De desperata Caluini causa tractatus breuis ... : in quo sectae caluinisticae non tam picta effigies, quam viuum corpus, cuius spectandum ad oculum axhibetur ... /

Mode of access: Internet.

Jaddus pro republica : effigies praeclari tertio ante Christum seculo summi pontificis ... Psalmo CXIX, libris V ... /

Mode of access: Internet.

The antient sepulchral effigies and monumental and memorial sculpture of Devon.

"Two papers read at the College hall, before the Exeter diocesan architectural society ... 6th December, 1866 ... 23rd July, 1874, and afterwards printed in their transactions."--Pref.

A poesia de Paul Auster

This thesis examines Paul Austers extremely neglected early work: his poetry. Five books were published: Unearth (1974), Wall writing (1976), Effigies (1977), Fragments from cold (1977) and Facing the music (1980), available only at antiquarians and restrective universities libraries in the United States, as well as at the New York Public Library. Studies around Austers poetic oeuvre are restricted to papers, reviews, translators introduction, and a thesis that focus on his poetry to produce new analyses and interpretations of Austers novelistic works. The aim of this thesis is to gather this scattered material and provide new parameters of study around his poetry. Divided into three chapters, the first one maps the literary magazines where Auster published his poems at first, the translations of his poems and critical fortune; the second examines Austers five books according to three specific topics authorship, language, I and other themes related to them; the third analyzes White Spaces, text considered by the author as the bridge that leads him to prose and in this thesis as a singular writing in which Auster consolidates his literary project, since poetry, previous to prose, yet to come. Maurice Blanchot, Karlheinz Stierle and, principally, Auster, lay the foundation of the investigation. Other theorists who contribute to the understanding of the subject will be called to build the sui generis comparativism put into effect here

Historia de la vida de S. Vicente Ferrer : Apostol de Europa : Hijo de la Nobilissima Ciudad de Valencia ...

Según Serrano Morales, en la imprenta del Molino de Rovella en 1713 trabajaba el impresor Juan González

West & Central Africa, ca. 1690 (Raster Image)

This layer is a georeferenced raster image of the historic paper map entitled: Effigies ampli Regni auriferi Guineae in Africa siti, extensum inde ad insulis Atlanticis, vulgo dictis, de Cabo Verde : ad flumen Benin, us[que], ad cujus ripam sita est Regia urbs et magna Benin, at[que] inde ad promontorium Lopi Gonsalvi, delineata per S. Rovelascum, et politioribus lineamentis figurata per Lodovicum Texeram, protocosmographum Regis Hispaniarum ; Baptista Doetechomius sculpsit ; Carolus Allardt excudit. It was published by Carolus Allardt ca. 1690. Scale [ca. 1:8,000,000]. Covers portions of West and Central Africa. Map in Latin and Portuguese.The image inside the map neatline is georeferenced to the surface of the earth and fit to the World Miller Cylindrical projected coordinate system. All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, index maps, legends, or other information associated with the principal map. This map shows features such as drainage, cities and other human settlements, shoreline features, and more. Includes also illustrations and text.This layer is part of a selection of digitally scanned and georeferenced historic maps from the Harvard Map Collection. These maps typically portray both natural and manmade features. The selection represents a range of originators, ground condition dates, scales, and map purposes.

[Oeuvres]

Articles du Pays et de l'Autorité.

Front, side, and back views of human effigy-head water bottle

verso: "Shawnee Village, Mat Lock Plantation." Univ. of Arkansas Collection. University of Chicago Arkansas Pictorial Survey Neg.#136,137,138

Attica demonstration

Inscription: Verso: [Stamped] Please Credit Bettye Lane [480 W. Broadway New York, N.Y. 10012 OR 3-8187-SP 7-3095].