Redes neurais artificiais aplicadas à determinação do tamanho ótimo da malha para o cálculo da intensidade útil

Neste trabalho é apresentado um estudo para a determinação do tamanho ótimo da malha de elementos, utilizando redes neurais artificiais, para o cálculo da intensidade útil. A ideia principal é treinar as redes de modo a possibilitar a aprendizagem e o reconhecimento do melhor tamanho para diversas áreas superficiais em fontes sonoras com geometria plana. A vantagem de se utilizar redes neurais artificiais deve-se ao fato de apresentarem um único tamanho para a obtenção da intensidade útil, consequentemente, uma redução significativa de tempo computacional quando comparado com o tempo de cálculo de uma malha bem refinada. Ensaios numéricos com placas planas - geometria separável que permite uma solução analítica - são utilizados para se realizar comparações. É apresentado um estudo comparativo entre o tempo computacional gasto para a obtenção da intensidade útil e o mesmo com a malha otimizada via redes neurais artificiais. Também é apresentada uma comparação do nível de potência sonora mediante solução numérica, a fim de validar os resultados apresentados pelas redes neurais.

Shock Propagation and MPT Noise From a Transonic Rotor in Nonuniform Flow

One of the major challenges in high-speed fan stages used in compact, embedded propulsion systems is inlet distortion noise. A body-force-based approach for the prediction of multiple-pure-tone (MPT) noise was previously introduced and validated. In this paper, it is employed with the objective of quantifying the effects of nonuniform flow on the generation and propagation of MPT noise. First-of-their-kind back-to-back coupled aero-acoustic computations were carried out using the new approach for conventional and serpentine inlets. Both inlets delivered flow to the same NASA/GE R4 fan rotor at equal corrected mass flow rates. Although the source strength at the fan is increased by 38 dB in sound power level due to the nonuniform inflow, far-field noise for the serpentine inlet duct is increased on average by only 3.1 dBA overall sound pressure level in the forward arc. This is due to the redistribution of acoustic energy to frequencies below 11 times the shaft frequency and the apparent cut-off of tones at higher frequencies including blade-passing tones. The circumferential extent of the inlet swirl distortion at the fan was found to be two blade pitches, or 1/11th of the circumference, suggesting a relationship between the circumferential extent of the inlet distortion and the apparent cut-off frequency perceived in the far field. A first-principles-based model of the generation of shock waves from a transonic rotor in nonuniform flow showed that the effects of nonuniform flow on acoustic wave propagation, which cannot be captured by the simplified model, are more dominant than those of inlet flow distortion on source noise. It demonstrated that nonlinear, coupled aerodynamic and aero-acoustic computations, such as those presented in this paper, are necessary to assess the propagation through nonuniform mean flow. A parametric study of serpentine inlet designs is underway to quantify these propagation effects. © 2013 American Society of Mechanical Engineers.

Shock propagation and MPT noise from a transonic rotor in non-uniform flow

One of the major challenges in hig4h-speed fan stages used in compact, embedded propulsion systems is inlet distortion noise. A body-force-based approach for the prediction of multiple-pure-tone (MPT) noise was previously introduced and validated. In this paper, it is employed with the objective of quantifying the effects of non-uniform flow on the generation and propagation of MPT noise. First-of-their-kind back-to-back coupled aero-acoustic computations were carried out using the new approach for conventional and serpentine inlets. Both inlets delivered flow to the same NASA/GE R4 fan rotor at equal corrected mass flow rates. Although the source strength at the fan is increased by 45 dB in sound power level due to the non-uniform inflow, farfield noise for the serpentine inlet duct is increased on average by only 3.1 dBA overall sound pressure level in the forward arc. This is due to the redistribution of acoustic energy to frequencies below 11 times the shaft frequency and the apparent cut-off of tones at higher frequencies including blade-passing tones. The circumferential extent of the inlet swirl distortion at the fan was found to be 2 blade pitches, or 1/11th of the circumference, suggesting a relationship between the circumferential extent of the inlet distortion and the apparent cut-off frequency perceived in the far field. A first-principles-based model of the generation of shock waves from a transonic rotor in non-uniform flow showed that the effects of non-uniform flow on acoustic wave propagation, which cannot be captured by the simplified model, are more dominant than those of inlet flow distortion on source noise. It demonstrated that non-linear, coupled aerodynamic and aeroacoustic computations, such as those presented in this paper, are necessary to assess the propagation through non-uniform mean flow. A parametric study of serpentine inlet designs is underway to quantify these propagation effects. Copyright © 2011 by ASME.

