Richard Breitenfeld als Wolfram von Eschenbach, Rollenbild, Brustbild, in: Richard Wagner: Tannhäuser und der Sängerkrieg auf der Wartburg

Signatur des Originals: S 36/F03177

Richard Breitenfeld als Wolfram von Eschenbach, Rollenbild, Brustbild, in: Richard Wagner: Tannhäuser und der Sängerkrieg auf der Wartburg

Signatur des Originals: S 36/F03179

Fritz Brodersen als Wolfram von Eschenbach, Rollenbild, Hüftbild, in: Richard Wagner: Tannhäuser und der Sängerkrieg auf der Wartburg

Signatur des Originals: S 36/F03239

Karl Scheidemantel als Wolfram von Eschenbach, Rollenbild, in: Richard Wagner: Tannhäuser und der Sängerkrieg auf Wartburg

Signatur des Originals: S 36/F06223

Baptist Hoffmann als Wolfram von Eschenbach, Rollenbild, Kniestück, in: Richard Wagner: Tannhäuser und der Sängerkrieg auf Wartburg

Signatur des Originals: S 36/F08837

Wolfram von Eschenbach; ein festspiel ...

Mode of access: Internet.

Wörterbuch zu Hartmanns Iwein /

Bibliography: p. viii-ix.

The Transmission of Manuscripts and the Genetics of Texts. A new critical edition of Wolfram von Eschenbach’s Parzival

The discussion on the New Philology triggered by French and North American scholars in the last decade of the 20th century emphasized the material character of textual transmission inside and outside the written evidences of medieval manuscripts by downgrading the active role of the historical author. However, the reception of the ideas propagated by the New Philology adherents was rather divided. Some researchers questioned its innovative status (K. Stackmann: “Neue Philologie?”), others saw a new era of the “powers of philology” evoked (H.-U. Gumbrecht). Besides the debates on the New Philology another concept of textual materiality strengthened in the last decade, maintaining that textual alterations somewhat relate to biogenetic mutations. In a matter of fact, phenomena such as genetic and textual variation, gene recombination and ‘contamination’ (the mixing of different exemplars in one manuscript text) share common features. The paper discusses to what extent the biogenetic concepts can be used for evaluating manifestations of textual production (as the approach of ‘critique génétique’ does) and of textual transmission (as the phylogenetic analysis of manuscript variation does). In this context yet the genealogical concept of stemmatology – the treelike representation of textual development abhorred by the New Philology adepts – might prove to be useful for describing the history of texts. The textual material to be analyzed will be drawn from the Parzival Project, which is currently preparing a new electronic edition of Wolfram von Eschenbach’s Parzival novel written shortly after 1200 and transmitted in numerous manuscripts up to the age of printing (www.parzival.unibe.ch). Researches of the project have actually resulted in suggesting that the advanced knowledge of the manuscript transmission yields a more precise idea on the author’s own writing process.

O cantar da Germânia: política e cultura na Alemanha na passagem dos séculos XII e XIII

Esta tese desenvolvida na linha de pesquisa Política e Cultura destaca o interesse pelos fenômenos da transmissão do conhecimento intelectual. A tese reconstrói a expressão da cultura política medieval germânica pela ótica de dois poetas, Walther von der Vogelweide e Wolfram von Eschenbach, integrantes da aristocracia guerreira. Os suportes teóricos dos Sprüche, sentenças de natureza política de Vogelweide e do Parzifal de Eschenbach, foram fundamentais para compreender o posicionamento político e cultural alemão frente às transformações que afetaram a Cristandade no período de fins do século XII ao início do século XIII. Esse período foi marcado pelo confronto de Papas e Imperadores em torno do direito de exercer a autoridade no âmbito do Sacro Império Romano-Germânico. O movimento cruzadista, o renascimento urbano e a ascensão de novos atores sociais burgueses integram o conjunto dos elementos a serem levados em conta na elaboração da tese. A ideia norteadora do trabalho tornou necessário recorrer a obras literárias com objetivo de elucidar questões de natureza histórica, tendo claro que a Literatura não é um contraponto da História e o texto resultante contribua para ressignificar a produção política da cultura medieval e um melhor entendimento dos mecanismos do poder na Alemanha medieval. No plano teórico-metodológico recorremos à chamada História Cultural fornecendo uma visão integradora dos planos político, social e econômico.

Über die quellengemeinschaft des mittelenglischen gedichtes Seege oder Batayle of Troye und des mittelhochdeutschen gedichtes vom trojanischen kriege des Konrad von Würzburg. Inaugural-dissertation, Leipzig.

"Vita," after p. 88.

Parcival, Rittergedicht : Aus dem Mittelhochdeutschen zum ersten Male übersetzt von San-Marte [Albert Schulz].

Mode of access: Internet.