Temas de historia argentina y americana, 2004, n° 5 (número completo)

Mundo rural, mundo urbano: la mirada de La Nueva República hacia los problemas agrarios / Ángeles Castro Montero -- La revista Ideas (1903-1905) / Verónica Ferrazzini -- Estanislao Zeballos y los incentivos para la naturalización de extranjeros. Perfil de un legislador que buscó comunicar identidad / María Gabriela Micheletti -- El Centenario y la “cuestión social”. Una iniciativa académica / Hebe Carmen Pelosi -- Los entretelones de una candidatura: Agustín P. Justo y las elecciones de noviembre de 1932 / Elena T. Piñeiro -- Acción diplomática del general Paz en Corrientes como director de la guerra contra Rosas (1845-1846) / Gustavo Enrique Poenitz -- Las finanzas públicas de la provincia de Corrientes durante la Organización Nacional (1810-1861) / Enrique César Schaller -- Informes sobre las misiones franciscanas en la Nueva California. 1806-1812 / Juan Villegas S. J. -- Reseñas Bibliográficas -- Normas sobre colaboraciones en la revista

Collecção das Leis do Brazil de 1812

Parte 1 - Cartas de Lei, Alvarás, Decretos e Cartas Régias

Collecção das Leis da Republica dos Estados Unidos do Brazil de 1903

Parte 1 - Atos do Poder Legislativo

Synopse dos trabalhos da Camara dos Srs. Deputados : relativos ao anno de 1903 : acompanhados de differentes documentos : organisados na Secretaria da mesma Camara

Sinopse dos trabalhos da Câmara dos Deputados, em 1903.

The genesis and achievement of a limnologist: George Evelyn Hutchinson, 1903-1991

An obituary of the limnologist G.E. Hutchinson is given.

IMPROVISATION AND THE CONCERT SAXOPHONIST: A SURVEY OF COMPOSITIONAL AND PERFORMANCE TECHNIQUES

Much of the contemporary concert (i.e. “classical”) saxophone literature has connections to compositional styles found in other genres like jazz, rock, or pop. Although improvisation exists as a dominant compositional device in jazz, improvisation as a performance technique is not confined to a single genre. This study looks at twelve concert saxophone pieces that are grouped into three primary categories of compositional techniques: 1) those containing unmeasured phrases, 2) those containing limited relation to improvisation but a close relationship to jazz styles, and 3) those containing jazz improvisation. In concert saxophone music, specific crossover pieces use the compositional technique of jazz improvisation. Four examples of such jazz works were composed by Dexter Morrill, Phil Woods, Bill Dobbins, and Ramon Ricker, all of which provide a foundation for this study. In addition, pieces containing varying degrees of unmeasured phrases are highlighted. As this dissertation project is based in performance, the twelve pieces were divided into three recitals that summarize a pedagogical sequence. Any concert saxophonist interested in developing jazz improvisational skills can use the pieces in this study as a method to progress toward the performance of pieces that merge jazz improvisation with the concert format. The three compositional techniques examined here will provide the performer with the necessary material to develop this individualized approach to improvisation. Specific compositional and performance techniques vary depending on the stylistic content: this study examines improvisation in the context of concert saxophone repertoire.

Eruz: del 1812 : [vue générale nocturne de la baie de Naples et Vésuve en éruption au premier plan] : [peinture]

Collectionneur : Lesouëf, Auguste (1829-1906)

Souvenirs et fragments pour servir aux Mémoires de ma vie et de mon temps. T. III, Mars 1806-novembre 1812 / par le Marquis de Bouillé (Louis-Joseph-Amour), 1769-1812 ; publiés, pour la Société d'histoire contemporaine, par P.-L. de Kermaingant

Collection : Publications de la Société d'histoire contemporaine ; 35, 41, 51