Effects of Boundary Layer Ingestion on the Aero-Acoustics of Transonic Fan Rotors

The use of boundary-layer-ingesting, embedded propulsion systems can result in inlet flow distortions where the interaction of the boundary layer vorticity and the inlet lip causes horseshoe vortex formation and the ingestion of streamwise vortices into the inlet. A previously-developed body-force-based fan modeling approach was used to assess the change in fan rotor shock noise generation and propagation in a boundary-layer-ingesting, serpentine inlet. This approach is employed here in a parametric study to assess the effects of inlet geometry parameters (offset-to-diameter ratio and downstream-to-upstream area ratio) on flow distortion and rotor shock noise. Mechanisms related to the vortical inlet structures were found to govern changes in the rotor shock noise generation and propagation. The vortex whose circulation is in the opposite direction to the fan rotation (counter-swirling vortex) increases incidence angles on the fan blades near the tip, enhancing noise generation. The vortex with circulation in the direction of fan rotation (co-swirling vortex) creates a region of subsonic relative flow near the blade tip radius which decreases the sound power propagated to the far-field. The parametric study revealed that the overall sound power level at the fan leading edge is set by the ingested streamwise circulation, and that for inlet designs in which the streamwise vortices are displaced away from the duct wall, the sound power at the upstream inlet plane increased by as much as 9 dB. By comparing the far-field noise results obtained to those for a conventional inlet, it is deduced that the changes in rotor shock noise are predominantly due to the ingestion of streamwise vorticity.

Effects of Boundary Layer Ingestion on the Aero-Acoustics of Transonic Fan Rotors

The use of boundary-layer-ingesting, embedded propulsion systems can result in inlet flow distortions where the interaction of the boundary layer vorticity and the inlet lip causes horseshoe vortex formation and the ingestion of streamwise vortices into the inlet. A previously-developed body-force-based fan modeling approach was used to assess the change in fan rotor shock noise generation and propagation in a boundary-layer-ingesting, serpentine inlet. This approach is employed here in a parametric study to assess the effects of inlet geometry parameters (offset-to-diameter ratio and downstream-to-upstream area ratio) on flow distortion and rotor shock noise. Mechanisms related to the vortical inlet structures were found to govern changes in the rotor shock noise generation and propagation. The vortex whose circulation is in the opposite direction to the fan rotation (counter-swirling vortex) increases incidence angles on the fan blades near the tip, enhancing noise generation. The vortex with circulation in the direction of fan rotation (co-swirling vortex) creates a region of subsonic relative flow near the blade tip radius which decreases the sound power propagated to the far-field. The parametric study revealed that the overall sound power level at the fan leading edge is set by the ingested streamwise circulation, and that for inlet designs in which the streamwise vortices are displaced away from the duct wall, the sound power at the upstream inlet plane increased by as much as 9 dB. By comparing the far-field noise results obtained to those for a conventional inlet, it is deduced that the changes in rotor shock noise are predominantly due to the ingestion of streamwise vorticity.

A six sensor method for measuring acoustic properties in ducts.

An accurate description of sound propagation in a duct is important to obtain the sound power radiating from a source in both near and far fields. A technique has been developed and applied to decompose higher-order modes of sound emitted into a duct. Traditional experiments and theory based on two-sensor methods are limited to the plane-wave contribution to the sound field at low frequency. Due to the increase in independent measurements required, a computational method has been developed to simulate sensitivities of real measurements (e.g., noise) and optimize the set-up. An experimental rig has been constructed to decompose the first two modes using six independent measurements from surface, flush-mounted microphones. Experiments were initially performed using a loudspeaker as the source for validation. Subsequently, the sound emitted by a mixed-flow fan has been investigated and compared to measurements made in accordance with the internationally standardized in-duct fan measurement method. This method utilizes large anechoic terminations and a procedure involving averaging over measurements in space and time to account for the contribution from higher-order modes. The new method does not require either of these added complications and gives detail about the underlying modal content of the emitted sound.

