's leading figures, offered both the regime and Narodna uzdanica's political adversaries grounds for describing it as separatist and Croat and served as a pretext for repressive measures to hinder its normal operations. This research proved these accusations to be groundless, showing that the pro-Croat orientation was primarily political and cultural and that throughout its existence Narodna uzdanica was active in the cultural and educational renaissance of Bosniacs, helping to strengthen their national identity.

Kunst am Bau. Die Scuole centrali antincendi in Rom-Capannelle (1941)

Erstmals wird der figürliche und gemalte Dekor der mitten im Zweiten Weltkrieg eingeweihten staatlichen zentralen Ausbildungsstätte für Feuerwehrleute in Rom bekannt gemacht. Dank des Entgegenkommens der Leitung dieser Schulen (heutiger Name: Scuola per la formazione di base dei vigili del fuoco) können in neuen Aufnahmen Mosaiken, Wandmalereien, Reliefs und Skulpturen dokumentiert und mit Fotografien aus dem dortigen Historischen Archiv ergänzt werden. Wie zu erwarten, stellt die sportliche Ertüchtigung der jungen Feuerwehrmänner ein Hauptthema der ›Kunst am Bau‹ dar. Es ist wichtig festzuhalten, dass keineswegs ein militärischer Aspekt im Vordergrund des Dekors steht. Der Artikel versteht sich als Beitrag zur Erweiterung unserer Kenntnisse von Dekorelementen an staatlichen Einrichtungen des Faschismus.

Musik für eine Diktatur: Manuel Paradas Musik für Francos Kriegsepos Raza (1941)

Der spanische Diktator Francisco Franco war sich der Bedeutung audiovisueller Produkte zu Propagandezwecken für die Sicherung seines Regimes sehr bewusst. Kurz nach der Machtergreifung verfasste er das Drehbuch für den Film "Raza". Die Musik von Manuel Parada ist ein glänzendes Beispiel für die Wirkungsmacht der musikalischen Ebene des Films zur Herstellung und Verstärkung der Grundaussage im Film.