Futebol e cultura de massa em Maracanã, adeus: onze contos de futebol: sociedade brasileira pós-64

O presente trabalho se propõe a analisar a leitura sociocultural do Brasil pós-64 feita por Edilberto Coutinho através das narrativas do livro Maracanã, Adeus e, tendo como base os postulados mais recentes da Teoria da Literatura, procurar identificar as contribuições literárias, históricas, sociológicas e antropológicas deixadas pelo autor em sua narrativa. O estudo procurará demonstrar determinadas minúcias do comportamento do brasileiro e de sua sociedade pelo viés futebolístico, pensando o futebol como Esporte Nacional e elemento dessa cultura. Procurará também apresentar mecanismos de controle social e cultural exercidos durante esse período pelos governos militares e, principalmente, a maneira escolhida pelo escritor para apresentar esse poder. Esta pesquisa privilegia o estudo das técnicas contemporâneas de escrever e das possíveis inovações estilísticas introduzidas no conjunto dos contos e busca contextualizar a escolha do autor pelo conto enquanto gênero literário. E com todo rigor científico comprovar a importância de Edilberto Coutinho no cenário literário brasileiro

Tramas simbólicas:a dinâmica das turmas de bate-bolas do Rio de Janeiro

Esta dissertação aborda a manifestação contemporânea das turmas de bate-bolas do carnaval do Rio de Janeiro. As turmas de bate-bolas podem ser compreendidas como grupos de foliões que se fantasiam e se comportam de maneiras peculiares. Em relação à visibilidade que outras manifestações carnavalescas alcançam como é o caso, por exemplo, do desfile das escolas de samba pode-se considerar que há poucos estudos voltados para os bate-bolas. Dentre os estudos sobre os bate-bolas, percebe-se uma predominância da compreensão do conceito de cultura popular como o campo da tradição, da pureza e da autonomia cultural, em relação à cultura de massa. Este trabalho propõe uma abordagem diferente da convencional, entendendo a manifestação das turmas de bate-bolas contemporâneas pelas suas transformações e diferenças. Para isto, baseia-se nos pressupostos dos Estudos Culturais, que constituem uma disciplina para a qual a impureza cultural é o critério fundamental de estudo da cultura popular, que é vista como uma arena de disputa de significados simbólicos. De forma a aplicar estes preceitos à situação atual das turmas de bate-bolas, este trabalho analisa as diferentes maneiras pelas quais os fantasiados formulam as suas visões particulares da brincadeira, especialmente através das configurações de elementos materiais e de elementos performáticos associados a diferentes tipos de comportamentos relacionados aos bate-bolas contemporâneos.

Monoculture of marine planktonic diatoms and the effects of different media on their growth and survival

Diatoms are the preferred live food of the protozoea stages of prawns. Due to seasonal variations, it is difficult to obtain continuous supply of diatoms and other algae throughout the year. Therefore mass culture of diatoms is necessary. At attempt was made to culture planktonic diatoms and to study the effect of Allen and Nelson media, Simon media, Vitamin B12 and treated sewage water media on their growth and survival. Navicula sp showed better growth in Allen and Nelson media, Coscinodiscus and Chaetoceros grew better in Simon media while Navicula sp and Coscinodiscus sp showed better growth in the combination of Allen and Nelson + Vitamin B12.

Influence of salinity on population growth of a rotifer, Brachionus plicatilis (Mullen)

The rotifer Brachionus plicatilis plays an important role in prawn hatcheries. It tolerates a wide range of salinities. The present experiments were conducted to find the optimum salinity for its mass culture. Experiments conducted on various ranges of salinities starting from 0 to 40 ppt at an interval of 5 ppt revealed that Brachionus plicatilis did not survive at salinities 0 and 40 ppt. Optimum salinity studies conducted at 5-15 ppt with an interval of 1 ppt showed that the production of 70 individuals/ml was highest at 10 ppt salinity and the doubling time ranged from 1.728 to 1.317 days.