Effectiveness of resilient wheels in reducing noise and vibrations

This study focuses on the effectiveness of resilient wheels in reducing railway noise and vibrations, and compares the effectiveness of three types of wheels. The finite elements method has been used to characterise the vibratory behaviour of these wheels. The model has been excited with a realistic spectrum of vertical track irregularities, and a spectral analysis has been carried out. Results have been post-processed in order to estimate the sound power emitted. These calculations have been used to assess the effectiveness of the resilient wheel designs in reducing noise emitted to the environment and in propagating structural vibrations.

Estudio acústico y electroacústico de la sala 18 de Kinépolis (Madrid)

El objetivo de este proyecto se materializa en el diseño acústico y electroacústico de las salas de cine con número 18, 19, 20 y 21 del centro de cines Kinépolis situado en la Ciudad de la Imagen. Dichas salas son idénticas por lo que con el estudio y análisis de una se podrán extrapolar los resultados a las demás, por tanto a partir de ahora se realizará el diseño acústico y electroacústico centrado en la sala 18. Así pues se procederá a certificar que dicha sala cumple la norma THX. En dicho recinto se habrán aplicando con anterioridad diferentes técnicas de acondicionamiento sonoro (insonorización mediante el uso de materiales tanto absorbentes como reflectantes, arquitectura de la sala ), así como todos los acondicionamientos propios de un espacio de uso público cumpliendo las consiguientes normativas de seguridad. Se analizará la sala en su estado de partida mediante medidas acústicas in-situ tanto del tiempo de reverberación como del ruido de fondo, así como medidas espaciales con un medidor de alta precisión (láser); para posteriormente realizar las simulaciones en el programa EASE 4.01 de manera que la simulación sea lo más fidedigna posible. Estas medidas se realizarán de acuerdo a lo especificado en la norma UNE-EN ISO 3382. Cuando el comportamiento acústico del modelado de la sala sea el mismo que el de la sala real (respondan con el mismo Tiempo de Reverberación), mediante la introducción de los materiales adecuados y del ruido de fondo; se procederá al diseño electroacústico del equipo necesario para implementar el sistema de sonido multicanal Dolby (R). En el estudio electroacústico se distribuirán los diferentes altavoces que correctamente insertados ajustados sus niveles y retardos cubrirán con su señal uniformemente la sala cumpliendo los requisitos de la norma Dolby (R). Y finalmente una vez propuesto el sistema electroacústico y comprobado su correcto funcionamiento y por tanto el cumplimiento de la norma THX se propondrán mejoras en el sistema. Hay que señalar que aunque las recomendaciones THX son conocidas como norma THX no es una norma como tal, sino un conjunto de recomendaciones, que aconsejan utilizar una norma u otra para cada requisito. De ahora en adelante se referirá en este documento como norma THX. Se recuerda una vez más que dado que las salas son idénticas, y que las medidas realizadas en cada una de ellas son similares, se procederá en adelante al estudio de la sala única sala, la sala 18, siendo todos los estudios, análisis, comentarios y conclusiones aplicables a las otras 3 salas. Abstract The aim of this Project is the acoustic and electroacoustic design of the projection rooms 18th, 19th, 20th and 21st of the theater kinépolis, which is located at “Ciudad de la imagen”. These rooms are equal so with the studing and analazing of one of them , the results can be extrapolted from this one to the others, therefore as from now the and electroacoustic design will focus on the 18th room. As result the room will be certified that it comply with the standard THX. The starting point of the room will be analized such on-spot acoustical measures as the reverberation time and the noise level, in the same way the spatial measurements will be make with a precise laser meter, in order to perform simulations with the data obtained with the EASE 4.01 program. These mesurements should be made in accordance with the standard UNE-EN ISO 3382. Once the acoustical behavior of the simulated room became the same as the real room (the same reverberation times), through the configuration of the suitable materials and the background noise, previously measured, the electroacoustic design of the equipment necessary to develop the multichannel sound system Dolby (R) will be completed. In the electroacoustic design the sound power level and the dealys of the speakers and its amplifiers will be configurated till amplifiers provide an uniform coverage over the entire room in compliance with the Dolby (R) standard. Finally, once an electroacoustic system will be proposed and checked it works correctly in compliance with the THX standard, posible improvements will be identified. Abstract. Acoustic and electroacoustic study of the 18th room of the movie theater Kinépolis (Madrid) It must however be pointed out that although the THX standard is known as a standard it is actually a set of recommended practices made by Lucasfilm Ltd, anyway, from now on we will call it THX standard.

