Kitāb-i Khayrāt-i ḥisān

az talʼīfāt-i Iʻtimād al-Salṭanah Muḥammad Ḥasan Khān.

Hybridity, communism and the avant-garde: Irena Blühová and Tina Modotti

This investigation compares the work of Irena Blühová and Tina Modotti between 1924 and 1936 based on ideas of cultural hybridity, photographic theory and social and Marxist art history. Centred on the premise that they worked in similar socio- political environments, shared common biographical points and were some of the first modernist women photographers in their region, a number of aspects relating to their work are examined in relation to their socio-political background. Selected works by Blühová and Modotti are analysed and compared, making apparent that, whilst they start photographing with different ulterior motives, thematically their work is moving into a similar direction from around 1926. Partly, this is due to their involvement with the communist party and the links between politics and photography on an international scale; partly to the fact that they share a concern for the culture of the countries they worked in. These concerns are expanded upon by the fact that both Blühová and Modotti intermediate between the national and the international, the aesthetic, social and the political within their local contexts, which forms distinct similarities in their work.

Wine, women & waltz : a romantic biography of Johann Strauss, son and father /

Mode of access: Internet.

The romance of biography; or, Memoirs of women loved and celebrated by poets, from the days of the troubadours to the present age; a series of anecdotes intended to illustrate the influence which female beauty and virtue have exercised over the characters and writings of men of genius,

First published under title: Loves of the poets. London, 1829.

Pianist Heida Hermanns née Goldschmidt seated at a piano; Berlin Portraits Women

Digital Image

Seated portrait of Elisabeth Bell Portraits Women

Photographers stamp bottom left

Women of achievement : written for the Fireside Schools, under the auspices of the Woman's American Baptist Home Mission Society / by Benjamin Brawley.

http://www.archive.org/details/womenofachieveme00brawrich

Recovering lost lives: researching women in legal history

Drawing on the research I undertook into the life of Gwyneth Bebb, who in 1913 challenged the Law Society of England and Wales for their refusal to admit women to the solicitors’ profession, this article focuses on the range of sources one might use to explore the lives of women in law, about whom there might be a few public records but little else, and on the ways in which sources, even official ones, might be imaginatively used. It traces the research process from the case that inspired the research (Bebb v The Law Society [1914] 1 Ch 286) through to the creation of an entry in the Oxford Dictionary of National Biography and what this means for women’s history, emphasising the importance of asking the ‘woman question’ and seeking out the broader significance of a woman’s life in the context of her times.

Eunice Ford Stackhouse Biography - Accession 15 - M1 (1)

This collection consists of a biography of Eunice Ford Stackhouse (1885-1980) titled Eunice Ford Stackhouse: Educator and Civic Leader by Mary Frayser in 1959. Mrs. Stackhouse was an educator and civil leader. Mary Frayser includes excerpts and original correspondence of Mrs. Stackhouse in the publication.

Italian American women in Helen Barolini's Umbertina

This essay analyzes the story and the culture of Italian American women, in particular how they are treated in the novel "Umbertina" by Helen Barolini. The essay first introduces briefly the causes of the great migration and the conditions of immigrants in the US. Then the focus moves on the analysis of the main themes that belong to the genre of Italian American literature. After having shortly treated the biography of Helen Barolini and a general presentation of her novel Umbertina, the essay goes on with the description of its three Italian American female characters and, in particular, of what it meant to be both immigrants and women, together with all the interior and generational conflicts they had to face in order to accept their new hybrid identity. An analysis of some meaningful metaphorical objects in the novel, such as the tin heart and the bedspread, the metaphor of Persephone and of the threshold conclude the essay. Through the analysis of the story of Umbertina, this essay wants to show how migration can lead to a displacement and the kind of journey people had to undertake in order to overcome the conflicts deriving from their belonging to an in-between culture and to accept their hybrid identity.

The drawing-room portrait gallery of eminent personages : Principally from photographs by Mayall in Her Majesty's private collection, and from the studios of the most celebrated photographers in the Kingdom. Engraved on steel by D.J. Pound /

At head of title: Dedicated to Her Most Gracious Majesty the Queen.

Great men and famous women; a series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in history ...

--1,2. Soldiers and sailors. --3,4. Statesmen and sages. --5,6. Workmen and heroes. --7,8. Artists and authors.

British female biography, being select memoirs of pious ladies in various ranks of public and private life.

Mode of access: Internet.