The effect of spirulina (fresh and dry) on some biological factors in Penaeus semisulcatus larvae

Spirulina is a filamentous cyanobacteria with many applications in food and drug industries, as a food in human, aquaculture, vet and poultry industries… . Semi and mass culture of Spirulina carries out in different countries. This study was carried out in five phases in order to produce this microalga in Iran. The first phase, Spirulina pure stock was imported from Indonesia. After identification of species, it was cultured in laboratory until we took 20 liters of biomass. The semi-mass culture was carried out in green house. Cell concentration and size of Spirulina were recorded during culture daily and their growth rates were calculated. After two weeks, when the size of Spirulina was suitable, biomass of Spirulina was harvested then accumulated Spirulina weighted and dried in 24 hours in laboratory. In order to microbiological study, the samples of Spirulina (dry and fresh) were cultured on blood agar medium and coliforms were counted. The chemical composition of produced Spirulina was measured by standard methods. Fatty acid and amino acid profiles were acquired by GC and HPLC instruments, respectively. The amount of chlorophyll in Spirulina was determined by spectroscopy method. Also astaxanthin pigment as an important carotenoid was measured by HPLC in Spirulina and Penaeus semisulcatus larvae fed on Spirulina. At final phase of this project, larva fed on produced Spirulina (biomass and dry powder) was compared to Z plus, microencapsulated Spirulina (M.C.F) and Chaetoceros algae as control. This experiment was carried from zoa to early post larvae stage then survival and growth rate of larvae were recorded. The growth rate of larvae was evaluated with ANOVA test and survival rate of treatments was assessed by Log Rank (Mantel –Cox) test. Also during larvae stage, two parameters of water such as nitrate and nitrite were measured in zoa, mysis and post larvae stages. The results of this study were shown that colifom counts were 1.85×106 and 92.3×105 coliform per ml in fresh and dry spirulina, respectively. Protein percent of dry spirulina was 50.93 % (dry weight) and the amount of astaxanthin in spirulina and larvae fed on spirulina were 0.21 and 0.01 mg/kg, respectively. The most survival rate of larvae were observed in zoa III (88.8%) with Z plus supplement treatment, in mysis III (76.5%) combination of Z plus and dry spirulina in comparative between treatments. Larvae growth (4.5mm) of control in early post larvae was the best.

Production of astaxanthin from Haematococcus in open pond by two-stage growth one-step process

We have developed a two-stage growth one-step process for cultivation of Haematococcus using a self-designed system that mimics an open pond in the natural environment. The characteristics of this process are green vegetative cell growth and cysts transformation and pigment accumulation that proceed spontaneously and successively in one open photobioreactor. Four strains of Haematococcus (H. pluvialis 26; H. pluvialis 30; H. pluvialis 34; H. pluvialis WZ) were cultured in this imitation system for a duration of 12 days. The changes in cell density and medium pH were closely monitored, and the astaxanthin content and yield of the four Haematococcus strains were measured at the end of 12 days of cultivation. Two of the strains, H. pluvialis 26 and H. pluvialis WZ, were selected as strains suitable for mass culture, resulting in the astaxanthin yield of 51.06 and 40.25 mg L-1 which are equivalent to 2.79 and 2.50% of their dry biomass respectively. Based on the laboratory work, 6 batch cultures of H. pluvialis WZ were conducted successfully to produce astaxanthin in two 100 m(2) open race-way pond by two-stage growth one-step process. The astaxanthin content ranged from 1.61 to 2.48 g 100 g(-1) dry wt., with average astaxanthin content of 2.10 g 100 g(-1) dry wt. Compared with the one-stage production of astaxanthin based on continuous culture, the superiority of our process is that it can accumulate much more astaxanthin in red cysts. Compared with two-stage production of astaxanthin, the advantage of our process is that it does not need to divide the production process into two parts using two bioreactors. The presented work demonstrates the feasibility for producing astaxanthin from Haematococcus using a two-stage growth one-step process in open pond, culture systems that have been successfully used for Spirulina and Chlorella mass culture. The future of Haematococcus astaxanthin production has been also discussed. (C) 2009 Elsevier B.V. All rights reserved.