Modelización del ruido de ocio: terrazas y veladores

El ruido de ocio que se produce hoy en día, es un problema de salud y de bienestar en la vida de las personas. Sin embargo, no existen modelos que ayuden a prever los problemas que puedan ocasionar. Este proyecto es el primer paso en la creación de estos modelos, centrándose en terrazas y veladores. Los objetivos principales del proyecto son la creación de una base de datos de ruidos de terrazas y la definición de una metodología para la estimación de la potencia que emiten. Para alcanzar estos objetivos, será necesario, en primer lugar, seleccionar una serie de terrazas en las que llevar a cabo las mediciones, definir el método de cálculo y llevar a cabo las mismas. Cuando se alcanza este punto, llega el momento de estudiar los distintos escenarios que han tenido lugar durante la etapa de medidas para poder simularlos en un software de estimación acústica que sea capaz de recrearlos. Si se siguen estos pasos, se podrá saber cuáles son los valores de potencia acústica de las terrazas estudiadas así como las características de emisión de ruido. Creada la base de datos y definida la metodología para la estimación de potencia acústica emitida por terrazas, se analizan los resultados llegando a la conclusión de que el nivel de potencia acústica depende del número de personas en la terraza y las mesas ocupadas, aunque es difícil ver la relación exacta. También se llega a la conclusión de que las terrazas suelen tener un nivel estable de potencia acústica que tiene un valor promedio de entre 76dBA y 78dBA. ABSTRACT. Nowadays, leisure noise is a health and wellness problem in the lives of people. However, there are no models that help anticipate problems that may arise. This project is the first step to creating these models, focusing on terraces. The main objectives are the creation of a database of noise made by terraces and the definition of a methodology for estimating the noise level. To achieve these objectives, it is necessary, first, selecting a series of terraces where measure, define the calculation method and perform the measures. When this point is reached, it is time to study the different scenarios that have taken place during the period of measures to simulate them with an acoustic estimation software that is able to recreate them. If you follow these steps, you will know the values of sound power of the terraces studied as well as noise emission characteristics. Created the database and defined the methodology for estimation of acoustic power emitted by terraces, you can see that the sound power level depends on the number of people on the terrace and tables occupied, although it is difficult see the exact relationship. You also can conclude that the terraces usually have a stable sound power level which has an average value of between 76 dBA and 78dBA.

Reduction of noise levels in vaccum cleaners

The work described in this thesis is directed towards the reduction of noise levels in the Hoover Turbopower upright vacuum cleaner. The experimental work embodies a study of such factors as the application of noise source identification techniques, investigation of the noise generating principles for each major source and evaluation of the noise reducing treatments. It was found that the design of the vacuum cleaner had not been optimised from the standpoint of noise emission. Important factors such as noise `windows', isolation of vibration at the source, panel rattle, resonances and critical speeds had not been considered. Therefore, a number of experimentally validated treatments are proposed. Their noise reduction benefit together with material and tooling costs are presented. The solutions to the noise problems were evaluated on a standard Turbopower and the sound power level of the cleaner was reduced from 87.5 dB(A) to 80.4 db(A) at a cost of 93.6 pence per cleaner.The designers' lack of experience in noise reduction was identified as one of the factors for the low priority given to noise during design of the cleaner. Consequently, the fundamentals of acoustics, principles of noise prediction and absorption and guidelines for good acoustical design were collated into a Handbook and circulated at Hoover plc.Mechanical variations during production of the motor and the cleaner were found to be important. These caused a vast spread in the noise levels of the cleaners. Subsequently, the manufacturing processes were briefly studied to identify their source and recommendations for improvement are made.Noise of a product is quality related and a high level of noise is considered to be a bad feature. This project suggested that the noise level be used constructively both as a test on the production line to identify cleaners above a certain noise level and also to promote the product by `designing' the characteristics of the sound so that the appliance is pleasant to the user. This project showed that good noise control principles should be implemented early in the design stage.As yet there are no mandatory noise limits or noise-labelling requirements for household appliances. However, the literature suggests that noise-labelling is likely in the near future and the requirement will be to display the A-weighted sound power level. However, the `noys' scale of perceived noisiness was found more appropriate to the rating of appliance noise both as it is linear and therefore, a sound level that seems twice as loud is twice the value in noys and also takes into consideration the presence of pure tones, which even in the absence of a high noise level can lead to annoyance.

