Les fées du moyen-âge, recherches sur leur origine, leur histoire et leurs attributs, pour servir à la connaissance de la mythologie gauloise,

Mode of access: Internet.

Mythologie der feen und elfen : vom Ursprunge dieses Glaubens bis auf die neuesten Zeiten /

Mode of access: Internet.

Fairy and folk tales of the Irish peasantry /

Variant issue: series title on half title; errata slip inserted at p. [ix].

The brownies through the Union /

Includes table of contents.

Wald- und Feldkulte /

The "Mythologische Forschungen aus dem Nachlasse von W. Mannhardt, Hrsg. von H. Patzig, Strassburg, 1884" was intended to form v. 3 of the "Wald- und Feldkulte".

A little book of profitable tales /

The first Christmas tree.--The symbol and the saint.--The coming of the prince.--The mouse and the moonbeam.--The divell's Chrystmass.--The mountain and the sea.--The robin and the violet.--The oak-tree and the ivy.--Margaret; a pearl.--The springtime.--Rodolph and his king.--The Hampshire hills.--Ezra's Thanksgivin' out West.--Ludwig and Eloise.--Fido's little friend.--The old man.--Bill, the lokil editor.--The little yaller baby.--The cyclopeedy.--Dock Stebbins.--The fairies of Pesth.

Short plays about famous authors,

Introduction.--A mistake at the manor ["based on an incident in the early life of Oliver Goldsmith"]--When Heine was twenty-one.--Miss Burney at court.--A Christmas eve with Charles Dickens.--The fairies' plea; an interlude for Shakespeare day. Adapted from Thomas Hood's "Plea of the midsummer fairies."

Remains of Nithsdale and Galloway song: with historical and traditional notices relative to the manners and customs of the peasantry.

Almost wholly the work of Allan Cunningham, who supplied Cromek with original poems, disguised as old ballads, etc. Whether Cromek suspected the imposition is not clear. cf. Dict. nat. biog. and D. Hogg, Life of A. Cunningham. 1875 (esp. p. 49-, & 79)

Espanto: Adaptação de excertos do romance "As aventuras de joão sem medo" de José Gomes Ferreira para um espectáculo de formas animadas, duas actrizes e uma máquina de "encontar"

A partir de excertos do romance "As Aventuras de João Sem Medo" (publicado em 1963) de José Gomes Ferreira (1900-1985), criou-se um espectáculo para duas actrizes manipuladoras de bonecos, interagindo com uma máquina de cena. De início, identificaram-se no romance uma série de atmosferas e pequenas unidades de acção, que serviram de base para o guião do espectáculo orientado para um público heterogéneo. Partindo dos recursos existentes, procurou-se uma dramaturgia do texto com dois níveis de representação: o jogo entre as actrizes que, enquanto fadas competem entre si pelo uso da máquina de "encontar"; e o jogo entre os bonecos que, embora autónomo do ponto de vista narrativo, acaba por funcionar como a materialização do conflito entre as manipuladoras. Do texto para o teatro, assistimos ao espanto que nos provoca uma marioneta rebelde. /ABSTRACT: From excerpts of the "The Adventures of Fearless John" a romance (published in 1963) by Jose Gomes Ferreira (1900-1985), a show was created for two actresses I puppeteers who interact with an onstage prop. From the beginning, a series of different moods and small units of action were identified, and serve as the basis for the show oriented to a general audience. Trough the existing resources, two different levels of representation were found to dramatize the text: the interplay between the actresses who, while portraying fairies, compete for the use of the storytelling box; and the interplay between the puppets who, although they are independent from the narrative point of view, end up functioning as a materialization of the conflict between the puppeteers. From the text to the theatre, we witness the wonder that a rebellious puppet inspires.