Effect of iron on growth and lipid accumulation in Chlorella vulgaris

The economic feasibility of algal mass culture for biodiesel production is enhanced by the increase in biomass productivity and storage lipids. Effect of iron on growth and lipid accumulation in marine microalgae Chlorella vulgaris were investigated. In experiment I, supplementing the growth media with chelated FeCl3 in the late growth phase increased the final cell density but did not induce lipid accumulation in cells. In experiment II, cells in the late-exponential growth phase were collected by centrifugation and re-inoculated into new media supplemented with five levels of Fe3+ concentration. Total lipid content in cultures supplemented with 1.2 x 10(-5) mol L-1 FeCl3 was up to 56.6% biomass by dry weight and was 3-7-fold that in other media supplemented with lower iron concentration. Moreover, a simple and rapid method determining the lipid accumulation in C. vulgaris with spectrofluorimetry was developed. (c) 2007 Elsevier Ltd. All rights reserved.

Indywidualizm amerykański na tle innych społeczeństw zachodnich

W dzisiejszym świecie idea indywidualizmu jest nieodłącznie kojarzona z „amerykańskością”. Czy zawsze tak było? Czy Amerykanie wynaleźli „indywidualizm”, czy idea ta narodziła się w Europie? Autorka próbuje zaprezentować najważniejsze cechy indywidualizmu amerykańskiego. Przyjrzymy się czynnikom takim, jak: interes osobisty versus interes społeczny, presja społeczna do osiągania sukcesów czy protestancka etyka pracy, które mogą wpływać na samoświadomość, poczucie własnej wartości i autoekspresję. Przedstawione zostaną główne zasady amerykańskiego paradygmatu komunikacyjnego i powszechne wobec niego reakcje. W końcu, rozmyślać będziemy nad wpływem globalizacji i kultury masowej na wizerunek siebie oraz nad problemem antyamerykanizmu, włącznie z oporem przeciwko indywidualizmowi amerykańskiemu, jako reakcji na wszechobecność kultury amerykańskiej.

Steeltown scene : genre, performance and identity in the alternative independent music scene in Hamilton, Ontario

This thesis examines the independent alternative music scene in the city of Hamilton, Ontario, also known, with reference to its industrial heritage, as "Steeltown." Drawing on the growing literature on the relationship between place and popular music, on my own experience as a local musician, direct observation of performances and of venues and other sites of interaction, as well as ethnographic interviews with scene participants, I focus on the role of space, genre and performance within the scene, and their contribution to a sense of local identity. In particular, I argue that the live performance event is essential to the success of the local music scene, as it represents an immediate process, a connection between performers and audience, one which is temporally rooted in the present. My research suggests that the Hamilton alternative music scene has become postmodern, embracing forms of "indie" music that lie outside of mainstream taste, and particularly those which engage in the exploration and deconstruction of pre-existing genres. Eventually, however, the creative successes of an "indiescene" permeate mass culture and often become co-opted into the popular music mainstream, a process which, in turn, promotes new experimentation and innovation at the local level.

Scénarios d’aveuglement dans la littérature d’Orhan Pamuk, d’Ernesto Sábato, et de José Saramago