Continuous and pedagogically sound assessment : A new economy of power relations in Australian Law schools

In recent decades, assessment practices within Australian law schools have moved from the overwhelming use of end-of-year closed-book examinations to an increase in the use of a wider range of techniques. This shift is often characterised as providing a ‘better’ learning environment for students, contributing more positively to their own ‘personal development’ within higher education, or, considered along the lines of critical legal thought, as ‘liberating’ them from the ‘conservatising’ and ‘indoctrinating’ effects of the power relations that operate in law schools. This paper seeks to render problematic such liberal-progressive narratives about these changes to law school assessment practices. It will do so by utilising the work of French historian and philosopher Michel Foucault on power, arguing that the current range of assessment techniques demonstrates a shift in the ‘economy’ of power relations within the law school. Rather than ‘liberating’ students from relations of power, these practices actually extend the power relations through which students are governed. This analysis is intended to inform legal education research and assessment practice by providing a far more nuanced conceptual framework than one that seeks to ‘free’ law students from these ‘repressive’ practices, or hopes to ‘objectively’ contribute to their ‘personal development’.

Biomass gasification: Environmentally sound technology for decentralized power generation, a case study from India

This study aims at understanding the need for decentralized power generation systems and to explore the potential, feasibility and environmental implications of biomass gasifier-based electricity generation systems for village electrification. Electricity needs of villages are in the range of 5–20 kW depending on the size of the village. Decentralized power generation systems are desirable for low load village situations as the cost of power transmission lines is reduced and transmission and distribution losses are minimised. A biomass gasifier-based electricity generation system is one of the feasible options; the technology is readily available and has already been field tested. To meet the lighting and stationary power needs of 500,000 villages in India the land required is only 16 Mha compared to over 100 Mha of degraded land available for tree planting. In fact all the 95 Mt of woody biomass required for gasification could be obtained through biomass conservation programmes such as biogas and improved cook stoves. Thus dedication of land for energy plantations may not be required. A shift to a biomass gasifier-based power generation system leads to local benefits such as village self reliance, local employment and skill generation and promotion of in situ plant diversity plus global benefits like no net CO2 emission (as sustainable biomass harvests are possible) and a reduction in CO2 emissions (when used to substitute thermal power and diesel in irrigation pump sets).

The light representation of religion and power in sound

The thematic and anathematic in music-making a reflection occurring after listening to an art song and a pop song from the 19th and 20th century Levantine music. Bach’s Orchestral Suites keep popping up, elegantly unveiling “the truth”.

Hearing performance with 2 different high-power sound processors for osseointegrated auditory implants

OBJECTIVE To compare speech understanding of the BAHA BP110 and BAHA Intenso sound processors. STUDY DESIGN Prospective experimental study. SETTING Tertiary referral center. PATIENTS Twenty experienced user of osseointegrated auditory implants with conductive or mixed hearing loss. INTERVENTIONS In a first session, half of the participants were fitted with an Intenso, the other half with a BP110. After 1 month of use, aided speech understanding in quiet and in noise was measured, and the other test processor was fitted. One month later, speech understanding with the second sound processor was assessed. MAIN OUTCOME MEASURES Speech understanding in quiet and in noise, with noise arriving either from the front, the rear, or the side of the user with the osseointegrated bone conductor. RESULTS Significant improvements were found for both processors for speech understanding in quiet (+9.6 to +34.8 percent points; p = 0.02 to 0.001) and in noise (+6.2 to +13.8 dB, p < 0.001). No significant differences were found between the 2 devices for speech in quiet. For noise from the rear, subjects were able to understand speech at signal-to-noise ratios which were lower (less favorable) by -5.1 dB (p < 0.001) when compared with the Intenso. CONCLUSION Speech understanding is substantially improved by both devices, with no significant differences between the sound processors in quiet. In noise, speech understanding is significantly better with the BP110 when compared to the Intenso for noise from the rear.