The Englishman's library : comprising a series of historical, biographical, and national information, under the following heads, English history, and lives of eminent statesmen, English scenes, and essays on subjects of national importance, lives of eminent English philosophers, writers, etc., and patriotic poetry : being a selection from the original articles of the Plain Englishman.

"Dr. Samuel Johnson": p. 340-346.

The Poetical common-place book : consisting of an original selection of standard and fugitive poetry, including a few translations hitherto unpublished.

Mode of access: Internet.

Terence's comedies : translated into English, together with the original Latin, from the best editions, on the opposite pages : also critical and explanatory notes to which is prefixed a dissertation on the life and writings of Terence : containing an enquiry into the rise and progress of dramatic poetry in Greece and Rome, with remarks on the comic measure /

Mode of access: Internet.

The Zincali; or, An account of the gypsies of Spain. With an original collection of their songs and poetry, and a copious dictionary of their language.

Mode of access: Internet.

The Zincali, or An account of the gipsies of Spain with an original collection of their songs and poetry.

"Stereotype edition."

The Ladies' garland, devoted to literature, amusement and instruction, containing original essays, female biography, historical narratives, sketches of society, topographical descriptions, moral tales, anecdotes, &c.; poetry, original and selected, &c., &c.

Vol. 2 published by Prouty, Libby & Prouty.

Harp of Judah : or, Gems of sacred poetry. original and selected.

Mode of access: Internet.

Percy's Reliques of ancient English poetry; nach der ersten ausg. von 1765 mit den varianten der spateren original ausgaben hrsg. und mit einleitung und registern versehen von M.M.A. Schroer...

Mode of access: Internet.

In The Circle : jazz Griots and the Mapping of African American Cultural Memory in Poetry

Ma thèse de doctorat, In the Circle: Jazz Griots and the Mapping of African American Cultural History in Poetry, étudie la façon dont les poètes afro-américains des années 1960 et 1970, Langston Hughes, David Henderson, Sonia Sanchez, et Amiri Baraka, emploient le jazz afin d’ancrer leur poésie dans la tradition de performance. Ce faisant, chacun de ces poètes démontre comment la culture noire, en conceptualisant à travers la performance des modes de résistance, fût utilisée par les peuples de descendance africaine pour contrer le racisme institutionnalisé et les discours discriminatoires. Donc, pour les fins de cette thèse, je me concentre sur quatre poètes engagés dans des dialogues poétiques avec la musicologie, l’esthétique, et la politique afro-américaines des années 1960 et 1970. Ces poètes affirment la centralité de la performativité littéraire noire afin d’assurer la survie et la continuité de la mémoire culturelle collective des afro-américains. De plus, mon argument est que la théorisation de l’art afro-américain comme engagement politique devient un élément central à l’élaboration d’une esthétique noire basée sur la performance. Ma thèse de doctorat propose donc une analyse originale des ces quatre poètes qui infusent leur poèmes avec des références au jazz et à la politique dans le but de rééduquer les générations des années 2000 en ce qui concerne leur mémoire collective.

Pagan epic in contemporary British poetry: Hughes and Logue, Ovid and Homer

In 'Tales from Ovid' and 'War Music' respectively, Ted Hughes and Christopher Logue turned to classical epic as source material and a model for contemporary poetry. In this essay I consider the different ways in which they work with the original epic poems and how they rework them both textually and generically. In the process, I suggest, Hughes gives his readers an Ovid modeled on his own, vatic conception of Homer, while Logue reworks Homer in a manner that is essentially Ovidian.

Haroldo de Campos e a utopia da escritura original

The aim ofthis article is to discuss the existence ofan original writing utopia in Haroldo de Campos, which seems to be more important to his work than the concretist utopia. It is possible to understand the Haroldo's poetry project since the establishment of a parallel between the epic aedo and the haroldian attitudes concerning the invention and the tradition, taking them as difference in the constitution of Haroldo's identity. Once he assumes a impossibility to rescue the origin itself, the haroldian project turns to the 'jetzeit" and that, secondly Agamben is very contemporaneous.

Short nomenclator or vocabular in English and Hebrew: composed alphabetically for the use and benefit of my pupils in particular and for the advantage of those who are desirous to obtain the knowledge of the Hebrew tongue in general, which may be that great help to understand not only ye sacred oracles in their original, but even any Jewish author (so far as concern owns) as also it may give great insight in ye tongue to those, as to compose it, a work altogether new, [ca. 1735]

Headed on the first page with the words "Nomenclatura hebraica," this handwritten volume is a vocabulary with the Hebrew word in the left column, and the English translation on the right. While the book is arranged in sections by letter, individual entries do not appear in strict alphabetical order. The small vocabulary varies greatly and includes entries like enigma, excommunication, and martyr, as well as cucumber and maggot. There are translations of the astrological signs at the end of the volume. Poem written at the bottom of the last page in different hand: "Women when good the best of saints/ that bright seraphick lovely/ she, who nothing of an angel/ wants but truth & immortality./ Verse 2: Who silken limbs & charming/ face. Keeps nature warm."

The poetry of the sentiments,

Disbound Original Held in Oak Street Library Facility.

The poetry of George Wither /

Bibliography: v. 1, p. xlvii-lvi.