Atlases in libraries of Chicago; a bibliography and union check list, the University of Chicago libraries, Document section.

Planographed.

Theory of local rings; lecture notes, Summer Quarter, 1958, The University of Chicago.

Cover title.

Publications of the Yerkes observatory of the University of Chicago.

On t.p. of v. 2: also issued as v. 8 of the first series of the Decennial publications of the University.

Introduction to differential geometry : [notes for Math. 140, Dept. of Mathematics, University of Chicago /

Caption title.

The University of Chicago biographical sketches,

"Sketches of the donors of the various funds, endowments, scholarships, etc., of the university."-Pref.

A history of the University of Chicago,

Mode of access: Internet.

Studies in the packing industry [by] the Bureau of business and economic research in co-operation with the Local community research committee of the University of Chicago and the Institute of American meat packers.

Mode of access: Internet.

Philosophic studies of the University of Chicago

Mode of access: Internet.

Ronald Aronson, Sartre's second Critique. Chicago: the university of Chicago Press, 1987. 252 p.

info:eu-repo/semantics/published

Book Review: "The Interface: IBM and the Transformation of Corporate Design, 1945-1975", John Harwood, Minneapolis: University of Minnesota Press, 2011

Within the history of twentieth-century design, there are a number of well-known objects and stories that are invoked time and time again to capture a pivotal moment or summarize a much broader historical transition. For example, Marcel Breuer’s Model B3 chair is frequently used as a stand-in for the radical investigations of form and new industrial materials occurring at the Bauhaus in the mid-1920s. Similarly, Raymond Loewy’s streamlined pencil sharpener has become historical shorthand for the emergence of modern industrial design in the 1930s. And any discussion of the development of American postwar “organic design” seems incomplete without reference to Charles and Ray Eames’s molded plywood leg splint of 1942. Such objects and narratives are dear to historians of modern design. They are tangible, photogenic subjects that slot nicely into exhibitions, historical surveys, and coffee-table best sellers...

University of California publications in history.

Mode of access: Internet.