La recepció de Virginia Woolf fins a la guerra

Aquest article és una crònica de la recepció que va tenir Virginia Woolf a Catalunya fins a final de la guerra civil espanyola. Més enllà de consignar els comentaris que van suscitar les traduccions de Mrs. Dalloway (1931) i Flush (1938), es reconstrueixen les principals línies crítiques del discurs sobre l¿escriptora, en el qual hi van tenir molt pes qüestions tant d¿ordre moral com estètic. En darrer terme, l¿estudi demostra que la tèbia rebuda de Woolf es degué al fet que ben aviat es va considerar que ni les traduccions de la seva obra ni la seva influència literària podien col¿laborar a consolidar un públic lector de novel¿les en català.

Flush, de Virginia Woolf, en Català i la carrera literària de Roser Cardús

Flush (1933), de Virginia Woolf, protagonitzada pel gos de la poeta Elisabeth Barrett Browning, es va traduir al català cinc anys després, a Edicions de la Rosa dels Vents, quan encara es podia veure a la cartellera barcelonina la pel·lícula que narrava la història del matrimoni de poetes Browning, The Barrets of Wimpole Street, estrenada l�any 1934 i dirigida per Sidney Franklin. També havia arribat a Catalunya la traducció francesa de Charles Mauron, publicada l�any 1935. Això va fer que l�any 1938, malgrat el conflicte bèl·lic, hi hagués un context de recepció propici a aquesta traducció, encarregada per l�editor Josep Janés i Oliver. En aquest article donem a conèixer qui era la noia de divuit anys que va realitzar la traducció al català a partir de la traducció francesa, Roser Cardús i Malagarriga (1920-1974), i en descrivim la carrera com a escriptora i com a traductora.

Virginia Woolfista : lyhyesti ja innostuneesti

Kirjallisuusarvostelu

Patterns of faunal change at an upper Cambrian trilobite extinction event, Nolichucky Formation, Tennessee and Virginia

During the Upper Cambrian there were three mass extinctions, each of which eliminated at least half of the trilobite families living in North American shelf seas. The Nolichucky Formation preserves the record of one of these extinction events at the base of the Steptoean Stage. Sixty-six trilobite collections were made from five sections In Tennessee and Virginia. The lower Steptoean faunas are assigned to one low diversity, Aphelaspis-dominated biofacies, which can be recognized in several other parts of North America. In Tennessee, the underlying upper Marjuman strata contain two higher diversity biofacies, the Coosella-Glaphyraspis Biofacies and the Tricrepicephalus-Norwoodiid Biofacies. At least four different biofacies are present in other parts of North America: the Crepicephalus -Lonchocephalus Biofacies, the Kingstonia Biofacies, the Cedaria Biofacies, and the Uncaspis Biofacies. A new, species-based zonation for the Nolichucky Formation imcludes five zones, three of which are new. These zones are the Crepicephalus Zone, the Coosella perplexa Zone, the Aphelaspis buttsi Zone, the A. walcotti Zone and the A. tarda Zone. The Nolichucky Formation was deposited within a shallow shelf basin and consists largely of subtidal shales with stormgenerated carbonate interbeds. A relative deepening is recorded In the Nolichucky Formation near the extinction, and is indicated In some sections by the appearance of shale-rich, distal storm deposits above a carbonate-rich, more proximal storm deposit sequence. A comparable deepening-upward sequence occurs near the extinction in the Great Basin of southwestern United States and in central Texas, and this suggests a possible eustatic control. In other parts of North America, the extinction IS recorded In a variety of environmental settings that range from near-shore to slope. In shelf environments, there is a marked decrease in diversity, and a sharp reduction in biofacies differentiation. Although extinctions do take place in slope environments, there IS no net reduction in diversity because of the immigration of several new taxa.

Message from the President of the United States, in relation to the claim of Virginia, an account of interest paid by that State, on moneys borrowed for the payment of the militia thereof, for services rendered the United States.--

April 13, 1824. Printed by order of the Senate of the United States.

Message from the President of the United States, in relation to the claim of Virginia, an account of interest paid by that State, on moneys borrowed for the payment of the militia thereof, for services rendered the United States

April 13, 1824. Printed by order of the Senate of the United States. At head of title: 18th congress, 1st session. [64]. Printed by Cales and Seaton

Análisis de los factores de retardo de red que afectan el transporte de la voz sobre redes públicas de frame relay [por] María Virginia Flores González

Tesis (Maestría en Ciencias Computacionales con Especialidad en Teleinformática) U.A.N.L.

Pablo y Virginia

UANL

Pablo y Virginia

UANL

Aspects de l'identité narrative chez Witold Gombrowicz et Virginia Woolf

À la lumière de la théorie de l’identité narrative élaborée par Paul Ricœur, ce mémoire évoque la configuration identitaire des personnages dans les œuvres Cosmos et Les envoûtés de W. Gombrowicz, ainsi que To the Lighthouse et The Waves de V. Woolf. D’une part, nous analyserons l’obsession d’une mise en série aliénante dans le cas de Witold (Cosmos), suivi par un cas de dédoublement et de perte dans l’Autre chez Walczak (Les envoûtés). D’autre part, nous évoquerons le rapport à la famille (James Ramsay) en plus de l’inscription et de l’ancrage par le biais d’éléments prépondérants (The Waves). Il en résulte chez ces personnages, la conception d’une identité par l’entremise d’histoires et d’événements qui la façonnent en un parcours narratif singulier.

Virginia Woolf and the poetics of trauma narrative

Thèse numérisée par la Division de la gestion de documents et des archives de l'Université de Montréal