Tempo de festas: homenagens a Santa Bárbara, N. S. da Conceição e Sant'Ana em Salvador (1860-1940)

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Vocation; or, The call of the Divine Master to a sister's life,

Mode of access: Internet.

Board gender diversity in UK firms – recent trends and performance eEffects

This paper provides an overview of the position of women directors in UK firms. Based on data for all UK firms with more than three directors, this data provides a comprehensive picture of the position of women in UK business leadership and contributes to our understanding of progress towards achieving greater gender balance in the boardroom. Five key points emerge. •Female directors account for around 1:4 directors in UK firms but only around 1:10 businesses in the UK are female controlled. •Only 1:226 larger firms in this category have a majority of female directors. •The overall proportion of female directors in the UK has grown in recent years but slowly. At the rate of progress achieved over the 2003-2005 period, it will be the year 2225 before gender balance in company directorships is achieved in the UK. •There are a significant and interesting group of 12, 600 sisterhood companies in the UK – those wholly owned and led by women. Although they are predominantly services, these do firms exist in all business sectors with a focus on smaller companies. These firms represent an interesting potential focus for future research. •Our analysis of board gender diversity and business growth suggests that there is a business cost to gender balance in terms of foregone growth.

International Women's Day March

General note: Title and date provided by Bettye Lane.

Sobre magia, sensualidad y belleza: procesos de subjetividad femenina, sororidad y empoderamiento a través de la danza del vientre en la Academia Anasi de Bogotá

Esta investigación se centra en analizar la danza del vientre como una práctica sociocultural que transforma las subjetividades de sus practicantes, en el caso particular de las mujeres integrantes de la academia Anasi de Bogotá. Basada en la autoetnografía y a partir de experiencias individuales y colectivas de las mujeres integrantes del lugar, la danza es presentada como un proceso que conduce al empoderamiento femenino individual y colectivo. Esto sucede en el marco de una sociedad patriarcal, donde los cuerpos femeninos están cargados de connotaciones y limitaciones. Además de que el estilo dancístico ha sido dotado histórica y socialmente de prejuicios y nociones sexistas y machistas en torno a él y a sus bailarinas.