Scénarios d’aveuglement dans la littérature d’Orhan Pamuk, d’Ernesto Sábato, et de José Saramago analyse trois œuvres importantes de trois auteurs contemporains : Mon nom est Rouge d’Orhan Pamuk ; « Rapport sur les aveugles » du roman Héros et tombes d’Ernesto Sábato ; et L’aveuglement de José Saramago. Malgré leurs différences, ces romans ont des points communs évidents, synthétisés dans la figure de l’aveuglement. Cette figure signale l’avènement, dans les textes, d’un régime de connaissance alternatif, centré moins sur le primat de la raison et du visuel que sur une nouvelle capacité cognitive, basée sur une logique spéciale du destin. L’aveuglement s’ouvre également sur une nouvelle compréhension de l’histoire, grâce à une capacité du récit de fiction qui passe par le point de fuite de la cécité. Pour Pamuk, l’aveuglement est le couronnement paradoxal d’une vision du monde, gravement mise en crise à la fin du XVIe siècle par le perspectivisme et le réalisme de la Renaissance, la voie d’entrée vers un monde imaginal qui n’est plus accessible à l’imaginaire occidental. Pour Sábato, il représente la variante renversée d’une quête de l’absolu qui passe par les antres de l’inceste, de l’enfer et du crime, tandis que le monde décrit par Saramago est un monde qui sombre sur la pente de la déchéance, en suivant une logique implacable. Il est l’équivalent de plusieurs formes de cécité qui menacent le monde contemporain, comme le fondamentalisme religieux, l’homogénéité préconisée par la société de masse, l’exclusion raciale, l’oppression idéologique. La thèse se divise en trois parties, La violente beauté du monde, Un mythe hérétique de la caverne et Une épidémie à cause inconnue, chacune d’entre elles analysant l’œuvre d’un auteur, mais établissant également des liens avec les autres chapitres. L’approche adoptée est interdisciplinaire, un croisement entre études littéraires, philosophie et histoire de l’art. Dans leur quête de nouveaux concepts et de nouvelles formes de pensée qui s’écartent du modèle rationnel dominant de la modernité, les trois auteurs partent de la présupposition que regarder les choses n’est pas du tout l’équivalent de voir les choses. Ils tentent d’articuler une logique du voir qui ressemble plutôt à la vision et à la clairvoyance qu’à la conformité logique. La figure de l’aveuglement sert de tremplin vers le monde imaginal (Pamuk), la pensée magique (Sábato) et la vision dystopique (Saramago) – des espaces ontologiquement différents où les auteurs mènent leurs attaques contre la rationnalité à tout prix. C’est précisément ces espaces que nous avons choisi d’explorer dans les trois romans. Nous soutenons également que ces trois textes proposent un nouveau régime de « connaissance » qui met en question les règles de pensée héritées de la Renaissance et surtout des Lumières, qui constituent un discours dominant dans la culture visuelle et philosophique moderne.

Adorno : jazz, industrie culturelle et idéologie

La critique adornienne du jazz fait parfois l’objet de débats. Ces derniers ont généralement pour objet la nature dite élitiste de ses propos. Cette position critique par rapport au jazz et à la culture de masse, qu’Adorno nomme Kulturindustrie, ainsi que sa théorie esthétique semblent être à l’origine de cette accusation d’élitisme. Ce mémoire a pour objet de mettre en lumière le fondement de cette critique d’élitisme qui s’avère être une incompréhension du rôle que joue sa critique du jazz pour sa philosophie. Il est impératif d’analyser la critique adornienne du jazz en lien avec la dialectique de la raison ainsi que sa théorie esthétique afin d’en saisir la nature exacte. Une analyse de la dialectique de la raison ainsi que les concepts de l’idéologie, de mimésis, d’autonomie et de Kulturindustrie révèle le non fondement de la critique faite à l’égard des propos d’Adorno à l’endroit du jazz.

Le blues et le jazz au service de la révolution? : les positions des communistes américains blancs à l’égard de la musique noire et son utilisation à des fins d’agit-prop durant l’entre-deux-guerres (1919-1941)

En 1936, l’American Music League publiait le recueil de chansons afro-américaines Negro Songs of Protest collectées par le folkloriste communiste Lawrence Gellert. Puis en 1938 et 1939, grâce au financement du mouvement communiste américain, le producteur John Hammond présentait deux concerts intitulés From Spirituals to Swing au Carnegie Hall de New York. En plus de rendre hommage à l’histoire de la musique noire américaine, ces deux concerts défiaient la ségrégation raciale, permettant au Noirs et aux Blancs d’être rassemblés sur une même scène et de s’asseoir ensemble dans l’assistance. Au même moment, la chanteuse jazz Billie Holiday faisait fureur au Café Society, premier club « intégré » de New York et lieu de rassemblement de la gauche radicale, en interprétant soir après soir la chanson ‘’Strange Fruit’’ qui dénonçait l’horreur du lynchage toujours en vigueur dans le Sud des États-Unis. C’était l’époque du Front Populaire, la plus importante période d’influence du mouvement communiste aux États-Unis et, de surcroît, le moment de l’histoire américaine durant lequel la gauche organisée détenait un pouvoir sans précédent sur la culture de masse. Partant d’une discussion sur le potentiel révolutionnaire de la musique noire américaine et cherchant à comprendre le positionnement des mouvements sociaux vis-à-vis la culture, ce mémoire met en lumière le point de vue des communistes américains blancs face à l’émergence et à la popularité grandissante du blues et du jazz noirs aux États-Unis. En fonction des trois principales phases politiques du Parti Communiste américain (CPUSA) – la phase du colorblind class (1919-1928); la phase du nationalisme noir (1928-1935); le Front Populaire (1935-1940) – ce mémoire retrace les changements d’attitude de la vieille gauche envers la culture populaire et suggère que le mouvement communiste américain a tenté d’utiliser le blues et le jazz à des fins d’agit-prop.

Introduction

Lying at its core, antiquity has saturated Western culture so thoroughly as to be present everywhere, and it is continually revealing itself in new ways. The aspects of the ancient world which we imitate, ridicule, fantasise about, shudder at or privilege tell us who we are—as they always have. As long as our culture continues to evolve, there will always be new things to be learned about its ancient Greek and Roman heritage. Classics For All invites both academic (from a variety of disciplines) and non-academic readers to take a fresh look at the ancient world as inspiration in mass culture.

Tatuagem: cultura de massas e afirmação subjetiva incorporadas

Como afirmar a própria subjetividade e pertenças identitárias num mundo em constante mudança pelo excesso de informação midiática e pela alternância de papéis sociais? Para jovens urbanos, o consumo cultural possibilita utilizar a imagem do próprio corpo como instância de incorporação de valores, símbolos midiáticos e expressão de subjetividade a partir de sua escolha por produtos simbólicos veiculados pela mídia da comunicação de massa e tatuados na pele. Com suporte principal em Hall, Canclíni, Morin e Le Breton, partimos do pressuposto de que não existe realidade sem representação da linguagem; assim, a opção por certos tipos de narradores midiáticos da cultura contemporânea põe em foco o simbolismo sobreposto à pele, que reproduz imagens icônicas de bandas, filmes e desenhos animados ou de quadrinhos. Essas imagens são resíduos de memórias individuais/coletivas ostentadas socialmente e que discursam sobre as relações de consumo dos sujeitos sociais e as novas sensibilidades originadas da convivência tecnologicamente midiatizada

De socialidades mediadas e do homer a propósito do espectador-reativo em Jesús Martín-Barbero

This study aims to examine the contemporary viewer and also propose a review of the literature surrounding the spanish researcher Jésus Martín-Barbero. The proposed review, based on Martín-Barbero observations and the Latin American Cultural Studies analysis, observes the individual as part of the processes of communication and research on the concept of cultural mediation, the viewer as component/agent/object of the production of meaning. The study will perceive it as an element of inaccuracy/inadequacy and understand it as a subject of these reactive processes that contain complex and involve communication and culture, in contrast the impressions that resulted from a discussion between a television professional and a communication researcher and of these findings on the same viewer. The work also aims to point the viewer as a component of the possible mapping desired by Martín-Barbero to massive contemporary interpretation of the processes and its concept of night map